K. Tolstoy was above all poet; but he also wrote a historical novel from the time of Ivan The Terrible, Prince Serebryani, which had a great success, partly because in it for the first time censorship had permitted fiction to deal with the half-mad Tsar who played the part of Louis XI. of the Russian Monarchy, but especially on account of its qualities as a historical novel.

    Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him. The authorities then dispatch Razumov on a mission to spy on the revolutionary's sister and mother.A fascinating character study, Under Western Eyes hauntingly reveals Razumov's preoccupation with questions of decency and accountability when confronted by the equally powerful truths and values of human integrity and moral strength.

    A month later their corpses were found, maimed and broken by eldritch forces. This incident has provoked wild speculation among even the most skeptical crowds, stimulated discussion among every conspiracy theorist in Russia, and haunted the imagination of many a hiker for half a century. Recently, the mystery of so-called "Dyatlov Pass" has undergone a renaissance of interest and has gained international publicity and coverage in the news, Hollywood, and literature. This book provides, in an easy-to-read format, comprehensive, bias-free coverage of the incident--complete with medical autopsy reports, excerpts from legal proceedings connected with the deaths of the hikers, and testimonies from the first responders who found the bodies. In short, this book contains everything one needs to join the ranks of thousands of people trying to uncover the secrets of the Dyatlov Pass.

    Reckless. Brilliant. Deadly. A young Jack Kennedy travels to Europe on a secret mission for Franklin Roosevelt as the world braces for war.It’s the spring of 1939, and the prospect of war in Europe looms large. The United States has no intelligence service. In Washington, D.C., President Franklin Roosevelt may run for an unprecedented third term and needs someone he can trust to find out what the Nazis are up to. His choice: John F. Kennedy.It’s a surprising selection. At twenty-two, Jack Kennedy is the attractive but unpromising second son of Joseph P. Kennedy, Roosevelt’s ambassador to Britain (and occasional political adversary). But when Jack decides to travel through Europe to gather research for his Harvard senior thesis, Roosevelt takes the opportunity to use him as his personal spy. The president’s goal: to stop the flow of German money that has been flooding the United States to buy the 1940 election—an election that Adolf Hitler intends Roosevelt lose.In a deft mosaic of fact and fiction, Francine Mathews has written a gripping espionage tale that explores what might have happened when a young Jack Kennedy is let loose in Europe as the world careens toward war. A potent combination of history and storytelling, Jack 1939 is a sexy, entertaining read.

    They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in Ogonek, the Soviet equivalent of Time magazine, and later in the book Odnoetazhnaia Amerika (Single-Storied America). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in Ilf and Petrov's American Road Trip, the first English translation.From Ilf and Petrov's American Road Trip:"The word 'America' has well-developed grandiose associations for a Soviet person, for whom it refers to a country of skyscrapers, where day and night one hears the unceasing thunder of surface and underground trains, the hellish roar of automobile horns, and the continuous despairing screams of stockbrokers rushing through the skyscrapers waving their ever-falling shares. We want to change that image."A Cabinet Book published by Princeton Architectural Press

    Her reign, the longest in Russian Imperial history, lasted from 1762 until her death in 1796; during those years she built on the work begun by her most famous predecessor, Peter the Great, to establish Russia as a major European power and to transform its new capital, St Petersburg, into a city to rival Paris and London in the beauty of its architecture, the glittering splendor of its Court and the magnificence of its art collections. Yet the great Catherine was not even Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions and plagues, by the force of her personality, by her charm and determination, and by an unshakable belief in her own destiny. This is the story of Catherine the woman, whom power alone could never satisfy, for she also wanted love, affection, friendship and humor. She found these in letter-writing, in grandchildren, in gardens, architecture and greyhounds--as well as in a succession of lovers which gave rise to salacious rumors throughout Europe. The real Catherine, however, was more interesting than any rumor. Using many of Catherine's own words from her voluminous correspondence and other documents, as well as contemporary accounts by courtiers, ambassadors and foreign visitors, Virginia Rounding penetrates the character of this most powerful, fascinating and surprisingly sympathetic of eighteenth-century women.

    What we cannot lose.A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story.On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. --Pamela Katz, The Partnership: Brecht, Weill, Three Women, and Germany on the BrinkIn the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. --Rabbi Andrew Baker, Director of International Jewish Affairs, American Jewish Committee

    Zhivago for its portrayal of Stalin's Russia, Generations of Winter is the romantic saga of the Gradov family from 1925 to 1945.

