One haunting afternoon on Losano Ridge in Afghanistan, U.S. Army Captain Craig Mullaney and his infantry platoon were caught in a deadly firefight with Al Qaeda fighters, when a message came over the radio: one of his soldiers had been killed by the enemy. Mullaney’s education,the four years he spent at West Point, and the harrowing test of Ranger School, readied him for a career in the Army. His subsequent experience as a Rhodes Scholar at Oxford couldn’t have been further from the Army and his working-class roots, and yet the unorthodox education he received there would be surprisingly relevant as a combat leader. But despite all his preparation, the hardest questions remained. When the call came to lead his platoon into battle and earn his soldiers’ salutes, would he be ready? Was his education sufficient for the unforgiving minutes he’d face? Years later, after that excruciating experience in Afghanistan, he would return to the United States to teach history to future Navy and Marine Corps officers at the Naval Academy. He had been in their position once, not long ago. How would he use his own life-changing experience to prepare them? Written with unflinching honesty,The Unforgiving Minute is an unforgettable portrait of a young soldier grappling with the weight of his hard-earned knowledge, while at last coming to terms with what it really means to be a man.

     Born into a family with a long history of military service dating back to the Revolutionary War, Andrew Exum enrolled in Army ROTC to pay for his Ivy League education. Shortly after graduation in 2000, he joined the infantry, then endured the grueling rigors of Ranger School before becoming a platoon leader with the storied 10th Mountain Division. He thought that perhaps, if he was lucky, he and his men would see action on a peacekeeping mission. Then came the fateful events of September 11, 2001. Called to action as a twenty-three-year-old, he led his troops into Afghanistan to root out the hard-core remnants of Osama bin Laden’s forces. Thrown into the maelstrom of modern war, Exum contended with Afghani warlords, cable news correspondents, and the military bureaucracy while hunting a desperate enemy in a treacherous land—and on a mountain ridge in the Shah-e-Kot Valley he would confront and kill an al-Qaeda fighter. After returning home, Exum struggled to come to terms with the media coverage and public perception of the war while seeking to make peace with the man he had become. By turns harrowing and reflective, this powerful memoir gives voice to a generation of soldiers that has risen to confront the threats of a dangerous new world.

    forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity. Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century.

    Gifted writer and reporter Robert Poole opens the story with preparations for Memorial Day, Arlington's biggest event, when thousands of families come to visit those buried in the 624-acre cemetery, legions of Rolling Thunder motorcyclists patrol the streets with fluttering POW flags, and service members place miniature flags before each of Arlington's graves. What emerges is a portrait of our national cemetery as a living, breathing community, and a narrative about how improvised explosive devices, suicide bombs, and enemies who blend in with local populations have changed the nature and aftermath of conflict. Several of the newest recruits for Section 60 have been brought there by suicide or post-traumatic stress disorder, a war injury newly described but dating to ancient times. Using Section 60 as a window into the latest wars, Poole recounts stories of courage and sacrifice by fallen heroes, and explores the ways in which soldiers' comrades, friends, and families honor and remember those lost to war-carrying on with life in the aftermath of wartime tragedy. Section 60 is a moving tribute to those who have fought and died for our country, and to those who love them.

    So many had given their lives to save him-and he would have readily done the same for them. As he recuperated, he wondered why he and others, from America's founding to today, had been willing to sacrifice everything-including themselves-for the sake of family, nation, and freedom.In Service, we follow Marcus Luttrell to Iraq, where he returns to the battlefield as a member of SEAL Team 5 to help take on the most dangerous city in the world: Ramadi, the capital of war-torn Al Anbar Province. There, in six months of high-intensity urban combat, he would be part of what has been called the greatest victory in the history of U.S. Special Operations forces. We also return to Afghanistan and Operation Redwing, where Luttrell offers powerful new details about his miraculous rescue. Throughout, he reflects on what it really means to take on a higher calling, about the men he's seen lose their lives for their country, and the legacy of those who came and bled before.A thrilling war story, Service is also a profoundly moving tribute to the warrior brotherhood, to the belief that nobody goes it alone, and no one will be left behind.

