these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    Compiled by an American—the United States consul for Wales in the late nineteenth century—this volume was the work of several years’ labour.Scouring the hills and valleys of Wales after falling in love with the land, the author wrote down the oral traditions, stories, myths, and legends related to him by the people he met on his travels. The result was a spectacular work, divided up into four sections: “Faerie Realm,” the “Spirit-World,” “Quaint Old Customs,” and “Bells, Wells, Stones, and Dragons.”In this book, the reader will not only learn of the greatest Welsh legends (including King Arthur, Iolo ap Hugh, the Green Lady of Caerphilly), but also of the local fairy stories and even the superstitions of ancient—and not so ancient—Wales.Rarely has a nation’s mythos and essence been so elegantly captured as in this work. The legacy of Welsh mythology and folklore has entered the vocabulary of modern English, and spread around the world, being some of the oldest tales in all Europe.As the author states in his introduction:“In a certain sense Wales may be spoken of as the cradle of fairy legend. It is not now disputed that from the Welsh were borrowed many of the first subjects of composition in the literature of all the cultivated peoples of Europe.”This edition has been completely reset, contains the full text and all the wonderful—and hand restored—illustrations of the original work. It is a literary treasure of the first class.— Written on the back of the Second Edition, 2017

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    

    Even when it wasn't raining, it was about to rain, or had just rained. It's a very angry sky.” – Colin Hay Scotland is a fascinating and ancient land filled with history. It has produced explorers, warriors, inventors, writers, and more than a few murderers. For many centuries, it fought bitter wars against England to maintain its independence, and even when those wars were finally lost, Scotland retained its distinct culture and identity. Though a part of the United Kingdom, it would be a mistake to lump it in with England, Wales, and Northern Ireland, as Scotland has its own tales to tell and traditions to maintain. Not everything in Scotland is as it appears, however. Some Scots say this is a land haunted by spirits, a place of strange disappearances and unexplained phenomena. There is no shortage when it comes to the strange stories Scotland has to offer, and the legends and lore have compelled many to dig a little deeper and even explore this wonderful land for themselves. Some of those tales are downright grisly. Scotland has always been a rival to its southern neighbor, and the rivalry extends to the number of hauntings in its medieval castles, stately homes, and old cobblestone streets. While many Englishmen claim that their country is the most haunted, the Scots can point to their own stories of ghosts as evidence they may beat the English in this dubious distinction. The Ghosts of Scotland: A Collection of Ghost Stories across the Scottish Nation is a collection of such tales, just a few among the thousands of local legends and modern sightings that make Scotland one of the most haunted countries in the world. It is part of a collection of other books written by Sean McLachlan, including The Ghosts of England: A Collection of Ghost Stories across the English Nation and The Ghosts of Ireland: A Collection of Ghost Stories across the Emerald Isle. For other strange occurrences in Scotland, ranging from Nessie to jelly falling from the sky, check out another title in the series, Weird Scotland: Monsters, Mysteries, and Magic Across the Scottish Nation. Along with pictures of important people, places, and events, you will learn about the ghosts of Scotland like never before.

    In this book feature over two dozen stories taken from popular oral tradition and united with John D. Batten's black and white drawings, full of movement and energy. Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children. John Dickson Batten (1860-1932) was a British painter, illustrator and print maker who was a leading light in the Art Nouveau movement. He illustrated a series of fairy tale books written by Joseph Jacobs as well as English language versions of Arabian Nights and Dante's Inferno. His illustrations are strongly influenced by the printmakers of Japan and are characterised by an intense romanticism and refined technique.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.

    These classic stories represent the best of the Chinese folk tradition and are told here by the character Lao Lao, the beloved grandmother of the nineteenth-century Ling household. A sampling from a long and proud tradition, these Chinese folktales are sure to delight adults as well as children of all ages. Chinese children's stories include:How Pan Ku Made the WorldThe God that Lived in the KitchenThe Daughter of the Dragon KingThe Grateful Fox FairyThe King of the MonkeysThe Wonderful Pear TreeKo-Ai's Lost ShoeHeng O, the Moon LadyThe Old Old One's Birthday

    Now the familiar tale takes on new life, fresh meaning, and an unexpected setting.Steeped in Celtic mythology and the political intrigue of medieval Britain, Stephen R. Lawhead's latest work conjures up an ancient past and holds a mirror to contemporary realities. Prepare yourself for an epic tale that dares to shatter everything you thought you knew about Robin Hood.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    From enchantment and shapeshifting to the age-old dichotomies of conflict versus peacemaking and love versus betrayal, all of these tales are uniquely reinvented, creating fresh, contemporary narratives that portray the real world as much as they depict the past. Based on the fable of Branwen, Daughter of Llyr, this interpretation revives one of the most action-packed stories in the whole myth cycle. Moving this bloodthirsty tale of Welsh and Irish power struggles and family tensions into the 21st century, this retelling retains many of the bizarre and magical happenings of the original. After being wounded in Italy, Matthew O’Connell is seeing out WWII in an obscure government department, spreading rumors and myths to the enemy. When he is assigned the bizarre task of escorting a box containing six raven chicks from a remote hill farm to the Tower of London, he soon finds himself ensnared in an adventure that leaves him powerless.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    and more

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.