In the days it takes the authorities to make an identification, the residents rekindle stories, rumors, and recollections both painful and poignant as they revisit Jess’s troubled history. In resurrecting the past, the people of Sycamore will find clarity, unexpected possibility, and a way forward for their lives.

    Change is in the air and hope is running high. And for twenty-five-year-old, self-proclaimed cool man Michael Bishop, so is the alcohol and the bluster. Working a dead-end job proofing subtitles on third-rate videos, Michael has kept his future at bay through a stream of boozy nights or by blowing time in front of his Nintendo. That is, until he meets Ivy Chase, the smart, pretty pastor’s daughter whose innocent charm takes his breath away. But Ivy turns out to be much more than Michael bargained for, and in a moment that surprises even him, he makes the decision of his life.Smart, funny, poignant, and very, very timely, Last Call in the City of Bridges is a Bright Lights, Big City for the new millennium. With its memorable characters and unforgettable scenes, this insightful look into twenty-first-century America is a book you won’t want to put down.“Like the comic book heroes he obsesses over, Michael Bishop has an origin story, the story of the first wound that makes his powers necessary. In Last Call in the City of Bridges, Michael at last faces into that tragedy, resurfacing suddenly at the mid-point of his twenties, those years of snark and expectation spent proofreading DVD subtitles, drinking literature-themed cocktails, and pining over preacher’s daughters and college crushes. In this witty and charming debut, Salvatore Pane reminds us that while you can’t retcon your past, you can perhaps learn to live up to its responsibilities, by using your powers not necessarily to save the ones you love from loss, but to care for those left behind in its wake.”–Matt Bell, author of Cataclysm Baby“Quite obviously, Salvatore Pane’s mind has been dunked in video games, social media, comic books, the WebNet, and everything else our august literary authorities believe promote illiteracy. I’d like to hand the authorities Pane’s novel–a funny, moving, melancholy, sad, and immensely literate book about what being young and confused feels like these days–and tell them, ‘See? Things are going to be fine!’”-Tom Bissell, author of Extra Lives and Magic Hours“Last Call in the City of Bridges is Goodbye, Columbus 2.0, a poignant novel about looking for something real in a plastic world where Irony is Everything. This generational anthem is ultimately, despite all the 21st century detritus, an old-fashioned page turner, full of old verities and truths of the heart. Salvatore Pane’s voice is both new and necessary, one I know I’ll be reading for years to come.”–Cathy Day, author of The Circus in Winter and Comeback Season“Salvatore Pane is the acknowledged Hipster Prince of Pittsburgh, PA, which is the acknowledged Paris of Middle America. If his publishers had taken my advice they would have titled his groundbreaking first novel: A Hipster’s Guide to the Galaxy, the Book of Laughter and Longing. His very humorous novel is voice and character driven, a virtual page turner. Yet for all its humor, the novel has an underpinning of real humanity. I was laughing out loud while at the same time gritting my teeth in shared, profoundly recalled embarrassment.”-Chuck Kinder, author of Honeymooners and Last Mountain Dancer“Like his post po-mo Facebook generation, Michael Bishop, the manic narrator of Last Call in the City of Bridges, has reached the end of his irresponsible youth. Stuck and unsure, he looks back at those eight-bit Nintendo years with tender nostalgia while trying to feel his way forward. Like The Moviegoer, Salvatore Pane’s debut novel is a romantic ironist’s plea for authenticity in a fantastic age. It’s telling–and hilarious–that his hero’s model for male adulthood isn’t William Holden but Super Mario.”–Stewart O’Nan, author of The Odds: A Love Story and Snow Angels

    But only in one direction—from simple to complicated. When he was nine, Morris Bird III learned the meaning of bravery. Now, at seventeen, he's on the verge of adulthood . . . and he's fallen in love. But it's 1952 and the Korean War hangs over his head like a dangling sword—and his prickly, complicated relationship with his cold and silent father has never been satisfactorily resolved. When Morris's own mortality stares him in the face, he learns what it truly means to become a man. The Greatest Thing That Almost Happened is the final book in Don Robertson's classic trilogy featuring one of the most endearing characters in American literature.

    Women's Studies. Art by Amy Sillman. The long out-of-print 1978 novella by the brilliant Lynne Tillman catalogs a series of encounters and relationships spanning the 60s and the 70s. Fucking is involved. So is weird, but in a way that means more than just weird. Think wyrd, like the witch sisters of Macbeth, or already feeling like a ghost, or waiting in a Victorian nightgown on Valium for two months, or knowing more about the cock of the baby alien in your bed than about his face. It's an early work, but already the sentences are classic Lynne Tillman, brutal, funny, concrete, and haunted. This is how WEIRD FUCKS should have always been, alone and beautiful and shiny in the world. The 8 full color artworks by Amy Sillman rub up against the words, and the fine detail and construction make it a pleasurably Weird Fuck to read and hold.

