A space between spaces. When the Mara Corday, an aged freighter, enters the Graveyard of the Atlantic, nightmares become real. The crew finds themselves trapped in a realm where time doesn't exist and unimaginable horrors dwell. Lost in a becalmed sea, in a netherworld where evil manifests itself in hideous forms, the survivors of the Mara Corday have an eternity to find a way out - if they aren't killed first by the creatures stalking them.(Description from back cover of trade paperback)

    Then there is light, there are voices, and they feed... Swarming from their prison, they multiply and thrive. To scream, even to whisper, is to summon death.Deaf for many years, Ally knows how to live in silence. Now, it is her family's only chance of survival. To leave their home, to shun others, to find a remote haven where they can sit out the plague. But will it ever end? And what kind of world will be left?

    His parents convinced the terrified child it was only his imagination. The next time Toby saw the creature he was a lonely, unhappy teenager without friends.But the creature would be his friend. It would be there when Toby needed someone to talk to. And it would take care of the bullies who wouldn’t leave Toby alone. After all, the creature needed to eat.And during their macabre, decades-long friendship, there will be other meals...

    A pair of medical examiners find themselves facing a dead man who won’t stay dead.It spreads quickly. In a Midwestern trailer park, an African American teenage girl and a Muslim immigrant battle newly-risen friends and family.On a US aircraft carrier, living sailors hide from dead ones while a fanatic preaches the gospel of a new religion of death.At a cable news station, a surviving anchor keeps broadcasting, not knowing if anyone is watching, while his undead colleagues try to devour him.In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.Everywhere, people are targeted by both the living and the dead.We think we know how this story ends.We. Are. Wrong.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    Christened “Haters” by the media, the attackers strike without warning and seemingly without reason. Within seconds, normally rational, self-controlled people become frenzied, vicious killers. As the carnage mounts, one thing soon is clear: everyone, irrespective of race, gender, age, or class, has the potential to become either a Hater or a victim. At any moment, even friends and family can turn on one another with violent intent. In the face of this mindless terror, all McCoyne can do is secure his family, seek shelter, and watch as the world falls apart. But when he bolts the front door, the question remains: Is he shutting the danger out or locking it in?

    And you're paralyzed from the waist down apparently, but you don't remember that either.A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn't quite add up. You've got to get it back or something bad is going to happen. And you've got to get it back fast, so they can freeze you again before your own time runs out.Before you know it, you're being carried through a ruined landscape on the backs of two men in hazard suits who don't seem anything like you at all, heading toward something you don't understand that may well end up being the death of you.Welcome to the life of Josef Horkai….

    But all drugs have unforeseen side-effects. Before he could be buried, the killer wakes up. Hungry. Infected. Contagious. This is the way the world ends. Not with a bang…but a bite.

    Its people depend on meat for their survival, meat supplied by the processing plant on the edge of town.Meat is sanctified in Abyrne, a precious commodity eaten with devout solemnity by everyone except for a handful of people who won't, who suspect that the town is evil, rotten to its core.A feud smoulders between the town's religious and secular powers - whoever controls the meat supply controls everything,But the townsfolk are hungry, they must be fed...They must be fed.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    But unresolved grief over his dead wife and baby and the horrors he witnessed as he traveled through a changed world have damaged him. He struggles to let go of his past, accept the healing kindness of those around him, and let love back into his life.Approximately 103,000 words, or 425 printed pages.

    Set in the world created by Robert Kirkman, this standalone trilogy is fast-paced, action-packed storytelling about the lengths some men will go to survive. With new characters, new storylines and with the same in-depth character-based plotting that has made the television series such an immediate hit, this trilogy of novels is sure to be a hit with those who love zombies and those who have loved the TV series and comic books.In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it’s forcing prisoners to battle zombies in an arena for the townspeople’s amusement, or chopping off the appendages of those who cross him. The Governor was voted “Villain of the Year” by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

    Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.

    With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.