    Nathaniel Fick’s career begins with a hellish summer at Quantico, after his junior year at Dartmouth. He leads a platoon in Afghanistan just after 9/11 and advances to the pinnacle—Recon— two years later, on the eve of war with Iraq. His vast skill set puts him in front of the front lines, leading twenty-two Marines into the deadliest conflict since Vietnam. He vows to bring all his men home safely, and to do so he’ll need more than his top-flight education. Fick unveils the process that makes Marine officers such legendary leaders and shares his hard-won insights into the differences between military ideals and military practice, which can mock those ideals.In this deeply thoughtful account of what it’s like to fight on today’s front lines, Fick reveals the crushing pressure on young leaders in combat. Split-second decisions might have national consequences or horrible immediate repercussions, but hesitation isn’t an option. One Bullet Away never shrinks from blunt truths, but ultimately it is an inspiring account of mastering the art of war.

    The son of an aging hippie father, Johnny was overeducated and hostile to all authority. But when 9/11 happened, the twenty-six-year-old probation officer dropped everything to become an “infantry combat killer.”But if he’d thought that serving his country would be the kind of authentic experience a reader of The Catcher in the Rye would love, he quickly realized he had another thing coming. In Afghanistan he found himself living a Lord of the Flies existence among soldiers who feared civilian life more than they feared the Taliban–guys like Private Cox, a musical prodigy busy “planning his future poverty,” and Private Mulbeck, who didn’t know precisely which country he was in. Life in a combat zone meant carnage and courage–but it also meant tedious hours standing guard, punctuated with thoughtful arguments about whether Bea Arthur was still alive. Utterly uncensored and full of dark wit, Blood Makes the Grass Grow Green is a poignant, frightening, and heartfelt view of life in this and every man’s army.

    In The Good Soldiers, Finkel shadowed the men of the US 2-16 Infantry Battalion in Baghdad as they carried out the grueling fifteen-month "surge" that changed them all forever. Now Finkel has followed many of the same men as they've returned home and struggled to reintegrate - both into their family lives and into society at large.In the ironically titled Thank You for Your Service, Finkel writes with tremendous compassion not just about the soldiers but about their wives and children. Where do soldiers belong after their homecoming? Is it reasonable, or even possible, to expect them to rejoin their communities as if nothing has happened? And in moments of hardship, who can soldiers turn to if they feel alienated by the world they once lived in? These are the questions Finkel faces as he revisits the brave but shaken men of the 2-16.More than a work of journalism, Thank You for Your Service is an act of understanding -- shocking but always riveting, unflinching but deeply humane, it takes us inside the heads of those who must live the rest of their lives with the realities of war.

    Shooter is his harrowing first-person account of a sniper's life on and off the modern battlefield.Gunnery Sgt. Jack Coughlin is a divorced father of two who grew up in a wealthy Boston suburb. At the age of nineteen, although he had never even held a gun, he joined the Marines and would spend the next twenty years behind the scope of a long-range precision rifle as a sniper.In that time he accumulated one of the most successful sniper records in the Corps, ranging through many of the world's hotspots. During Operation Iraqi Freedom alone, he recorded at least thirty-six kills, thirteen of them in a single twenty-four-hour period.Now Coughlin has written a highly personal story about his deadly craft, taking readers deep inside an invisible society that is off-limits to outsiders. This is not a heroic battlefield memoir, but the careful study of an exceptional man who must keep his sanity while carrying forward one of the deadliest legacies in the U.S. military today.

    In 2006, Parnell and his 10th Mountain Division platoon, the self-styled Outlaws, arrived in Afghanistan’s Bermel Valley, which borders Pakistan. Their mission was “to stanch the flow of enemy troops and supplies into Afghanistan.” Besides their 32 Purple Hearts, the platoon—which “usually patrolled with about 30 men... loaded into six Humvees”—earned seven Bronze Stars and 12 Army Commendations for Valor, making it one of the most decorated units in the Afghan war. Parnell vividly captures the sounds, sights, and smells of combat, and proves most eloquent when describing the bond—“selflessness was our secret weapon”—that developed among his men. Studiously nonpartisan, Parnell still raises important questions about Afghan president Hamid Karzai’s integrity, the competence of the Afghan police, and the sincerity of our Pakistani “allies.” Parnell balances sentimentality with sincerity and crisp prose to produce one of the Afghan war’s most moving combat narratives.

