No one cared. But a stranger, bent on revenge, is out to change all that. Kit Griffin has finally overcome a painful childhood at the hands of her mother, former actress Alana Stevens. No longer living in the grasp of the cold, tyrannical woman, Kit has found a new life tucked away in little San Madrid, California, running a business she loves, surrounded by friends she considers family. For the first time her life is on track. That is, until Alana is found brutally murdered on Mother’s Day, pulling Kit back in to the dark horrors of her past. To make matters worse, the police consider her the prime suspect.Jake Boston, an old family friend and the man Kit has loved since she was a teen, is fighting his own demons as a suspect in his wife’s murder two years earlier. Despite his past, he’s determined to win Kit over once and for all. But before that can happen they need to convince the police there’s a killer working his way down a list with cold-hearted vengeance in mind. Forced to delve into Alana’s dark past, it becomes clear someone is out to settle a score. When Jake and Kit uncover a forty year old double murder that leads them straight to the door of a legal dynasty, they soon find out just how far the heirs will go to keep the past buried and eliminate all the loose ends to protect their empire. Will Jake and Kit become the next victims or will they find an unexpected guardian angel?

    On a routine patrol she finds two murdered teenagers—one of whom she’d recently busted. With its echoes of her own past, the murdered girl’s harsh life and tragic death affect Lei deeply. She becomes obsessed—even as the killer is drawn to Lei's intensity, feeding off her vulnerabilities and toying with her sanity.Despite her obsession with the case and fear that she's being stalked, Lei finds herself falling in love for the first time. Steaming volcanoes, black sand beaches and shrouded fern forests are the backdrop to Lei's quest for answers—and the stalker is closer than she can imagine, as threads of the past tangle in her future. Lei is determined to find the killer—but he knows where to find her first.

    He lives in a small brick Tudor close to campus with his art buyer wife, Diane. His life is quiet, ordinary even. And he likes it that way. But it wasn't always quiet. Jake's distant past was a life on the streets, inflicting damage and suffering on more people than he can count. And now someone from his past, it seems, has come looking for him.A raw, gripping thriller about the price paid for past sins, John Rector's third novel is a live wire that crackles with the intensity of a man with nothing left to lose. When two men attack Jake in a parking lot and cut off his finger, he tries to dismiss it as an unlucky case of being in the wrong place at the wrong time. But when events take a more sinister turn and Diane goes missing, Jake knows he can no longer hide from the truth. As he embarks on a mission to find his wife, he realizes his dark past is refusing to stay buried and that his future is about to unfold in ways he could never have imagined.

    The two detectives soon find themselves up against institutionalised racism and the worst killers in the USA.

    Then a hail of bullets destroyed the lives of two fellow cops, and Carl—who didn’t draw his weapon—blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl’s got only a stack of Copenhagen’s coldest cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at him: a liberal politician vanished five years earlier and is presumed dead.But she isn’t dead … yet.Darkly humorous, propulsive, and atmospheric, The Keeper of Lost Causes introduces American readers to the mega-bestselling series fast becoming an international sensation.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    She’s finally landed her own apartment, she waitresses to pay the bills, and she wishes she wasn’t so nervous around new people. She thinks of herself as agile, not skittish. As serious, not grim. But Reeve is anything but normal. Ten years ago, she was kidnapped and held captive. After a lucky escape, she’s spent the last six years trying to rebuild her life, a recovery thanks in large part to her indispensable therapist Dr. Ezra Lerner. But when he asks her to help another girl rescued from a similar situation, Reeve realizes she may not simply need to mentor this young victim—she may be the only one who can protect her from a cunning predator who is still out there, watching every move.From the author of the #1 non-fiction bestseller Perfect Victim: The True Story of the Girl in the Box comes a novel that draws you into a chilling and engrossing world. With masterful plot twists and shifting points of view that make it as irresistible as Gone Girl, Carla Norton's The Edge of Normal is a stunning debut thriller.

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    Something worth killing for. Something that will cost Professor Agnar Haraldsson his life.Untangling murder from myth is Iceland-born, Boston-raised homicide detective Magnus Jonson. Seconded to the Icelandic Police Force for his own protection after he runs afoul of a drug cartel back in Boston, Magnus also has his own reasons for returning to the country of his birth for the first time in nearly two decades - the unsolved murder of his father.And as Magnus is about to discover, the past casts a long shadow in Iceland.Binding Iceland's landscape and history, secrets and superstitions in a strikingly original plot that will span several volumes, Where the Shadows Lie is the first in a thrilling new series from an established master.

    Another year, and he'll be out of the department completely. That's the plan, at least, until his niece's body is found in the guest home of one of his city's most wealthy citizens. The coroner calls it an overdose, but the case doesn't add up. Against orders, Ash begins a danger-filled investigation to find his niece's murderer, but the longer he searches, the more entangled he becomes in a case that hits increasingly close to home. If he doesn't solve it fast, his niece won't be the only family member he has to bury.

    But he's never forgotten the two children she left behind...When Aisling Conroy's boyfriend Jack is found in the freezing black waters of the river Corrib, the police tell her it was suicide. A surgical resident, she throws herself into study and work, trying to forget - until Jack's sister Maude shows up. Maude suspects foul play, and she is determined to prove it.DI Cormac Reilly is the detective assigned with the re-investigation of an 'accidental' overdose twenty years ago - of Jack and Maude's drug- and alcohol-addled mother. Cormac is under increasing pressure to charge Maude for murder when his colleague Danny uncovers a piece of evidence that will change everything...This unsettling crime debut draws us deep into the dark heart of Ireland and asks who will protect you when the authorities can't - or won't. Perfect for fans of Tana French and Jane Casey.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Josie, once a hot-shot criminal defense attorney, left the fast track behind for a small practice in Hermosa Beach, California. But Hannah Sheraton intrigues her and, when the girl is charged as an adult, Josie cannot turn her back. But the deeper she digs the more Josie realizes that politics, the law and family relationships have created a combustible and dangerous situation. When the horrible truth of the murder is uncovered it could save Hannah Sheraton or destroy them both.