Parker didn’t.But now that Charlie is officially in remission, life couldn’t be going better for Parker. She’s landed a prestigious summer internship at the hospital and is headed to Harvard in the fall to study pediatric oncology—which is why the anxiety she’s felt since her Harvard acceptance is so unsettling. And it doesn’t help that her relationship with Charlie has been on the rocks since his diagnosis.Enter Finn, a boy who’s been leaving strange graffiti messages all over town. Parker can’t stop thinking about those messages, or about Finn, who makes her feel free for the first time: free to doubt, free to make mistakes, and free to confront the truth that Parker has been hiding from for a long time.That she keeps trying to save Charlie, when the person who really needs saving is herself.

    One window. No way to escape. Hannah knows there's been a mistake. She didn't need to be institutionalized. What happened to her roommate at her summer program was an accident. As soon as the doctors and judge figure out that she isn't a danger to herself or others, she can go home to start her senior year. In the meantime, she is going to use her persuasive skills to get the staff on her side.Then Lucy arrives. Lucy has her own baggage. And she may be the only person who can get Hannah to confront the dangerous games and secrets that landed her in confinement in the first place.

    Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .

    Not just the accident—but anything from the last four years. Not high school. Not Matt, the guy who is apparently her boyfriend. Not the reason she and Jules are no longer friends. Nothing.That’s when it hits her—the accident may not have taken her life, but it took something just as vital: her memory. The harder she tires to remember things, the foggier everything gets, and figuring out who she is feels impossible when everyone keeps telling her who she was.But then there’s Walker. The guy who saved her. The one who broke her ribs pumping life back into her lungs. The hardened boy who keeps his distance despite Olivia’s attempts to thank him.With her feelings growing for Walker, tensions rising with Matt, and secrets she can’t help but feel are being kept from her, Olivia must find her place in a life she doesn’t even remember living.

    And a fire that spreads online... is impossible to extinguish.New school. Check. New town. Check. New last name. Check. Social media profiles? Deleted.Anna and her mother have moved hundreds of miles to put the past behind them. Anna hopes to make a fresh start and escape the harassment she's been subjected to. But then rumors and whispers start, and Anna tries to ignore what is happening by immersing herself in learning about Maggie, a local woman accused of witchcraft in the seventeenth century. A woman who was shamed. Silenced. And whose story has unsettling parallels to Anna's own. From Laura Bates, internationally renowned feminist and founder of the Everyday Sexism Project, comes a realistic fiction story for the #metoo era. It's a powerful call to action, reminding all readers of the implications of sexism and the role we can each play in ending it.

    That’s how she became student body president. Varsity soccer star. And it’s how she’ll get into Stanford. But—she’s never had a boyfriend. In fact, she’s a disaster in romance, a clumsy, stammering humiliation magnet whose botched attempts at flirting have become legendary with her friends.So when the hottest human specimen to have ever lived walks into her life one day, Desi decides to tackle her flirting failures with the same zest she’s applied to everything else in her life. She finds guidance in the Korean dramas her father has been obsessively watching for years—where the hapless heroine always seems to end up in the arms of her true love by episode ten. It’s a simple formula, and Desi is a quick study.Armed with her “K Drama Steps to True Love,” Desi goes after the moody, elusive artist Luca Drakos—and boat rescues, love triangles, and staged car crashes ensue. But when the fun and games turn to true feels, Desi finds out that real love is about way more than just drama.

    Despite his mother’s anxious hovering and the rumors at school, he’s trying to forget the darkness from which he has escaped. But it doesn’t help that he’s still hiding guilty secrets, or that he longs for a girl who may not return his feelings. Then he befriends Nicki, who is using psychics to seek contact with her dead father. This unlikely friendship thaws Ryan to the point where he can face the worst in himself. He and Nicki confide in one another the things they never thought they’d tell anyone—but their confessions are trickier than they seem, and the fallout tests the bounds of friendship and forgiveness.

