B.

    A verse account of the popular writer's first trip to Japan, in the spring of 1976, offers an out-of-the-ordinary view of Japan

    Presents 10 short novels in comic strip form featuring Donald Duck and examines his development as a character in comic books, strips, and movies over the years.

    In his screenplays and short stories, Ethan Coen surprises and delights us with a rich brew of ideas, observations, and perceptions. In his first collection of poems he does much the same. The range of his poems is remarkable–funny, ribald, provocative, sometimes raw, and often touching and profound.In these poems Coen writes of his childhood, his hopes and dreams, his disappointments, his career in Hollywood, his physically demanding love affair with Mamie Eisenhower, and his decade-long battle with amphetamines that produced some of the lengthier poems in the collection. You will chuckle, nodding with recognition as you turn the pages, perhaps even stopping occasionally to read a poem. Handsomely and durably bound between hard covers, this is a book that will stand up to most readers’ attempts to destroy it.

    Pulitzer Prize winner Yusef Komunyakaa delivers a powerful meditation on American, and particularly African American, life in the wake of Vietnam.Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa's poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.

    Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall.

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    The resulting journey through dark and desperate futures of aliens, diseases, and humanity's own madness is brain-bending and utterly bizarre.

    . . indulgent and melancholy . . . moments of extreme morbidity and anger."—Arielle Greenberg"Her poems take some getting used to."—Robert Strong"Many won't find her . . . acceptable at all...—Cole Swensen

    This is the poetry of good vibrations, higher callings, and unbridled passions; this is poetry with heart and soul, poetry with a purpose; This is poetry that lifts you up with the beautiful truth.

    These are the engines, like poetry, that propel both our comprehension and misunderstanding. "If you're lucky," Harvey writes, "after a number of / revolutions, you'll / feel something catch."

    File Under:Life,Death,Vertigo.Sparrows,Saints,and Morphine.

    With language of devastating beauty and complexity, he investigates conflicted personal history and political tragedy, and how the human body fares against both. A book-length sequence of linked poems, Sanctificum is Abani’s most intimate and ambitious book to date, a tour de force bringing together religious ritual, the Igbo language of his Nigerian homeland, and reggae rhythms in a complex, liturgical love song.

    Taught to drive at the age of ten by his father, Luke can do more damage with a stick and a clutch than most men can do with a bottle of whiskey and a lousy mood. He counts down the days to his sixteenth birthday when he can finally get his license. Unfortunately, the first thing he does with it is "borrow" his neighbor's car. When Luke is pulled over and found in possession of an air pistol, a ski mask, a stolen TV, and a bag of pot, the unforgiving local magistrate takes scissors to his license and vows to lock him up if he ever stands in front of her again. As Luke's mother explores bad relationships and the lure of vodka, Luke moves in with his older brother, Nick, an easygoing ex-con who wants to steer Luke onto the straight and narrow. In the gnarled, muggy summer that follows, Luke contends with a lovely kleptomaniac girlfriend, a duffel bag full of cocaine, and the realization that he must save his family from themselves even as he plots to beat a path out of town. Dubbed the "Great American Redneck Novel" by Big Fish author Daniel Wallace, Drive Like Hell is a hilarious one-of-a-kind tale set in late '70s Georgia, complete with stock car racing, honky-tonk dancing, pro wrestling, drug dealing, and syndicated television. Dallas Hudgens brilliantly evokes Southern culture in this unforgettable debut that is raucous and wrenching, funny and wise.

    The poems negotiate the colossal movement of hearts figuring and being figured by history. This is a voice that knows the intelligence of passion, that moves through and inside the questioning of who we are in the structures of things we give the power to name us until a song sends us out to question the territory. The poet moves with the exactness of math or physics, with the fearful knowledge of careful imbalances that would have us believe in equilibrium, and with the assuredness of art that knows all is change, that the semblance of order is creation, something we are given the gift of imitating in some small way. The poems in this collection summon the largeness, the volume of a voice that disembodies itself in order to search for the love that made it whole.