They have done so by embracing a philosophy of life taught by their legendary coach, Roger Barta: "Respect each other, then learn to love each other and together we are champions."But as they embarked on a quest for a fifth consecutive title in the fall of 2008, they faced a potentially destabilizing transition: the greatest senior class in school history had graduated, and Barta was contemplating retirement after three decades on the sidelines.In Smith Center--population: 1,931--this changing of the guard was seismic. Hours removed from the nearest city, the town revolves around "our boys" in a way that goes to the heart of what America's heartland is today.Joe Drape, a Kansas City native and an award-winning sportswriter for "The New York Times," moved his family to Smith Center to discover what makes the team and the town an inspiration even to those who live hundreds of miles away. His stories of the coaches, players, and parents reveal a community fighting to hold on to a way of life that is rich in value, even as its economic fortunes decline.Drape's moving portrait of Coach Barta and the impressive young men of Smith Center is sure to take its place among the more memorable American sports stories of recent years.

    These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss’s working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare. Like a series of cels on a filmstrip, frank: sonnets captures the magnitude of a life lived honestly, a restless search for some kind of “beauty or relief.” Seuss is at the height of her powers, devastatingly astute, austere, and—in a word—frank.

    It never apologises. Sometimes it is a shadow, ever present, without regard for the sun. Sometimes it is a well of dark water with no bottom, or a levitation device to the stars.Madness, a memoir is an insight into what it's like to live with psychosis over a period of ten years, in which bouts of acute illness are interspersed with periods of sanity. The world is beautiful and terrifying and sometimes magical. The sanctity of life is at times precious and at times precarious and always fragile. It's a story of learning to manage illness with courage and creativity, of achieving balance and living well. It is for everyone now living within the world of madness, for everyone touched by this world, and for everyone seeking to further his or her understanding of it, whether you think of madness as a biological illness of the brain or an understandable part of the continuum of the human condition.

    Which is real?When Ella wakes up one Monday morning, she discovers that she is not herself and that her life is not her own. She looks different, her friends are no longer her friends and her existence has been erased from the internet. Even worse, years of her history appear to have been rewritten overnight. And yet, nobody else thinks that anything weird has happened. A tense and dark psychological thriller full of unexpected twists and turns about the random events and decisions that make us who we are. If you can't trust your own memories, then who can you trust?

    Set in Lake's POV, and takes place in between Raised by Wolves and Trial by Fire.As four close friends celebrate their sweet sixteen parties within a few weeks of each other, their friendships are put to the test by boy troubles and by their efforts to outdo each other in holding the party of the year.

    Includes the following Agatha Christie mysteries:And Then There Were None (1939)Death on the Nile (1937)The Murder of Roger Ackroyd (1926)Witness for the Prosecution (1924)

    Gary's hobbies include watching TV, walking his dog Princey, going down the pub with his mates, and attempting to re-animate the dead. He hasn't been having too much success with the latter so far. But Gary's heard a rumour. According to this bloke he met down the pub, there exists certain telecommunications technology that can actually let you speak to the dead. Apparently it's been in operation for years. FLATLINE, it's called, a chatline to the dead. They ran all these ads on the TV a few years ago to prepare the public for it. Those ones about having a one-to-one with famous dead people. But it seems something went very wrong: the dead had certain things to say to the living that the powers that be couldn't allow to be heard. Or something. Apparently. Gary's determined to find out the truth. Gary's a bit of a fan boy and Gary really wants to speak to all of his dead heroes. And Gary will have the time of his life when he talks to the dead.

    As they toil under the crushing weight of depression, anxiety, and suicidal thoughts, a well-meaning Church says, Just choose joy. Pray and read your Bible more. But for many, no amount of prayer or Bible study erases the pain. So they're left with searing shame and the unspoken belief that God has abandoned them.In I Love Jesus, but I Want to Die, author and experienced ministry leader Sarah J. Robinson offers fresh perspective to the Church and life-giving hope for those who live with mental illness. With unflinching honesty, Robinson shares proven tools and simple practices that empower readers to fight for wholeness, giving them the confidence that they are not alone in their suffering and they are worth whatever it takes to get well.Beautifully written by a fellow sufferer, I Love Jesus, but I Want to Die leads readers on a journey toward something they thought impossible: a rich vibrant life in Christ, in spite of severe depression and suicidal thoughts.