    Like NORTH AND SOUTH and LOVE AND WAR, this novel blends historical detail and fiction."A superb storyteller and compelling writer. Not necessary to have read the first two books, for events and people are clearly defined, thus HEAVEN AND HELL stands on its own considerable merit." (Chattanooga News-Free Press)

    But Bunin's other stories are not to be missed. In Sunstroke, Graham Hettlinger has selected the "Gentleman" and twenty-four other stories and translated them afresh—several for the first time in English. The result is a collection that is remarkable in its crystalline prose, surprising in its vibrancy. It includes, among others, "Raven," "Cold Fall," "Muza," "Styopa," "Antigone," "In Paris," and "Late Hour." Never has the last of the great "gentry" writers and the first Russian to win the Nobel Prize for Literature received a more caring and passionate translation. The lyric impulse that motivated so much of Bunin's writing is evident throughout the stories in Sunstroke. In the prose miniatures, such as "Summer Day" and "Sky Above a Wall," he seeks only to capture a momentary impression or a passing scene rather than to write a traditional narrative. And even in his longer works, Bunin displays little interest in exploring the psychology of his characters or creating detailed plots. Instead these stories are primarily shaped by an urge to express both the intense, sensual pleasure of existence and the tragic fleetingness of life. Thus, even as they depict a wide range of affairs, seductions, betrayals, and deaths, they tend to read more like poetry than potboilers, delivering their most powerful effects through the rhythms and pacing of their sentences, their highly detailed, sensuous imagery, and the connotative richness of their language.Sunstroke confirms Bunin's stature as one of the greatest—and most neglected—Russian writers of the twentieth century.

    It describes a chivalric expedition undertaken in the late 12th century by a minor prince in the land of Rus’ to defeat, against overwhelming odds, a powerful alliance in a neighboring territory. The anonymous poet who chronicled this adventure packed unprecedented metaphorical agility, keenness of observation, and fascinating imagery into the lean and powerful tale of the doomed campaign. Discovered in the late 18th century and only narrowly distributed, the original manuscript was destroyed in a fire, leading to endless debate about the provenance and authenticity of the extant versions. It also served as the basis of Borodin’s opera Prince Igor. Translated by Vladimir Nabokov, the verses that constitute The Song of Igor’s Campaign are presented in their original rhyme and meter, and Nabokov’s extensive annotations provide illuminations on all the aspects of the text.

    It includes stories by Chekhov, Gorky, Bunin, Zamyatin, Babel, Nabokov, Solzhenitsyn, and Voinovich; excerpts from Andrei Bely's Petersburg, Mikhail Bulgakov's The Master and Margarita, Boris Pasternak's Dr. Zhivago, and Sasha Solokov's A School for Fools; the complete text of Yuri Olesha's 1927 masterpiece Envy; and poetry by Alexander Blok, Anna Akhmatova, and Osip Mandelstam.

    Petersburg, 1725. Peter the Great lies dying in his magnificent Winter Palace. The weakness and treachery of his only son has driven his father to an appalling act of cruelty and left the empire without an heir. Russia risks falling into chaos. Into the void steps the woman who has been by his side for decades: his second wife, Catherine Alexeyevna, as ambitious, ruthless and passionate as Peter himself.Born into devastating poverty, Catherine used her extraordinary beauty and shrewd intelligence to ingratiate herself with Peter’s powerful generals, finally seducing the Tsar himself. But even amongst the splendor and opulence of her new life—the lavish feasts, glittering jewels, and candle-lit hours in Peter’s bedchamber—she knows the peril of her position. Peter’s attentions are fickle and his rages powerful; his first wife is condemned to a prison cell, her lover impaled alive in Red Square. And now Catherine faces the ultimate test: can she keep the Tsar’s death a secret as she plays a lethal game to destroy her enemies and take the Crown for herself?From the sensuous pleasures of a decadent aristocracy, to the incense-filled rites of the Orthodox Church and the terror of Peter’s torture chambers, the intoxicating and dangerous world of Imperial Russia is brought to vivid life. Tsarina is the story of one remarkable woman whose bid for power would transform the Russian Empire."

    A captain during the Revolutionary War, Boone faces court-martial and hanging for such high crimes as betraying his command to the Indians, conspiring to surrender Boonesborough, consorting with the enemy, and accepting favors from the British. And Boone pleads guilty to all of the actions detailed in the charges against him. But he also pleads not guilty to the charge of treason, and to the amazement of the court, he insists on defending himself - disregarding the advice of experienced counsel in favor of a plan only he himself knows. Strong, seemingly irrefutable evidence is added to the prosecution's case with each witness. To a man, they corraborate the capture of Boone and his company by Shawnee Indians, Boone's preferential treatment in the Indian camp.

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.