And central to Caribbean literature is the short story, with its ties with the oral tradition. Now, The Oxford Book of Caribbean Short Stories, edited by Stewart Brown and John Wickham, brings together fifty-two stories in a major anthology representing over a century's worth of pan-Caribbean short fiction. This breathtaking collection is unique--and indispensable--in its inclusion of authors from the English, French, Spanish, and Dutch-speaking Caribbean. The distinctly Anglophone viewpoint of such prominent authors as, Jean Rhys, Sam Sevlon, V.S. Naipual, and E.A. Markham is richly contrasted by contributions from French, Spanish, and Dutch writers like Alejo Carpentier, Ren Depestre, and Thea Doelwijt, while the new generation--represented by such writers as Edwidge Danticat and Patrick Chamoiseau--points the way forward for Caribbean writing into the twenty-first century. With his stimulating introduction, Brown provides an up-to-date overview of Caribbean writing. Exploring the literature's themes of history, race, social justice, identity, and migration, he traces its evolution from the gritty naturalism of the Anglophone tradition to the magical realism of the French and Spanish traditions to a body of contemporary pan-Caribbean literature that cannot be contained in any convenient linguistic, geographical, or thematic definition. Charting the shifting ideologies and styles of this century--from the flamboyant wit of Samuel Selvon to the deceptive simplicity of Jamaica Kincaid--The Oxford Book of Caribbean Short Stories delivers a wealth of satisfactions in a single volume with unprecedented range.

    Among the most celebrated thrillers in recent memory—and now a major motion picture directed by Academy Award–winning filmmaker Oliver Stone—Savages was picked as a best book of the year by Stephen King in Entertainment Weekly, Janet Maslin in The New York Times, and Sarah Weinman in the Los Angeles Times. Now, in this high-octane prequel, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to the recent past, The Kings of Cool is a breathtakingly original saga of family in all its forms—fathers and sons, mothers and daughters, friends and lovers. As the trio at the center of the book does battle with a cabal of drug dealers and crooked cops, they come to learn that their future is inextricably linked with their parents’ history. A series of breakneck twists and turns puts the two generations on a collision course, culminating in a stunning showdown that will force Ben, Chon, and O to choose between their real families and their loyalty to one another. Fast-paced, provocative, and wickedly funny, The Kings of Cool is a spellbinding love story for our times from a master novelist at the height of his powers. It is filled with Winslow’s trademark talents—complex characters, sharp dialogue, blistering social commentary—that have earned him an obsessive following. The result is a book that will echo in your mind and heart long after you’ve turned the last page.

    This volume honors the city’s transformation—albeit in a chilling manner—with a highly talented crew of contributors who know the city inside and out.From editor Tayari Jones:People who don’t know Atlanta don’t understand the codes and contradictions of the New South. Yes, Margaret Mitchell imagined the plantation Tara within the city limits, but it’s also the home of OutKast. Atlanta has captured the imagination of trash TV with Todd Chrisley’s magnolia-cream accent but also the decidedly urban antics of Love & Hip Hop. The ashes of the Civil War still hang in the air, but immigration is turning the South into the Global South.With Atlanta Noir, my hope was to find the writers who could show the city in all of its dizzy complexity. These fourteen writers represent the city’s many neighborhoods and demographics—from the Southern punk scene of Little Five Points to the Junior League world of Peachtree City, where things are not always as they seem. There is more going on at the local Waffle House than just scattering, smothering, and chunking. This is a major international city but it’s still the Bible Belt. A megapreacher’s past catches up with him, and gentrification cannot tame the outlaw spirit of the city too busy to hate. Our airport boasts that it is the busiest in the world; locals declare that even on the way to heaven, you have to change planes at Hartsfield-Jackson. Let us think of Atlanta Noir as an after-hours welcome to the city where we serve our sweet tea with a shot of bourbon.