    They are trying to prevent the next Rana Plaza factory collapse, the next Deepwater Horizon explosion, the next Foxconn labor abuses. Obviously, they don’t always succeed.Christine Bader, is one of those people. She worked for and loved BP and then-CEO John Browne’s lofty rhetoric on climate change and human rights—until a string of fatal BP accidents, Browne’s abrupt resignation under a cloud of scandal, and the start of Tony Hayward’s tenure as chief executive, which would end with the Deepwater Horizon disaster.Bader’s story of working deep inside the belly of the beast is unique in its details, but not in its themes: of feeling like an outsider both inside the company (accused of being a closet activist) and out (assumed to be a corporate shill); of getting mixed messages from senior management; of being frustrated with corporate life but committed to pushing for change from within.The Evolution of a Corporate Idealist: When Girl Meets Oil is based on Bader’s experience with BP and then with a United Nations effort to prevent and address human rights abuses linked to business. Using her story as its skeleton, Bader weaves in the stories of other “Corporate Idealists” working inside some of the world's biggest and best-known companies.

    Set against a backdrop of Beverly Hills mansions and lavish parties, Uncommon Knowledge is a behind-the-scenes memoir of Hollywood in its heyday. But it is also the unforgettable story of a difficult but ultimately triumphant journey of self-discovery. Photos.

    And no one is as he appears.Not Minette, brothel-keeper and obsessive collector of secrets. Not Uncle Cornelius, fearsome chief of the gang of brutes and murderers known as the Red. Not the cults of Death, Wisdom, and Illumination, eternally scheming and plotting along the Godswalk.And certainly not the orphaned bread girl known as Duchess.Yet armed with nothing more than her wits, her good friend Lysander and a brass mark of dubious origin Duchess will dare to play that game for the most coveted of prizes: initiation into a secret society ofthieves, spies and rumormongers who stand supreme in a city where corruption and lies are common coin.The Grey.

    Now, for the first time ever, Vanity Fair presents a one-of-a-kind collection featuring thirteen behind-the- scenes stories on some of cinema's most iconic films-including pictures as varied as All About Eve, Cleopatra, Sweet Smell of Success, Rebel Without a Cause, and Saturday Night Fever. For pop-culture fanatics and movie buffs alike, Vanity Fair's Tales of Hollywood is an irresistible glimpse at how classic films-and box office bombs-are made.

    Find out why it would be great to get accidentally killed by a bus. Find out how to perform hardcore sex and never have any fun. Find out why it would be better if your mom was a Ugandan hooker. And find out how to fill your mouth with confetti before blowing your own head off.Because a dead horse isn't ever fully beaten. Because when you get to Hell there will be a seat saved for you. Because you can't afford too many hellos. Because every time you come home, you stand in the door way and think, "It's time for a monster to eat me now." And then a monster eats you!Be brave enough to read this book.Be brave enough to clone yourself then kill the clone and eat it.

    Thompson (1937-2005) commandeered the international literary limelight with his best-selling, comic masterpiece Fear and Loathing in Las Vegas. Following his 1966 debut Hell's Angels, Thompson displayed an uncanny flair for inserting himself into the epicenter of major sociopolitical events of our generation. His audacious, satirical, ranting screeds on American culture have been widely read and admired. Whether in books, essays, or collections of his correspondence, his raging and incisive voice and writing style are unmistakable.Conversations with Hunter S. Thompson is the first compilation of selected personal interviews that traces the trajectory of his prolific and much-publicized career. These engaging exchanges reveal Thompson's determination, self-indulgence, energy, outrageous wit, ire, and passions as he discusses his life and work.Beef Torrey is the editor of Conversations with Thomas McGuane and co-editor of the forthcoming Jim Harrison: A Comprehensive Bibliography. Kevin Simonson has been published in SPIN, Rolling Stone, Village Voice, and Hustler.

    In his title story, Davidson introduces an afflicted boxer whose hand never properly heals after a bone is broken. The fighter's career descends to bouts that have less to do with sport than with survival: no referee, no rules, not even gloves. In "A Mean Utility" we enter an even more desperate arena: dogfights where Rottweilers, pit bulls, and Dobermans fight each other to the death.Davidson's stories are small monuments to the telling detail. The hostility of his fictional universe is tempered by the humanity he invests in his characters and by his subtle and very moving observations of their motivations. He shares with Chuck Palahniuk the uncanny ability to compel our attention, time and time again, to the most difficult subject matter.