    After all, her much older sister, Hannah, left home eight years ago, and Caro barely remembers her. So when Caro’s parents drop the bombshell news that Hannah is returning to live with them, Caro feels as if an interloper is crashing her family. To her, Hannah’s a total stranger, someone who haunts their home with her meek and withdrawn presence, and who refuses to talk about her life and why she went away. Caro can’t understand why her parents cut her sister so much slack, and why they’re not pushing for answers.Unable to understand Hannah, Caro resorts to telling lies about her mysterious reappearance. But when those lies alienate Caro’s new boyfriend and put her on the outs with her friends and her parents, she seeks solace from an unexpected source. And when she unearths a clue about Hannah’s past — one that could save Hannah from the dark secret that possesses her — Caro begins to see her sister in a whole new light.

    But there are cracks in their quiet existence, and they’re slowly becoming more apparent.Clara and Hailey are at a crossroads. Clara wants to stay close to home, avoid all attention, and study the night sky. Hailey wants to travel the world, learn from great artists, and dance with mysterious boys.As high school graduation approaches, each twin must untangle her dreams from her sister’s, and figure out what it means to be her own person.

    The five girls Kyle texted that day. The girls it could have been. Only Jamie--beautiful, saintly Jamie--was kind enough to respond. And it got her killed.On the eve of Kyle's sentencing a year after Jamie's death, all the other "chosen ones" are coping in various ways. But our tenacious narrator is full of anger, stuck somewhere between the horrifying past and the unknown future as she tries to piece together why she gets to live, while Jamie is dead.Now she finds herself drawn to Charlie, Jamie's boyfriend--knowing all the while that their relationship will always be haunted by what-ifs and why-nots. Is hope possible in the face of such violence? Is forgiveness? How do you go on living when you know it could have been you instead?

    Superstar Clay Coolidge is most definitely going to end up one of those things. But unfortunately for Clay, if he can’t convince Annie to join his summer tour, his music label is going to drop him. That’s what happens when your bad boy image turns into bad boy reality. Annie has been avoiding the spotlight after her parents’ tragic death, except on her skyrocketing YouTube channel. Clay’s label wants to land Annie, and Clay has to make it happen. Swayed by Clay’s undeniable charm and good looks, Annie and her band agree to join the tour. From the start fans want them to be more than just tour mates, and Annie and Clay can’t help but wonder if the fans are right. But if there’s one part of fame Annie wants nothing to do with, it’s a high-profile relationship. She had a front row seat to her parents’ volatile marriage and isn’t interested in repeating history. If only she could convince her heart that Clay, with his painful past and head over heels inducing tenor, isn’t worth the risk.

    But he's also certain that she's a psychopath--clinically, threateningly, dangerously. Recently Rosa has been making trouble, hurting things. Che is the only one who knows; he's the only one his sister trusts. Rosa is smart, talented, pretty, and very good at hiding what she is and the manipulation she's capable of.Their parents, whose business takes the family from place to place, brush off the warning signs as Rosa's -acting out.- Now that they have moved again--from Bangkok to New York City--their new hometown provides far too many opportunities for Rosa to play her increasingly complex and disturbing games. Che's always been Rosa's rock, protecting her from the world. Now, the world might need protection from her.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.But sometimes worlds collide and beautiful things happen, right?3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.Like the monster at my mosque.People think he’s holy, untouchable, but nobody has seen under the mask.Except me.

    I like to sleep and I like to blog. Last year – before all that stuff with Charlie and before I had to face the harsh realities of A-Levels and university applications and the fact that one day I really will have to start talking to people – I had friends. Things were very different, I guess, but that’s all over now.Now there’s Solitaire. And Michael Holden.I don’t know what Solitaire are trying to do, and I don’t care about Michael Holden.I really don’t.This incredible debut novel by outstanding young author Alice Oseman is perfect for fans of John Green, Rainbow Rowell and all unflinchingly honest writers.