But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

    Their idyllic, brief childhood together is short lived ending in hardship and heartbreak. Finding themselves alone in the world, both boys struggle to self-educate. Against the odds, Matthew Gray builds a global business empire and Luke Mbeki travels to England, in self-imposed exile, entangling himself in the anti-apartheid movement. With their paths crossing intermittently, it is only when Nelson Mandela is released from prison that Luke returns home continuing his fight for freedom alongside his comrades. Matt’s all-consuming business life continues but betrayal strikes. Leaving everything behind, he escapes to another world – an artist colony.This incredibly powerful and moving story tells how each man struggles to survive in a country deep in the throes of violent change, with friendship and families being torn apart. Matt and Luke's friendship is unimaginably tested so how does it survive in such terrifying and perilous times?

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Here are all the lyrics, series, and narratives that established Wakoski as a mythologizer of sex and self, a fierce free-verse imagist, and one of the most important and controversial poets in the United States today (Contemporary Poets). About these poems, Wakoski writes: My themes are loss, justice, truth, transformation, the duality of the world, the possibilities of magic, and the creation of beauty out of ugliness. My language is dramatic, oral, and as American as I can make it. I am impatient with stupidity, bureaucracy, and organizations. Poetry, for me, is the supreme art of the individual using language to show how special, different, and wonderful his perceptions are. With verve and finesse. With discursive precision. Arid with utter contempt for pettiness of imagination or spirit. Emerald Ice is a contemporary classic, the essential poems of a uniquely American female sensibility..

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    The title of the book refers to the forty acres of Montana land Welch?s father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer?s worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch?s poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.

    On that afternoon, her husband of ten years crash-landed his malfunctioning single-engine plane in Murfreesboro, Tennessee. Dr. Darrell Swank suffered multiple fractures, and third degree burns over sixty percent of his body when the gas tank exploded as he crawled away from the wreckage. Over the next five weeks, she struggled to be a mother to their children while she kept a near round-the-clock vigil at the hospital. Darrell’s survival was questionable from one day to the next, and even if he survived, would he be the same man he was before the crash? Did his fate depend on this test of her faith?The Death of Me is the true story of a wife and mother living day to day through a fog of shock and unimaginable agony. And, alone in the aftermath, fumbling for some way to not only survive, but to thrive. It is a story of pain, of release, of forgiveness. And of healing, resilience, and rebirth. It is a story of a writer finding her voice.

    Don't open the door. Jake Austin finds himself standing in the middle of a dirt road, looking at an old farmhouse with no memory of how he got there. It isn’t the first time he’s been somewhere and not remember how—but it is the first time he’s woken up alone. Valley Draper has lived in the farmhouse for as long as she can remember. It might be haunted, but nothing comes without a price. When the handsome if not confused Jake comes in like he owns the place, Valley decides quickly that he needs a rude awakening. With a storm coming closer and time ticking away, can Jake find a way back home? Or are he and Valley stuck in a place that is much more than either of them bargained for?

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    She knows nothing about her past and has been haunted by the same monsters in her nightmares for the last few months. Unemotional and numb to life, she feels disconnected from everyone. Until the very first day she cries. After that, nothing in her life is the same.Her life only gets more complicated when she meets Alex. Sexy, arrogant, and secretive, Alex can get under Gemma’s skin like no one can. Yet she’s drawn to him by an invisible connection she has no control over. She’s also seen him before. In her nightmares.Every part of Gemma’s mind is screaming at her to stay away from Alex, but every other part of her is begging to get close to him. But the closer she gets, the more she realizes Alex knows more about her than he originally let on.As secrets about her past unravel, Gemma’s life becomes threatened. She needs to figure out what’s going on, before she winds up dead. But the only person she can turn to for answers is the one person she isn’t sure she can trust.Fractured Souls (Shattered Promises, #2):(A re-imagining of my young adult book, The Underworld (Fallen Star Series, Book 2) told as a New Adult Paranormal).Gemma thought she had said her good-byes and had felt every possible emotion she could before her soul was detached again. Deep down inside, she hoped she’d never wake up from it because, in her eyes, life without emotion and memories isn’t worth living.But she does wake up and discovers she can still feel and remember everything she experienced over the last few months. Alex is also telling her that everything’s okay, that he didn’t betray her, and that what she thought happened really didn’t.Gemma isn’t sure if she can trust Alex, so she tries to keep her distance from him, even though the electric connection and her desire make it nearly impossible. The only person she can trust is Laylen, but even that becomes complicated when the lines of their friendship begin to blur.While Gemma struggles with her emotions and relationships, she searches for her mother, entering a dangerous world of secrets, seduction, and evil. The further she digs into her mother’s secrets and past, the more she wonders what waits for her at the end of her search and if maybe some things are better left in the dark.Unbroken (Shattered Promises, #2.5):Alex thought things were already complicated, but then Gemma shows up possessed by Stephan and she wants to kill him. Normally, he would eliminate someone in Gemma’s position to protect himself, but his feelings for Gemma won’t allow him to do that. She’s too important to him and he knows he has to save her without hurting her.But can he find a way to save her before someone gets hurt?Broken Visions (Shattered Promises, #3):(This is a re-imagining of my Young Adult Paranormal book, The Vision (Book 3 in the Fallen Star Series) told as a New Adult Paranormal)Gemma thought Alex was dead, that she’d made an irreversible mistake and would never see him again. But then her father resets time and she’s given another chance to be with Alex, if she can save the world and get rid of the star.Gemma decides to follow in her father’s footsteps and attempt to change the vision of the end of the world. If she can pull it off, then maybe she can have the normal life she’s always wanted and Alex and her can have a chance for a real future.But changing visions is dangerous, and sometimes one small mistake can lead to disastrous results.All books have a **Mature Content Warning** 17+ for language and sexual content.

    Ignorance is no excuse for the cops and creeps and exterminators whose desires shaped the world. Knowledge is a little power, a dangerous thing, to the cross-dressers and risk-takers who understand enough to damage the world more to their liking. They all collude and collide on a driverless ride, each trying to be the one to break the secret heart of the world. But only one can claim the prize of being the cosmos' corrupt ward boss. Only one can be the Godwalker.

    Narrative elaboration becomes speed and song. Less embattled than earlier work, less actively violent, these new poems have, by conceding time's finalities and triumphs, acquired a dark radiance unlike anything seen before in Bidart's long career. Mortality--imminent, not theoretical--forces the self to question the relation between the actual life lived and what was once the promise of transformation. This plays out against a broad landscape. The book opens with Marilyn Monroe, followed by the glamour of the eighth-century Chinese imperial court (seen through the eyes of one of China's greatest poets, Tu Fu). At the center of the book is an ambitious meditation on the Russian ballerina Ulanova, "Giselle," and the nature of tragedy. All this gives new dimension and poignance to Bidart's recurring preoccupation with the human need to leave behind some record or emblem, a made thing that stands, in the face of death, for the possibilities of art. Bidart, winner of the 2007 Bollingen Prize in American Poetry, is widely acknowledged as one of the significant poets of his time. This is perhaps his most accessible, mysterious, and austerely beautiful book.

    The Aggadeh Empire was seeking dragons. Little did Nem expect that he would come face-to-face with both in the far north city of Balon. Is he destined to become an ally of the Empire? Or its prisoner? And what is he going to do with a dragon who might turn the city into a bloodbath?