Something Beautiful for God interprets her life through her conversations with Malcolm Muggeridge, the quintessential worldly skeptic who experienced a remarkable conversion to Christianity because of her exemplary influence. He hails her as a "light which could never be extinguished."

    TRESPASSERS WILL BE BAPTIZED marks the arrival of a talented new voice in a coming of age story that is by turns comical and affecting.

    An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.

    Over the next 102 minutes, each would become part of a drama for the ages, one witnessed only by the people who lived it-until now. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn have taken the opposite-and far more revealing-approach. Reported from the perspectives of those inside the towers, "102 Minutes" captures the little-known stories of ordinary people who took extraordinary steps to save themselves and others. Beyond this stirring panorama stands investigative reporting of the first rank. An astounding number of people actually survived the plane impacts but were unable to escape, and the authors raise hard questions about building safety and tragic flaws in New York's emergency preparedness. Dwyer and Flynn rely on hundreds of interviews with rescuers, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts. They cross a bridge of voices to go inside the infernos, seeing cataclysm and heroism, one person at a time, to tell the affecting, authoritative saga of the men and women-the nearly 12,000 who escaped and the 2,749 who perished-as they made 102 minutes count as never before. "102 Minutes" is a 2005 National Book Award Finalist for Nonfiction.

    Louis de Montfort's Act of Total Consecration give a beautiful expression to the fundamental thrust of his spirituality: Christianity that is fully alive is nothing less than a radical act of total self-surrender and self-gift to the Lord Jesus Christ who, in his redemptive Incarnation, has first given himself totally over to us, and for us.Recognizing that the Lord has first consecrated, completely given, himself to us, Fr. de Montfort rightly recognizes that one truly receives this gift in its fullness only by fully giving, that is consecrating, himself to its saving power. The great Apostle of Our Lady proposed on his masterwork, True Devotion to the Blessed Virgin Mary, an outline of a process by means of which one might prepare himself to make just such a total self-gift to Jesus through Mary.This book, which has been prepared by the Company of Mary, the religious community founded by Fr. de Montfort himself, is both an introduction to his spirituality of total consecration and a guide for those who would prepare themselves to make his Act of Total Consecration to Jesus Christ through Mary. It is also the fruit of this same Act of Total Consecration lived out in years of missionary service of Our Lord and Our Lady in the Roman Catholic Church which we joyfully make available to the people of God.

    Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man.Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself.

    This was a world of self-invented characters, glamorous superstars, and strung-out sufferers—ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO's mother's. Rhonna, a showgirl and young widow, was a mercurial, erratic Glamazon and iO's fiercest defender, her only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and her domineering Ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness.Darling Days is also a provocative examination of culture and identity, and of the cour­age and resilience of a child listening closely to her deepest self. When a group of boys refuse to let six-year-old iO play ball, she instantly adopts a new persona, becoming a boy named Ricky—a choice her parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step.

    Francis of Assisi. This story has been told many times before, but Fr. Larranaga tells it with a new spirit, seamlessly combining a modern spirit with the freshness and sense of wonder of the Fioretti. When Francis Bernardone was held as a prisoner of war at the age of 20, he never dreamed that he would become a knight in the service of Lady Poverty. By the time he died 25 years later, he had become the Poor Man of God, the living image of the Crucified Savior.

    Teachings include sections from some of his most popular titles: Better Way To Pray, God Wants You Well, The War is Over, Believer's Authority, Spirit Soul & Body, You've Already Got It, The True Nature of God, The Holy Spirit, True Christianity, Hardness of Heart, The Effects of Praise, Grace: The Power of the Gospel, Harnessing Your Emotions, Staying Full of God, and more. The power to live a holy life does not come from your works, but only through His grace. Discover rest in knowing that Jesus wants you to live in peace, not condemnation. Andrew Wommack, seen nationwide on his television broadcast, The Gospel Truth, brings a remarkable revelation of God's grace for readers today!

    It chronicles the back-story of Greenwich Village in the early days of the folk music explosion, when Dylan was honing his skills and she was in the ring with him.A shy girl from Queens, Suze Rotolo was the daughter of Italian working-class Communists. Growing up at the start of the Cold War and during McCarthyism, she inevitably became an outsider in her neighborhood and at school. Her childhood was turbulent, but Suze found solace in poetry, art, and music. In Washington Square Park, in Greenwich Village, she encountered like-minded friends who were also politically active. Then one hot day in July 1961, Suze met Bob Dylan, a rising young musician, at a folk concert at Riverside Church. She was seventeen, he was twenty; they were young, curious, and inseparable. During the years they were together, Dylan was transformed from an obscure folk singer into an uneasy spokesperson for a generation.Suze Rotolo’s story is rich in character and setting, filled with vivid memories of those tumultuous years of dramatic change and poignantly rising expectations when art, culture, and politics all seemed to be conspiring to bring our country a better, freer, richer, and more equitable life. She writes of her involvement with the civil rights movement and describes the sometimes frustrating experience of being a woman in a male-dominated culture, before women’s liberation changed the rules for the better. And she tells the wonderfully romantic story of her sweet but sometimes wrenching love affair and its eventual collapse under the pressures of growing fame.A Freewheelin’ Time is a vibrant, moving memoir of a hopeful time and place and of a vital subculture at its most creative. It communicates the excitement of youth, the heartbreak of young love, and the struggles for a brighter future.

