Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed. Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart.Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).

    But Joe's snug, happy world is crumbling. Recently diagnosed with Parkinson's disease, he's dreading the inevitable and all too palpable deterioration of his body and mind. Then, when the police ask for his help in solving the brutal murder of a woman they assume is a prostitute, he's horrified to recognize the victim as a nurse he once worked with, and with whom he had a bit of a past. As Joe begins to suspect that one of his patients may be responsible, the police zero in on him.Michael Robotham possesses the rare ability to create fully believable characters, fashion terrific dialogue, and generate nonstop suspense. Suspect is a powerhouse first novel, intricately crafted and chillingly authentic.

    But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor—the ultimate warrior mom.With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.But just when she’s starting to feel at ease in her new identity, a body turns up in the lake—and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed—or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.

    Now, at nineteen, Paul must bear witness against his friend to avoid prison. Louisa's own dark secrets led her to flee a desperate infatuation gone wrong many years before. Now she spends her days steeped in history, renovating the grounds of a crumbling Elizabethan garden. But her fragile peace is shattered when she meets Paul; he's the spitting image of the one person she never thought she'd see again.These two, scarred and solitary, begin a secret affair. Louisa starts to believe she can again find the happiness she had given up on. But neither of them can outrun his violent past.A story of secrets and guilt set among the ruins of a sixteenth- century English garden, The Dark Rose explores the extremes of obsessive love and loyalty, devotion and desperation. Like Kelly's critically acclaimed debut novel, The Poison Tree, this fantastically creepy, atmospheric novel thrills until the final shocking moments.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    Two families. Two lifetimes' worth of secrets.In the wake of her husband’s sudden death, Cassie Costas finds her relationship with her teenage stepdaughter unraveling. After their move to historic Tarpon Springs, Florida, Savannah hates her new town, her school and most of all her stepmom, whom she blames for her father’s death. Cassie has enough to contend with as she searches for answers about the man she shared a life with, including why all their savings have disappeared.When Savannah’s rebellion culminates in an act that leaves single mother Amber Blair and her sixteen-year-old son homeless, Cassie empathizes with the woman’s predicament and invites the strangers to move in. As their lives intertwine, Cassie realizes that Amber is hiding something. She’s evasive about her past, but the fear in her eyes tells a darker story. Cassie wonders what the woman living under her roof is running from…and what will happen if it finally catches up to her.

    She calls herself Julie, says she’s from California, and slips back to a rented room at night. Regularly, furtively, she checks the hometown paper on the Internet. Home is Garland, Tennessee, and there, two young men have just been paroled. One, she married; the other, she’s in love with. Both were jailed for a crime that Grace herself planned in exacting detail. The heist went bad—but not before she was on a plane to Prague with a stolen canvas rolled in her bag. And so, in Paris, begins a cat-and-mouse waiting game as Grace’s web of deception and lies unravels—and she becomes another young woman entirely.Unbecoming is an intricately plotted and psychologically nuanced heist novel that turns on suspense and slippery identity. With echoes of Alfred Hitchcock and Patricia Highsmith, Rebecca Scherm’s mesmerizing debut is sure to entrance fans of Gillian Flynn, Marisha Pessl, and Donna Tartt.

    They're searching for Ruby's father, missing in the arctic wilderness.More isolated with each frozen mile they cover, they travel deeper into an endless night. And Ruby, deaf since birth, must brave the darkness where sight cannot guide her.She won't abandon her father. But winter has tightened its grip, and there is somebody out there who wants to stop them.Somebody tracking them through the dark.

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    Yet, even as he matches wits with his seemingly clairvoyant opponent, Gurney’s tragedy-marred past rises up to haunt him, his marriage approaches a dangerous precipice, and finally, a dark, cold fear builds that he’s met an adversary who can’t be stopped.In the end, fighting to keep his bearings amid a whirlwind of menace and destruction, Gurney sees the truth of what he’s become – what we all become when guilty memories fester – and how his wife Madeleine’s clear-eyed advice may be the only answer that makes sense.A work that defies easy labels -- at once a propulsive masterpiece of suspense and an absorbing immersion in the lives of characters so real we seem to hear their heartbeats – Think of a Number is a novel you’ll not soon forget.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.