    Set in the immediate aftermath of 9/11, The Only Thing Worth Dying For chronicles the untold story of the team of Green Berets led by Captain Jason Amerine that conquered the Taliban and helped bring Hamid Karzai to power in Afghanistan. In the tradition of Black Hawk Down, The Only Thing Worth Dying For is, in the words of former Congressman Charlie Wilson (from Charlie Wilson's War), "the one book you must read if you have any hope of understanding what our fine American soldiers are up against in Afghanistan."

    It's only five in the afternoon, but a sandtorm has plunged everything into a hellish twilight of murky, red dust. On rooftops, in alleyways lurk militiamen with machine guns, AK rifles and the odd rocket-propelled grenade. Artillery bombardment has shattered the town's sewers and rubble is piled up in lagoons of human excrement. It stinks. Welcome to Iraq... Within hours of 9/11, America's war on terrorism fell to those like the 23 Marines of the First Recon Battalion, the first generation dispatched into open-ed combat since Vietnam. They were a new breed of American warrior unrecognizable to their forebears-soldiers raised on hip hop, Internet porn, Marilyn Manson, video games and The Real World, a band of born-again Christians, dopers, Buddhists, and New Agers who gleaned their precepts from kung fu movies and Oprah Winfrey. Cocky, brave, headstrong, wary, and mostly unprepared for the physical, emotional, and moral horrors ahead, the "First Suicide Battalion" would spearhead the blitzkrieg on Iraq, and fight against the hardest resistance Saddam had to offer. Generation Kill is the funny, frightening, and profane firsthand account of these remarkable men, of the personal toll of victory, and of the randomness, brutality, and camaraderie of a new American war.

    Bringing to searing life the terrifying intimacy of hand-to-hand infantry combat, this stunning war memoir features an indelibly drawn cast of characters, not all of whom would make it out of the city alive, as well as chilling accounts of Bellavia's singular courage: Entering one house alone, he used every weapon at his disposal in the fight of his life against America's most implacable enemy.

    Chivers’s unvarnished account of modern combat, told through the eyes of the fighters who have waged America’s longest wars.More than 2.7 million Americans have served in Afghanistan or Iraq since September 11, 2001. C.J. Chivers reported from both wars from their beginnings. The Fighters vividly conveys the physical and emotional experience of war as lived by six combatants: a fighter pilot, a corpsman, a scout helicopter pilot, a grunt, an infantry officer, and a Special Forces sergeant. Chivers captures their courage, commitment, sense of purpose, and ultimately their suffering, frustration, and moral confusion as new enemies arise and invasions give way to counterinsurgency duties for which American forces were often not prepared. The Fighters is a tour de force, a portrait of modern warfare that parts from slogans to do for American troops what Stephen Ambrose did for the G.I.s of World War II and Michael Herr for the grunts in Vietnam. Told with the empathy and understanding of an author who is himself an infantry veteran, The Fighters presents the long arc of two wars.

    This has been a matter of bitter political debate, of course, but what is incontestable is that a sizable percentage of American soldiers sent overseas in this era have been women. The experience in the American military is, it's safe to say, quite different from that of men. Surrounded and far outnumbered by men, embedded in a male culture, looked upon as both alien and desirable, women have experiences of special interest.In Soldier Girls, Helen Thorpe follows the lives of three women over twelve years on their paths to the military, overseas to combat, and back home, and then overseas again for two of them. These women, who are quite different in every way, become friends, and we watch their interaction and also what happens when they are separated. We see their families, their lovers, their spouses, their children. We see them work extremely hard, deal with the attentions of men on base and in war zones, and struggle to stay connected to their families back home. We see some of them drink too much, have illicit affairs, and react to the deaths of fellow soldiers. And we see what happens to one of them when the truck she is driving hits an explosive in the road, blowing it up. She survives, but her life may never be the same again.Deeply reported, beautifully written, and powerfully moving, Soldier Girls is truly groundbreaking.