At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    Like other women writers of her time, Elizabeth Inchbald concentrates on the question of a woman's proper education, and her sureness of touch and subtlety of characterization prefigure Jane Austen's work.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    The Rajput kingdom of Mewar is at the height of its power. It is locked in war with the Sultanates of Delhi, Gujarat and Malwa. But there is another deadly battle being waged within Mewar itself. who will inherit the throne after the death of the Maharana? The course of history, not just of Mewar but of the whole of India, is about to be changed forever. At the centre of Cuckold is the narrator, heir apparent of Mewar, who questions the codes, conventions and underlying assumptions of the feudal world of which he is a part, a world in which political and personal conduct are dictated by values of courage, valour and courtesy; and death is preferable to dishonour. A quintessentially Indian story, Cuckold has an immediacy and appeal that are truely universal.

    His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

    His is a dangerous quest—not only must he overcome unquiet spirits, vengeful sorceresses, and demons of the forest, but there are armed men on his trail as well. In When the River Sleeps, Easterine Kire transports her reader to the remote mountains of Nagaland in northeastern India, a place alive with natural wonder and supernatural enchantment. As Vilie treks through the forest on the trail of his dream, readers are also swept along with the powerful narrative and walk alongside him in a world where the spirits are every bit as real as men and women. Kire invites us into the lives and hearts of the people of Nagaland: their rituals and beliefs, their reverence for the land, their close-knit communities, and the rhythms of a life lived in harmony with their natural surroundings. “Reminiscent of García Márquez’s magic realism and Leslie Marmon Silko’s Native-American storytelling. At the end, though, this is a Naga story, unmistakably so, in its sense of place, time, and oral traditions.” —Paulus Pimomo, Central Washington University

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    Taking center stage in this debut novel is Alcestis, the fabled ‘good wife’ who sacrificed herself in order to save her much loved husband, King Admetus. In this reworking of the classic legend, a decidedly more complex and restless Alcestis is provided with an intriguing backstory involving her childhood and the untimely death of her favorite sister, Hippothoe. When Admetus is too cowardly to face his own death, Alcestis, hopeful of reuniting with Hippothoe, agrees to take his place in the Underworld. It is here in death that Alcestis wrestles with the true nature of love and loss, as she falls under the seductive spell of Persephone...” --Margaret Fuller, Booklist

    Written in the 1380s, it presents Troilus, son of Priam and younger brother of Hector as a Trojan warrior of renown who sees, and falls deeply in love with the beautiful Cressida. Cressida is the daughter of Calchas, a Trojan priest and seer who, having divined the eventual fall of Troy, has deserted to Agamemnon’s camp, leaving his daughter in the besieged city, With the help of Pander, friend to Troilus and uncle to Cressida, the young couple meet and merge – but with unhappy consequences. Chaucer’s long poem is cast in seven-line rhymed stanzas, and is eased out of Middle English to be presented here in a lively modern verse translation by George Philip Krapp, who has retained not only the structure, but its spirit. Emotions run high, the love is intense, the story unfolds with a dramatic urgency that draws the listener ever onwards; yet Chaucer is Chaucer, and there are times when a deft line, a light insinuation, suggests the smile, the benevolence and the immediacy of the author of The Canterbury Tales. Troilus and Cressida, though often overshadowed by the Tales and time (and even Shakespeare who took up the story) is a monument in its own right in the canon of English literature. Once read it will never be forgotten.

    The immaculately dressed Chowringhee, radiant in her youth, had just stepped on to the floor at the nightclub.’ Set in 1950s Calcutta, Chowringhee is a sprawling saga of the intimate lives of managers, employees and guests at one of Calcutta’s largest hotels, the Shahjahan. Shankar, the newest recruit, recounts the stories of several people whose lives come together in the suites, restaurants, bar and backrooms of the hotel. As both observer and participant in the events, he inadvertently peels off the layers of everyday existence to expose the seamy underbelly of unfulfilled desires, broken dreams, callous manipulation and unbidden tragedy. What unfolds is not just the story of individual lives but also the incredible chronicle of a metropolis. Written by best-selling Bengali author Sankar, Chowringhee was published as a novel in 1962. Predating Arthur Hailey’s Hotel by three years, it became an instant hit, spawning translations in major Indian languages, a film and a play. Its larger-than-life characters—the enigmatic manager Marco Polo, the debonair receptionist Sata Bose, the tragic hostess Karabi Guha, among others—soon attained cult status. With its thinly veiled accounts of the private lives of real-life celebrities, and its sympathetic narrative seamlessly weaving the past and the present, it immediately established itself as a popular classic. Available for the first time in English, Chowringhee is as much a dirge as it is a homage to a city and its people.An excerpt (Chapter 1) from the book :http://arunavasinha.in/2011/05/27/cho...

    Ambedkar’s Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. Ambedkar – a figure like W.E.B. Du Bois – offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. The world’s best-known Hindu, Mahatma Gandhi, responded publicly to the provocation. The hatchet was never buried.

    Many Japanese know the poems by heart as a result of playing the popular card game version of the anthology. Collecting one poem each from one hundred poets living from the 7th century to the 13th century, the book covers a wide array of themes and personal styles.

    This is to be the first verse translation of Goethe's poetry in penguin classics and replaces Luke's own 1964 prose translation which has been in print continously since then (life sales 43,000).

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s — 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.