By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

    PT Sir is an opportunistic gym teacher who hitches his aspirations to a right-wing political party, and finds that his own ascent becomes linked to Jivan's fall. Lovely--an irresistible outcast whose exuberant voice and dreams of glory fill the novel with warmth and hope and humor--has the alibi that can set Jivan free, but it will cost her everything she holds dear.Taut, symphonic, propulsive, and riveting from its opening lines, A Burning has the force of an epic while being so masterfully compressed it can be read in a single sitting. Majumdar writes with dazzling assurance at a breakneck pace on complex themes that read here as the components of a thriller: class, fate, corruption, justice, and what it feels like to face profound obstacles and yet nurture big dreams in a country spinning toward extremism. An extraordinary debut.

    It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

    Bombay Stories is a collection of Manto’s work from his years in the city. Freshly arrived in 1930s Mumbai, Manto saw a city like no other—an exhilarating hub of license and liberty, and a city bursting with both creative energy and helpless despondency. It was to be Manto’s favourite city, and he was among the first to write the Bombay characters we are now familiar with from countless stories and films—prostitutes, pimps, lowlifes, writers, intellectuals, aspiring film actors, thugs, conmen and crooks. His hard-edged, moving stories remain, a hundred years after his birth, startling and provocative--in searching out those forgotten by humanity, Manto wrote about what it means to be human. Matt Reeck and Aftab Ahmad’s translations reach into the streets and capture in contemporary, idiomatic English the feeling that Urdu’s most celebrated short-story writer’s work stories provide in the original.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    With two beautiful daughters, a brilliantly intelligent son, a tech-guru of a husband and a historical landmark home, her life is picture perfect. She has everything she wants; all she has to do is keep it that way. But living in this matriarch’s determinedly cheerful, yet subtly controlling domain hasn’t been easy for her family, and when her oldest daughter, Rose, runs off with a mysterious boyfriend, Josephine tightens her grip, gradually turning her flawless home into a darker sort of prison. Resentful of her sister’s newfound freedom, Violet turns to eastern philosophy, hallucinogenic drugs, and extreme fasting, eventually landing herself in the psych ward. Meanwhile, her brother Will shrinks further into a world of self-doubt. Recently diagnosed with Aspergers and epilepsy, he’s separated from the other kids around town and is homeschooled to ensure his safety. Their father, Douglas, finds resolve in the bottom of the bottle—an addict craving his own chance to escape. Josephine struggles to maintain the family’s impeccable façade, but when a violent incident leads to a visit from child protective services, the truth about the Hursts might finally be revealed.

    Clyde, the father, works long, exhausting shifts at the petroleum plant in southern Trinidad; Joy, his wife, looks after the home. Their two sons, thirteen years old, wake early every morning to travel to the capital, Port of Spain, for school. They are twins but nothing alike: Paul has always been considered odd, while Peter is widely believed to be a genius, destined for greatness. When Paul goes walking in the bush one afternoon and doesn't come home, Clyde is forced to go looking for him, this child who has caused him endless trouble already, and who he has never really understood. And as the hours turn to days, and Clyde begins to understand Paul's fate, his world shatters--leaving him faced with a decision no parent should ever have to make.

    His carefully constructed routine includes tracking his most common waking time (7:38 a.m.), refusing to start his therapy sessions even a minute before the appointed hour (10:00 a.m.), and watching one episode of the 1960s cop show Dragnet each night (10:00 p.m.).But when a single mother and her nine-year-old son move in across the street, Edward’s timetable comes undone. Over the course of a momentous 600 hours, he opens up to his new neighbors and confronts old grievances with his estranged parents. Exposed to both the joys and heartaches of friendship, Edward must ultimately decide whether to embrace the world outside his door or retreat to his solitary ways.Heartfelt and hilarious, this moving novel will appeal to fans of Daniel Keyes’s classic Flowers for Algernon and to any reader who loves an underdog.

    The novel intricately weaves together three timelines: the story of Greyson’s travels (Rome, Israel, Santiago, Thailand, Uganda); the progressive unraveling of his own father seen through Greyson’s childhood eyes; and the intricacies and estrangements of his marriage. The entire narrative unfolds in the time it takes him undergo twelve 30-second electroshock treatments in a New York psychiatric ward.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    It begins in the early part of the 20th century, when Paddy Cleary moves his wife, Fiona, and their seven children to Drogheda, the vast Australian sheep station owned by his autocratic and childless older sister; and it ends more than half a century later, when the only survivor of the third generation, the brilliant actress Justine O'Neill, sets a course of life and love halfway around the world from her roots.The central figures in this enthralling story are the indomitable Meggie, the only Cleary daughter, and the one man she truly loves, the stunningly handsome and ambitious priest Ralph de Bricassart. Ralph's course moves him a long way indeed, from a remote Outback parish to the halls of the Vatican; and Meggie's except for a brief and miserable marriage elsewhere, is fixed to the Drogheda that is part of her bones - but distance does not dim their feelings though it shapes their lives.Wonderful characters people this book; strong and gentle, Paddy, hiding a private memory; dutiful Fiona, holding back love because it once betrayed her, violent, tormented Frank, and the other hardworking Cleary sons who give the boundless lands of Drogheda the energy and devotion most men save for women; Meggie; Ralph; and Meggie's children, Justine and Dane. And the land itself; stark, relentless in its demands, brilliant in its flowering, prey to gigantic cycles of drought and flood, rich when nature is bountiful, surreal like no other place on earth.Alternate Cover Edition ISBN 0380018179 (ISBN13: 9780380018178)

    Every relationship has two perspectives. And sometimes, it turns out, the key to a great marriage is not its truths but its secrets. At the core of this rich, expansive, layered novel, Lauren Groff presents the story of one such marriage over the course of twenty-four years.At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, and destined for greatness. A decade later, their marriage is still the envy of their friends, but with an electric thrill we understand that things are even more complicated and remarkable than they have seemed.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.