With authority and insight, Mengele examines the entire life of the world's most infamous doctor.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    Rita Feuerstahl comes to the university in Krakow intent on enjoying her freedom. But life has other things in store—marriage, a love affair, a child, all in the shadows of the oncoming war. When the war arrives, Rita is armed with a secret so enormous that it could cost the Allies everything, even as it gives her the will to live. She must find a way both to keep her secret and to survive amid the chaos of Europe at war. Living by her wits among the Germans as their conquests turn to defeat, she seeks a way to prevent the inevitable doom of Nazism from making her one of its last victims. Can her passion and resolve outlast the most powerful evil that Europe has ever seen?In an epic saga that spans from Paris in the ’30s and Spain’s Civil War to Moscow, Warsaw, and the heart of Nazi Germany, The Girl from Krakow follows one woman’s battle for survival as entire nations are torn apart, never to be the same.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    Over 30 years out-of-print, Perfidy is back, with murder, conspiracy and deep betrayal at its disturbing core. Playwright and historian of public conscience, Ben Hecht chronicles one of the most sensational yet least remembered stories in the history of Israel.

    Netizel would later find another collection of transcriptions, twice as extensive, in the National Archive in Washington. These were discoveries that would provide a unique & profoundly important window into the true mentality of the soldiers in the Wehrmacht, the Luftwaffe, the German navy & the military in general--almost all of whom had insisted on their own honorable behavior during the war. Collaborating with renowned social psychologist Harald Welzer, Neitzel examines these conversations--& the casual, pitiless brutality omnipresent in them--from a historical & psychological perspective. In reconstucting the frameworks & situations behind these conversations, they've created a powerful narrative of wartime experience.

    Did Muslims and Jews in the Middle Ages cohabit in a peaceful interfaith utopia? Or were Jews under Muslim rule persecuted, much as they were in Christian lands? Rejecting both polemically charged myths, Mark Cohen offers a systematic comparison of Jewish life in medieval Islam and Christendom--the first in-depth explanation of why medieval Islamic-Jewish relations, though not utopic, were less confrontational and violent than those between Christians and Jews in the West.

    Historians have probed the many sources of this tragedy, but no account has united the various causes into an overarching synthesis that answers the vital question: How was such a nightmare possible in the heart of western civilization? In How Could This Happen, historian Dan McMillan distills the vast body of Holocaust research into a cogent explanation and comprehensive analysis of the genocide's many causes, revealing how a once-progressive society like Germany could have carried out this crime. The Holocaust, he explains, was caused not by one but by a combination of factors -- from Germany's failure to become a democracy until 1918, to the widespread acceptance of anti-Semitism and scientific racism, to the effects of World War I, which intensified political divisions within the country and drastically lowered the value of human life in the minds of an entire generation. Masterfully synthesizing the myriad causes that led Germany to disaster, McMillan shows why thousands of Germans carried out the genocide while millions watched, with cold indifference, as it enveloped their homeland. Persuasive and compelling, How Could This Happen explains how a perfect storm of bleak circumstances, malevolent ideas, and damaged personalities unleashed history's most terrifying atrocity.

    It also chronicles the thrilling detective hunt for the diary, which disappeared after the Nuremburg Trials and remained lost for almost three quarters of a century, until Robert Wittman, a former FBI special agent who founded the Bureau’s Art Crimes Team, traced its strange journey.The authors expertly and deftly contextualize more than 400 pages of entries stretching from 1936 through 1944, in which the loyal Hitler advisor recounts internal meetings with the Fürher and his close associates Hermann Göring and Heinrich Himmler; describes the post-invasion occupation of the Soviet Union; considers the “solution” to the “Jewish question;” and discusses his overseeing of the mass seizure and cataloguing of books and artwork from homes, libraries, and museums across occupied Europe. An eyewitness to events, this narrative of Rosenberg’s diary offers provocative and intimate insights into pivotal moments in the war and the notorious Nazi who laid the philosophical foundations of the Third Reich.

    By the time he was 18, Sonnenfeldt had grown up in Germany, escaped to England, been deported to Australia as a "German enemy alien", arrived in the U.S., and joined the U.S. army. By age 22 he had fought in the Battle of the Bulge and helped liberate the Dachau concentration camp, when he was appointed chief interpreter for the American prosecution of Nazi war criminals at the Nuremberg trials. During his service, he spent pretrial time with Hermann Goering as well as other top Nazi leaders like von Ribbentrop, Rudolph Hoess, and Julius Streicher, the infamous editor of the anti-Semitic Der Sturmer. An engineer in later life, he was a principal developer of color TV and computer technology and a key player in NASA's preparation of the first moon shot.

