On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as 'one of our most interesting and intelligent American writers', wrote what continues to be the most reliable - and compulsively readable - account of the subject. Connell makes good use of his research and novelist's eye for story and detail to re-create the heroism, foolishness and savagery of this crucial chapter in the history of the West.

    Period photographs illustrate this you-are-there account of the daily lives and tribulations of all who suffered through the war, from ordinary people to the Confederacy's generals and political figures.

    He lies in one position for days, barely twitching a muscle, able to control his heartbeat and breathing. His record has never been matched: 93 confirmed kills. This is the story of Sergeant Carlos Hathcock, Marine sniper, legend of military lore.

    Stern, one of the world's leading Alcott scholars, shows how the breadth of Alcott's work, ranging from Little Women to sensational thrillers and war stories, serves as a reflection of a fascinating and complicated life dotted with poverty and riches alike, hard menial work, physical suffering relieved by opiates, and the acclaim of literary success.

    Drawing extensively on newly unearthed documents, this work provides a gripping battle-by-battle assessment of Hill's role in Antietam, Fredericksburg, Gettysburg, and other battles. 8 pages of photographs.

    D. Salinger eluded fans and journalists for most of his life. Now comes a new biography that Peter Ackroyd in The Times of London calls “energetic and magnificently researched”—a book from which “a true picture of Salinger emerges.” Filled with new information and revelations—garnered from countless interviews, letters, and public records—J. D. Salinger presents an extraordinary life that spanned nearly the entire twentieth century.Kenneth Slawenski explores Salinger’s privileged youth, long obscured by misrepresentation and rumor, revealing the brilliant, sarcastic, vulnerable son of a disapproving father and doting mother and his entrance into a social world where Gloria Vanderbilt dismissively referred to him as “a Jewish boy from New York.” Here too are accounts of Salinger’s first broken heart—Eugene O’Neill’s daughter, Oona, left him for the much older Charlie Chaplin—and the devastating World War II service (“a living hell”) of which he never spoke and which haunted him forever.J. D. Salinger features all the dazzle of this author’s early writing successes, his dramatic encounters with luminaries from Ernest Hemingway to Laurence Olivier to Elia Kazan, his surprising office intrigues with famous New Yorker editors and writers, and the stunning triumph of The Catcher in the Rye, which would both make him world-famous and hasten his retreat into the hills of New Hampshire.Whether it’s revealing the facts of his hasty, short-lived first marriage or his lifelong commitment to Eastern religion, which would dictate his attitudes toward sex, nutrition, solitude, and creativity, J. D. Salinger is this unique author’s unforgettable story in full—one that no lover of literature can afford to miss.

    The Facts is the unconventional autobiography of a writer who has reshaped our idea of fiction--a work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art.Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint.The book concludes surprisingly--in true Rothian fashion--with a sustained assault by the novelist against his proficiencies as an autobiographer.

    Gaskell was a friend of Bronte's and, having been invited to write the official life, determined to both tell the truth and honor her friend. This edition collates all three previous editions, as well as the manuscript, offering fuller information about the process of writing and a more detailed explanation of the text than any previous edition.

    But now, surprisingly, he has turned his wit and elegant storytelling gifts to a candid memoir of the first forty years of his life. Palimpsest is written from the vantage point of Vidal's library in his villa on the Italian coast. As visitors come and go, his memory ranges back and forth across a rich history. Vidal's childhood was spent in Washington, D.C., in the household of his grandfather, the blind senator from Oklahoma, T. P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St. Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome, and Paris in the forties and fifties; sex in an age of promiscuity; and a campaign for Congress in 1960. Vidal's famous skills as a raconteur, his forthrightness, and his wicked wit are brilliantly at work in these recollections of a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein, and the Duke and Duchess of Windsor, among others. Beautifully rendered anecdotes are intermixed with meditations on writing, history, acting, and politics. Perhaps most surprising is the leitmotif of a great, lost love. "A memoir is how one remembers one's own life," Vidal says, "while an autobiography is history." Palimpsest is a true story, but also an extraordinary work of literary imagination.

    William "Wild Bill" Guarnere and Edward "Babe" Heffron were among the first paratroopers of the U.S. Army—members of an elite unit of the 101st Airborne Division called Easy Company. The crack unit was called upon for every high-risk operation of the war, including D-Day, Operation Market Garden in Holland, the Battle of the Bulge, and the capture of Hitler's Eagle's Nest in Berchtesgaden. Both men fought side by side—until Guarnere lost his leg in the Battle of the Bulge and was sent home. Heffron went on to liberate concentration camps and take Hitler's Eagle's Nest hideout. United by their experience, they reconnected at the war's end and have been best friends ever since. Their story is a tribute to the lasting bond forged between comrades in arms—and to all those who fought for freedom.

