He had never spoken in public before. His mind was flooded with childhood memories filled with humiliation, misunderstanding, and abuse at the hands of his teachers. With his heart pounding, he began to speak of these incidents. To his disbelief, the teachers before him responded to his embittered recollection with a standing ovation. Many could not contain their own tears.So begins a touching memoir of an extremely angry adolescent. Highly gifted and imaginative, Villaseñor coped with an untreated learning disability (he was finally diagnosed with extreme dyslexia at the age of forty-four) and the frustration he felt growing up Latino in an English-only American school system that had neither the cultural understanding nor the resources to deal with Hispanic students.Often beaten by his teachers because he could not speak English, Villaseñor was made to feel ashamed about his heritage, and even questioned the core values prioritized by his tight-knit family. Villaseñor's dyslexia, and growing frustration over not fitting in, fueled his dream to one day become a writer. He is now considered one of the premier writers of our time.With his signature passion, his gift as a storyteller, and his own incredible story, Villaseñor allows readers into the soul of a young life touched by insecurity yet encouraged by a personal sense of artistic destiny. Burro Genius, a complex and inspiring coming-of-age story, is certain to become an American classic.

    From the border in the Dominican Republic, to the bustling streets of New York City, Acevedo considers how some bodies must walk through the world as beastly beings. How these forgotten myths be both blessing and birthright.Finalist, Vinyl 45 Chapbook Contest, 2015Honorable Mention, The Eric Hoffer Chapbook Award, 2017

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    Each of the teens in these 50 original poems, written using a variety of poetic forms, will be recognizable to the reader as the universal emotions, ideas, impressions, and beliefs float across the pages in these gracefully told verses.Also included are the author’s footnotes on the various types of poetic forms used throughout to help demystify poetry and showcase its accessibility, which makes this a perfect classroom tool for teachers as well as an inspiration to readers who may wish to try their own hand at writing.

    In poised yet unrelenting lyric poems, Shanahan—queer and mixed-race—confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother’s immigration to the United States from Morocco, navigating racial constructs, sexuality, family, and the globe in search of “who we are to each other . . . who we are to ourselves.” With poems that weave from Marrakesh to Zürich to London, through history to the present day, this book is, on its surface, an uncompromising exploration of identity in personal and collective terms. Yet the collection is, most deeply, about intimacy and love, the inevitability of human separation and the challenge of human connection. Urging us to reexamine our own place in the broader human tapestry, Into Each Room We Enter without Knowing announces the arrival of a powerful and necessary new voice.

    Very quickly the Castro government suppressed his writing and persecuted him for his homosexuality until he was finally imprisoned.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Curated by Teatro Luna West: America's All Latinx and All Women of Color Theatre Ensemble, these stunning stories are combined with original music by Maria Chavez and poetry by Gabriela Ortega in order to fully transport the listener to each individual life and journey. Although rooted in the incredibly diverse spectrum that is the US Latina experience, this collection of stories is crafted for anyone who has ever felt invisible, powerless, or alone. This compilation provides a platform and much needed space for the many generations of women who have been tucked away into the corners of our history, erased, and ignored and shines a light on vibrant voices of today celebrating our power to heal, transform, and rise again. From interviewing public figures as problematic as Fidel Castro, to experiencing a leaky brain and the miraculous feats of modern medicine or losing a loved one to the brutalities of Alzheimer's, these storytellers share it all. Modeling vulnerability for the listener, we are given access to somber reflections on the current administration's impact on the marginalized - from those in violent cycles of poverty to those experiencing the gentrification crisis firsthand, to a passionate call to remember the children still in cages. This collection wouldn't be complete without vital stories of incredibly heartwarming coming-out experiences and journeys abroad that uplift us and remind us of our ability to overcome anything that comes our way. Original stories by: Liza Ann Acosta, Maria Alexandria Beech, Sarah Bogdanski, Gabriela Bonet, Franceli Chapman, Antonieta Carpio, Marissa Chibas, Gina Cornejo, Ginna Diaz, Mari DeOleo, Melissa DuPrey, Georgina Escobar, Cristina Frias, Virginia Grise, Christina Igaraividez, Isabel Jimenez, Maya Malan-Gonzalez, Alexandra Meda, Jasminne Mendez, Elisa Noemi, Elizabeth Nungaray, Karari Olvera, Jessica Perez, Lorna Silva, Gabriela Ortega. Created by Teatro Luna & Teatro Luna West - an ensemble creating original theatrical productions, digital media, and direct-action events toward a social justice purpose. Directed by Alexandra Meda Co-produced by Christina Igaraividez and Alexandra Meda Original music by Maria Chavez & Mark VanHare Sound design by Fan Zhang ©2019 Audible (P)2019 Audible Originals, LLC.

    What Night Brings is the unforgettable story of Marci's struggle to find and maintain her identity against all odds - a perilous home life, an incomprehensible Church, and a largely indifferent world. Winner of the Miguel Marmol prize focusing on human rights, the Paterson Fiction Prize, the Latino Literary Foundation Latino Book Award, the Bronze Medal from Foreword Magazine, and Honorable Mention for the Gustavus Meyers Books Award. Also shortlisted for a Lambda Literary Award.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    The volume also contains a group of modern narratives, including the famous, and much-anthologized, Moonlight Sonata. Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety.From PhiloctetesAll the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hallwhere glasses and voices sparkled, and the veilof an unseen dancer rippled silentlylike a diaphanous, whirling wallbetween life and death. This throbbingour childhood nights, lightening the shadows of shieldsetched on white walls by slow moonlight.

    Told in verse format.

    Characterized by formal poise, vulnerability, and compassion, Johnson's debut collection is one of resounding generosity and grace.Jenny Johnson is a recipient of the 2015 Whiting Writers' Award, and the 2016 Hodder Fellowship at Princeton. She lives in Pittsburgh, Pennsylvania.

    Told in verse in two voices, with a chorus of fellow students, this is a story of two girls, opposites in many ways, who are drawn to each other; Kate appears to be a stereotypical cheerleader with a sleek ponytail and a perfectly polished persona, Tam is tall, athletic and frequently mistaken for a boy, but their deepening friendship inevitably changes and reveals them in ways they did not anticipate.

    Papi has told her the story, even before her family fled to Los Angeles to seek refuge from cartel wars in Mexico. The Aztecs came from a place called Aztlan, what is now the Southwest US, called the land of the cranes. They left Aztlan to establish their great city in the center of the universe-Tenochtitlan, modern-day Mexico City. It was prophesized that their people would one day return to live among the cranes in their promised land. Papi tells Betita that they are cranes that have come home.Then one day, Betita's beloved father is arrested by Immigration Customs Enforcement (ICE) and deported to Mexico. Betita and her pregnant mother are left behind on their own, but soon they too are detained and must learn to survive in a family detention camp outside of Los Angeles. Even in cruel and inhumane conditions, Betita finds heart in her own poetry and in the community she and her mother find in the camp. The voices of her fellow asylum seekers fly above the hatred keeping them caged, but each day threatens to tear them down lower than they ever thought they could be. Will Betita and her family ever be whole again?