    The film, shot long ago by his grandfather on a sightseeing trip to Europe, includes shaky footage of Paris and the Swiss Alps, with someone inevitably waving at the camera. Astonishingly, David Kurtz also captured on color 16mm film the only known moving images of the thriving, predominantly Jewish town of Nasielsk, Poland, shortly before the community's destruction. "Blissfully unaware of the catastrophe that lay just ahead," he just happened to visit his birthplace in 1938, a year before the Nazi occupation. Of the town's three thousand Jewish inhabitants, fewer than one hundred would survive.Glenn Kurtz quickly recognizes the brief footage as a crucial link in a lost history. "The longer I spent with my grandfather's film," he writes, "the richer and more fragmentary its images became." Every image, every face, was a mystery that might be solved. Soon he is swept up in a remarkable journey to learn everything he can about these people. After restoring the film, which had shrunk and propelled across the United States; to Canada, England, Poland, and Israel; and into archives, basements, cemeteries, and even an irrigation ditch at an abandoned Luftwaffe airfield as he looks for shards of Nasielsk's Jewish history.One day, Kurtz hears from a young woman who had watched the video on the Holocaust Museum's website. As the camera panned across the faces of children, she recognized her grandfather as a thirteen-year-old boy. Moszek Tuchendler of Nasielsk was now eighty-six-year-old Maurice Chandler of Florida, and when Kurtz meets him, the lost history of Nasielsk comes into view. Chandler's laser-sharp recollections create a bridge between two worlds, and he helps Kurtz eventually locate six more survivors, including a ninety-six-year-old woman who also appears in the film, standing next to the man she would later marry.Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. "I began to catch fleeting glimpses of the living town," Kurtz writes, "a cruelly narrow sample of its relationships, contradictions, scandals." Originally a travel souvenir, David Kurtz's home movie became the most important record of a vibrant town on the brink of extinction. From this brief film, Glenn Kurtz creates a poignant yet unsentimental exploration of memory, loss, and improbable survival--a monument to a lost world.

    The monstrosity of Adolph Hitler's 'Third Reich' remains a stunning chapter in the pages of history. Although the power by which he hypnotized an entire nation is legendary, one question in particular begs an answer: Where was the church of Christ? Seduced by the Satanic majesty of The Fuhrer, church leaders throughout Germany allowed the Swastika a prominent place alongside the Christian cross in their sanctuaries. Nationalistic pride replaced the call of God to purity, and with few exceptions, the German church looked away while Adolph Hitler implemented his 'Final Solution' to his Jewish problem. How did this happen? In Hitler's Cross, Erwin W. Lutzer examines the lessons that may be learned from studying the deception of the church: the dangers of confusing &quote;church and state,&quote; how the church lost its focus, the role of God in human tragedy, the parameters of Satan's freedom, the truth behind Hitler's hatred of the Jews, the faithfulness of God to His people who suffer for Him, the comparisons between Hitler's rise and the coming reign of the Antichrist, and America's hidden cross-her dangerous trends. Hitler's Cross is the story of a nation whose church forgot its primary call and discovered its failure too late.

    Protesting in the name of principles Hitler thought he had killed forever, Sophie Scholl and other members of the White Rose realized that the ‘Germanization’ Hitler sought to enforce was cruel and inhuman, and that they could not be content to remain silent in its midst.From its inception to its end, the captivating story of Sophie Scholl and the White Rose is an uplifting and enlightening account of German resistance to the Third Reich. With detailed chronicles of Scholl’s arrest and trial before Hitler’s Hanging Judge, Roland Freisler, as well as appendices containing all of the leaflets the White Rose wrote and circulated exhorting Germans to stand up and fight back, this volume is an invaluable addition to World War II literature and a fascinating window into human resilience in the face of dictatorship.

    Death Dealer is a new, unexpurgated translation of Höss’s autobiography, written before, during, and after his trial. This edition includes rare photos, the minutes of the Wannsee Conference (where the Final Solution was decided and coordinated), original diagrams of the camps, a detailed chronology of important events at Auschwitz-Birkenau, Höss's final letters to his family, and a new foreword by Auschwitz survivor Primo Levi. Death Dealer stands as one of the most important—and chilling—documents of the Holocaust.

    Yet the sheer, crushing number of murders—over 1,200,000—the overwhelming scale of the crime, and the vast, abandoned site of ruined chimneys and rusting barbed wire isolate Auschwitz from us. How could an ordinary town become a site of such terror? Why was this particular town chosen? Who conceived, created, and constructed the camp? This unprecedented history reveals how an unremarkable Polish village was transformed into a killing field. Using architectural designs and planning documents recently discovered in Poland and Russia and over 200 illustrations, Auschwitz tells how this town became the epicenter of the Final Solution. A National Jewish Book Award winner.