Not so, lately. Four women have disappeared from Cleary over the past two years. And there’s always a blue ribbon left near the spot where each of the women was last seen. There are no bodies, no other clues, and no suspicion as to who their abductor might be. And now, another woman has disappeared without a trace. It is to this backdrop that Lilly Martin returns to close the sale of her mountain cabin, marking the end of her turbulent eight-year marriage to Dutch Burton, Cleary’s chief of police. Dutch’s reluctance to let her go isn’t Lilly’s only obstacle. As she’s trying to outrun a snowstorm, her car skids on the icy road and strikes a man who emerges from the woods on foot. She recognizes the injured man as Ben Tierney, whom she’d met the previous summer. They’re forced to wait out the storm in the cabin, but as the hours of their confinement mount, Lilly begins to wonder if the greatest danger to her safety isn’t the blizzard outside, but the mysterious man right beside her. Is Ben Tierney the feared abductor? Or is he who he claims to be...her rescuer from harm and from the tragedy that haunts her?

    With a beautiful, terrified woman. On the 40th floor of a deserted office building. By the psyshopath they call "The Butcher."DON'T LOOK DOWNBecause you're an ex-mountain climber. Because a fall from Everest left you with a bad leg... and a paralyzing fear of heights.DON'T LOOK DOWNBecause he has slaughtered the guards and short-circuited the elevators. Because the stairways are blocked, and for you and the woman with you, there's only one escape route.DON'T LOOK DOWNBecause 600 feet of empty space are looking back at you."A real breath-taker... should hold you glued to its pages till the wee small hours." --West Coast Review of Books

    That night, with the popping of two stitches, something terrifying will emerge to tear apart the fabric of Tommy's reality--and his life.

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat.Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence--physical, sexual, and emotional--but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream--ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den's father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics."Tough Guys Don't Dance" represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes ofmachismo and homosexuality been so well explored.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    Now in Jerusalem, she mediates peace talks between Israel and Palestine, which have broken down after two high-profile deaths. Right-wing Zionist Shimon Guttman was gunned down during a supposed attempt to assassinate the Israeli prime minister. "This will change everything," Guttman had cryptically warned the prime minister before he was killed. Palestinian Ahmed Nour, a respected archaeologist, has also been killed on suspicions of being a collaborator. When Maggie discovers that the two men were colleagues, she is plunged into a mystery rooted in an unsolved riddle of the Bible. It all leads back to an ancient clay tablet looted from Baghdad's Museum of Antiquities and a secret that could end a war-or spark a new one.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    He stood by and watched as his partner and lover, Jenna Karas, double agent, was coldly and efficiently gunned down by his own agency. There's nothing left for Havelock but to get out, quit the game. Until, in one frantic moment on a crowded railway platform in Rome, Havelock sees Jenna. She's alive - and suddenly Havelock is a marked man, on the run from both US and Russian assassins. a massive mosaic of treachery created by a top-level mole with the world in his fist - Parsifal ...

    Meanwhile, an L.A. playboy beds a gorgeous redhead and wakes up with a psychopath trying to kill him. Neither Val nor Kilo know it yet, but they are on a collision course with a sexy marine biologist and one lethally dysfunctional family in this "dark, comic tour de force" (James Ellroy).

    R. Martin comes the ultimate novel of revolution, rock ’n’ roll, and apocalyptic murder—a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it.Onetime underground journalist Sandy Blair has come a long way from his radical roots in the ’60s—until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past—a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for—a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat.

    But ever since her dad, an LAPD SWAT sergeant, died, she's also got a few killer secrets.To cope, Ruby has been trying to stay focused on school (the top spot in her class is on the line) and spending time with friends (her Jimmy Choos and Manolo Blahniks are nothing if not loyal). But after six months of therapy and pathetic parenting by her mom, the District Attorney, Ruby decides to pick up where her dad left off and starts going after the bad guys herself.When Ruby ends up killing a murderer to save his intended victim, she discovers that she's gone from being the huntress to the hunted. There's a sick mastermind at play, and he has Ruby in his sights. Ruby must discover who's using her to implement twisted justice before she ends up swapping Valentino red for prison orange.With a gun named Smith, a talent for martial arts, and a boyfriend with eyes to die for, Ruby is ready to face the worst. And if a girl's forced to kill, won't the guilt sit more easily in a pair of Prada peep-toe pumps?

    After years of plastic surgery and special training, the KGB substitutes a Russian actress for the American First Lady and only journalist Guy Parker notices a few tiny, but telltale, inconsistencies

    In this adventure he must find and seize a golden Buddha - the artifact and its contents are vital to striking a deal with the Russians and the Chinese and restoring the Dalai Lama to power in Tibet.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.