    Now Father Jonathan peels back the layers of questions that arise when someone asks, "Why me?" in response to human suffering. With an accessible voice and calming pastoral guidance, Father Jonathan leads readers through each step of suffering---from doubt and anger to healing and acceptance. The Promise comprises three parts, each addressing a step in the process of healing. Part 1, "God on Trial," speaks to doubts and anger that arise when we suffer and poses tough questions such as "Does God even care?" and "Why should we trust a God who allows innocent suffering?" Part 2 takes the reader on a journey of finding emotional and spiritual healing from suffering. In part 3 Father Jonathan introduces the five "Principles for Freedom-Living." From living your personal vocation to a step-by-step guide for sketching a plan for your spiritual life, the freedom principles are practical and easily applied to everyday life. Together these five principles have the power to transform what would otherwise be useless suffering into a means of great sanctification and personal fulfillment. While pulling back the layers of philosophy and theology that surround human suffering, Father Jonathan offers not only a deeply spiritual answer but also a practical one to this most fundamental of human questions: Why do we suffer? The Promise not only addresses how to understand and live with suffering, but also poses the toughest question regarding our relationship to God: Why do we suffer under a benevolent God? Father Jonathan delves into how we can heal from the spiritual, emotional, and even physical scars left behind by suffering. The Promise offers five principles for living a free life, or a life free of the fear that God is not there for us, and offers comfort and hope to those experiencing hard times.

    But could the Mother of Jesus also be your mother?That's the question explored in the exciting new book, Meet Your Mother. This easy-read pocket book on Mary covers all the major teachings about the Mother of Jesus, but is particularly written for the person who has little or no background knowledge about her. Authored by Dr. Mark Miravalle, renowned Marian expert and professor who has taught and written about Mary for over 25 years, this is perfect to introduce someone to the life and truth about Jesus' Mother, but also to renew a person's existing knowledge and love for the woman who Jesus gave personally to every human being with his dying words, "This is your mother."

    By that time, she had put her deep disappointment in her marriage behind her and developed an independent life—now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next thirty years, until Eleanor’s death, the two women carried on an extraordinary relationship: They were, at different points, lovers, confidantes, professional advisors, and caring friends. They couldn't have been more different. Eleanor had been raised in one of the nation’s most powerful political families and was introduced to society as a debutante before marrying her distant cousin, Franklin. Hick, as she was known, had grown up poor in rural South Dakota and worked as a servant girl after she escaped an abusive home, eventually becoming one of the most respected reporters at the AP. Her admiration drew the buttoned-up Eleanor out of her shell, and the two quickly fell in love. For the next thirteen years, Hick had her own room at the White House, next door to the First Lady. These fiercely compassionate women inspired each other to right the wrongs of the turbulent era in which they lived. During the Depression, Hick reported from the nation’s poorest areas for the WPA, and Eleanor used these reports to lobby her husband for New Deal programs. Hick encouraged Eleanor to turn their frequent letters into her popular and long-lasting syndicated column "My Day," and to befriend the female journalists who became her champions. When Eleanor’s tenure as First Lady ended with FDR's death, Hick pushed her to continue to use her popularity for good—advice Eleanor took by leading the UN’s postwar Human Rights Commission. At every turn, the bond these women shared was grounded in their determination to better their troubled world. Deeply researched and told with great warmth, Eleanor and Hick is a vivid portrait of love and a revealing look at how an unlikely romance influenced some of the most consequential years in American history.

    She also led two Bible studies and listened exclusively to Christian music. She was on fire for God and unaware that the flame was dwindling—until it burned out. Addie chronicles her journey through church culture and first love, and her entrance—unprepared and angry—into marriage. When she drops out of church and very nearly her marriage as well, it is on a sea of tequila and depression. She isn’t sure if she’ll ever go back. When We Were on Fire is a funny, heartbreaking story of untangling oneself from what is expected to arrive at faith that is not bound by tradition or current church fashion. Addie looks for what lasts when nothing else seems worth keeping. It’s a story for doubters, cynics, and anyone who has felt alone in church.

    Every year, Elna Baker attends the New York Regional Mormon Singles Halloween Dance. This year, her Queen Bee costume (which involves a funnel stinger stuck to her butt) isn't attracting the attention she'd anticipated. So once again, Elna finds herself alone, standing at the punch bowl, stocking up on Oreos, a virgin in a room full of thirty-year-old virgins doing the Funky Chicken. But loneliness is nothing compared to what Elna feels when she loses eighty pounds, finds herself suddenly beautiful...and in love with an atheist.