    As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, & the author of such classics as Tom Sawyer & Huckleberry Finn. As Mr Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes & lived the extravagent life that Twain despised. Set against the richly drawn background of the post-Civil War period that Twain dubbed the "Gilded Age," Mr. Clemens & Mark Twain is sure to entertain & enlighten both general readers & scholars alike.

    Grant's life has typically been misunderstood. All too often he is caricatured as a chronic loser and inept businessman, fond of drinking to excess; or as the triumphant but brutal Union general of the Civil War; or as a credulous and hapless president whose tenure came to symbolize the worst excesses of the Gilded Age. These stereotypes don't come close to capturing adequately his spirit and the sheer magnitude of his monumental accomplishments. A biographer at the height of his powers, Chernow has produced a portrait of Grant that is a masterpiece, the first to provide a complete understanding of the general and president whose fortunes rose and fell with dizzying speed and frequency. Before the Civil War, Grant was flailing. His business ventures had been dismal, and despite distinguished service in the Mexican War, he ended up resigning from the army in disgrace amid recurring accusations of drunkenness. But in the Civil War, Grant began to realize his remarkable potential, soaring through the ranks of the Union army, prevailing at the Battle of Shiloh and in the Vicksburg campaign and ultimately defeating the legendary Confederate general Robert E. Lee after a series of unbelievably bloody battles in Virginia. Along the way Grant endeared himself to President Lincoln and became his most trusted general and the strategic genius of the war effort. His military fame translated into a two-term presidency, but one plagued by corruption scandals involving his closest staff. All the while Grant himself remained more or less above reproach. But, more importantly, he never failed to seek freedom and justice for black Americans, working to crush the Ku Klux Klan and earning the admiration of Frederick Douglass, who called him 'the vigilant, firm, impartial, and wise protector of my race." After his presidency, he was again brought low by a trusted colleague, this time a dashing young swindler on Wall Street, but he resuscitated his image by working with Mark Twain to publish his memoirs, which are recognized as a masterpiece of the genre. With his famous lucidity, breadth, and meticulousness, Chernow finds the threads that bind these disparate stories together, shedding new light on the man whom Walt Whitman described as "nothing heroic... and yet the greatest hero." His probing portrait of Grant's lifelong struggle with alcoholism transforms our understanding of the man at the deepest level. This is America's greatest biographer, bringing movingly to life one of America's finest but most underappreciated presidents. The definitive biography, Grant is a grand synthesis of painstaking research and literary brilliance that makes sense of all sides of Grant's life, explaining how this simple Midwesterner could at once be so ordinary and so extraordinary.

    But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

    Vann Woodward won the 1982 Pulitzer Prize for History, drawn from the diaries of a Southern aristocrat, records the disintegration and final destruction of the Confederacy.

     MAX PERKINS: Editor of Genius by A. Scott Berg took the literary world by storm upon its publication in 1978, garnering rave reviews and winning the National Book Award. A meticulously-researched and engaging portrait of the man who introduced the public to the greatest writers of this century, Berg's biography stands as one of the finest books on the publishing industry ever written. Unavailable for the last few years, MAX PERKINS is now being re-released (on the fiftieth anniversary of the great editor's death. The driving force behind such literary superstars as F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe, Max Evarts Perkins was the most admired book editor in the world. From the first major novel he edited (Fitzgerald's This Side of Paradise) to the last (James Jones's bestselling From Here to Eternity), Perkins revolutionized American literature. Perkins was tirelessly committed to nurturing talent no matter how young or unproven the writer. Filled with colorful anecdotes about everything from Perkins's struggles to convince the old guard at Scribners to publish his visionary (and often controversial) authors to his falling out with one of his most brilliant discoveries, Thomas Wolfe, MAX PERKINS reveals with insight and humor the professional and personal life of one of the most legendary figures in the history of American publishing. Given unprecedented access to the correspondence between Perkins and his writers, Berg has fashioned a compellingly thorough biography that is as entertaining as it is informative. A vivid portrait of one man's life and a revealing behind-the-scenes look at the creation of literature, A. Scott Berg's MAX PERKINS: Editor of Genius is a masterful achievement in scholarship and writing.