    Dinah, an avante-garde composer, treasures her independence. Yet it takes Willie's kindness and Susan's fire to sustain her. Willie is a left-wing sculptor in a right-wing age. And Susan, his wife, is a fabric designer who craves glamour, wealth, and the attentions of the summer people who visit Cape Cod every year. Then one summer, the balance shifts. Passions are tested, honesty forsaken, and the trio must face the changes brought by their beautiful visitors . . .

    A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    Living lives that never stop moving, from their first encounter in Bermeja to marriage in London and travels to such places as Saint-Tropez, Tangier, and Santa Clara, Helen and Christopher must decide how much they exist for themselves and how much they exist for each other.In an effort to build his firm, Christopher leads a life full of speed and ambition with little time for Helen and even less when he suspects his business partner of illegal activity. Helen, a reluctant voyeur to Christopher’s world of power and position, searches far and wide for reporting work that will “take a bite out of her soul”—refugees in Calais, a mountain climber in Chamonix, an orphaned circus performer in Cuba. A Theory of Love captures the ambivalence at the center of human experience: does one reside in the familiar comforts of solitude or dare to open one’s heart and risk having it broken? Set in some of the most picturesque places in the world, this novel questions what it means to love someone and leaves us wondering—can nothing save us but a fall?

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    He lands in Berlin where he meets a group of art monsters living in the Teutonic equivalent of Warhol’s Factory. After his son’s abrupt disappearance, Burr dusts off his more speculative ideas in a last-ditch effort to command both Owen’s and the world's attention.   A Brave Man Seven Storeys Tall offers a persuasive vision of faith, ambition, art, family, and the myths we write for ourselves.

    It became his training, his life’s work. But when his wife, Marie, inherits her father’s failing farm, Roscoe has to give up his livelihood, with great cost to his sense of self, his marriage, and his family. Realizing he might lose them all if he doesn’t do something, he begins to use his skills as an electrician to siphon energy from the state, ushering in a period of bounty and happiness. Even the love of Marie and their child seem back within Roscoe’s grasp.Then a young man working for the state power company stumbles on Roscoe’s illegal lines and is electrocuted, and everything changes: Roscoe is arrested; the farm once more starts to deteriorate; and Marie abandons her husband, leaving him to face his twenty-year sentence alone. Now an unmoored Roscoe must carve out a place at Kilby Prison. Climbing the ranks of the incarcerated from dairy hand to librarian to “dog boy,” an inmate who helps the guards track down escapees, he is ultimately forced to ask himself once more if his work is just that, or if the price of his crimes—for him and his family—is greater than he ever let himself believe.

    Lucy Von Alstyne sends fictitious letters to her friend Alicia, pretending to be the father of Alicia's twins, and the two welfare mothers and their five children set off on a journey to find him, facing along the way the complications of living in poverty and raising fatherless children.

    Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.   Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

    I had just come off I-65, and my high beams lit her up from behind. She was walking along the road between dark, endless cornfields, and her right leg was in a cast. She wore denim shorts and a yellow tank top that didn’t quite reach the shorts. Without crutches, she moved as fast as she could on the gravelly shoulder. She would take a long step with her good leg, stiffly swing the cast forward the same distance, and immediately start the next step. Tilting jerkily, she looked as if she would fall with every stride. I crossed the centerline to give her more room to fall. Just as I was about to pass her, she glanced over her shoulder and stuck out a thumb.When Phil Larrison picks up a hitchhiker, he gets more than he bargained for.

    Now Turner has written the novel she was born to write, this exciting and heartfelt story of a woman struggling to find herself during the tumultuous years preceding the American Revolution.The story begins in 1729, when Resolute Talbot and her siblings are captured by pirates, taken from their family's plantation in Jamaica, and brought to the New World. Resolute and her sister become indentured servants and are taught the trade of spinning and weaving. Betrayed by her first love, Resolute falls back on her skill with a loom to survive. Then she meets a young woodsman who is living a double life and is wanted in England. When British rule begins to crush the Colonials, Resolute begins to work in secret, hiding her craft and smuggling goods to keep Patriot soldiers clothed. Ultimately she becomes a friend of Margaret Gage, the very real wife of the commanding general of the British Army in America. On the night of April 18, 1775, Resolute carries a message to the Reveres' silver shop, changing the course of American history.Heart-wrenching, brilliantly written, and historically authentic, My Name is Resolute is destined to become an instant classic.