    And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

    Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Tommy Moore, Jessica Breheny, Naomi Hirahara, Calvin McMillin, Liza Monroy, Elizabeth McKenzie, Jill Wolfson, Ariel Gore, Jon Bailiff, Maceo Montoya, Micah Perks, Seana Graham, Vinnie Hansen, Peggy Townsend, Margaret Elysia Garcia, Lou Mathews, Lee Quarnstrom, Dillon Kaiser, Beth Lisick, and Wallace Baine.From the introduction by Susie Bright:Every town has its noir-ville. It’s easy to find in Santa Cruz. We live in what’s called “paradise,” where you can wake up in a pool of blood with the first pink rays of the sunrise peeking out over our mountain range. The dewy mist lifts from the bay. Don’t hate us because we’re beautiful—we were made that way, like Venus rising off the foam with a brick in her hand. We can’t help it if you fall for it every time . . .“If I lived in a place like this,” visitors often say, “I’d wake up with a smile every day.”Oh, we do, thank you for that. There’s no beauty like a merciless beauty—and like every crepuscular predator, it thrives at dawn and dusk. You’re just the innocent we’ve been waiting for, with your big paper cone of sugar-shark cotton, whipped out of pure nothing. We have just the ride for you, the longest tunnel ever. Santa Cruz is everything you ever dreamed, and everything you ever screamed, in one long drop you’ll never forget.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Showcasing many of the organization’s bestselling authors as well as rising stars in the genre, here are twenty-five brand-new, never-before-published stories packed with murder, mystery, and mayhem.• A cunning criminal thinks he can use a child to take the rap for his crimes.• A hospital intern turned body snatcher• A priest who comes face-to-face with his wife’s murderer on death row• A Confederate soldier comes home to his love, but changed by more than just the war . . . he comes back wrong.• The discovery of a flying saucer in the ocean depths brings one man to the brink of a massive revelation.• A dying man’s last request proves to his ex-wife that he’s still rotten to the core.• A clandestine operative finds himself caught in a wicked game of confusion . . . but who is calling the shots? No matter what type of thriller you listen to, you’ll find something here that will entertain you . . . and perhaps a new writer you’ll cherish for years to come.

    In these four stories—“Ministerial Aid,” “Slick-Tongued Devil,” “Toys for Tots,” and “Unbalanced” (three of which have been sent to Johnson’s fans over the years in the author’s “Post-it” e-mails)—Walt is alternately at his best and his worst. He helps a somewhat delusional elderly victim of domestic abuse while sporting a bathrobe and a mean hangover on New Year’s Day. He’s sidelined by grief when his wife’s obituary reappears in the paper and there’s an unexpected knock on his door two days before Christmas. He strives to help even those who don’t want it when he picks up a young female hitchhiker, and he’s forced into some last-minute Christmas shopping by the Greatest Legal Mind of Our Time, during which he might just end up saving a young Navy chaplain’s Christmas.Full of Longmire’s dry wit and good heart, Christmas in Absaroka County is a holiday must-have for every Longmire and Craig Johnson fan, and it also includes the first chapter of The Cold Dish, the first novel in the Walt Longmire Mystery Series. Amazon review

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    She becomes gradually more obsessed with the case, never imagining how close she herself is to danger. Includes an extract from Karin Slaughter’s gripping new novel, Pretty Girls.

    It stars Leo McKern as Horace Rumpole, an ageing London barrister who defends any and all clients. The original show has been spun off into a series of short stories, novels, and radio programmes.Contents:“Rumpole and the Younger Generation”;“Rumpole and the Alternative Society”;“Rumpole and the Honourable Member”;“Rumpole and the Married Lady”;“Rumpole and the Learned Friends”;“Rumpole and the Heavy Brigade”

    So while it might be a love story, it's also about killing people and disposing of their bodies in the most efficient manner possible.DEAD PIG COLLECTOR introduces readers to Mister Sun, a very proficient businessman whose trade is the murder and spotless removal of human beings. Like any businessman, he knows each transaction is only as good as his client - and today's client, in Los Angeles, has turned out to be so dangerously stupid that Mister Sun's work and life are now in jeopardy...

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.