Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent

    Granny Rose is suspicious of Bella, and Rory doesn't trust her, but ten-year-old Mia falls under the old woman's spell. Bella tells Mia of a faraway place, a world where dragons and giants and ancient magic still exists, and asks Mia to become her apprentice and learn the old ways.One dark night Mia disappears and Rory, determined to find his sister, follows her to a world he does not believe in. Riding the 'Shadow Hound', he journeys to a strange land of legendary creatures and terrible dangers.Bella uses all her powers to prevent the brother and sister finding each other, but Rory begins a brave quest to rescue his sister, break the strange enchantment that Bella has over her and find a way home.

    With her mother dead and her father away, she must learn to fight the monsters that have slithered and insinuated their way into her heart and mind. In this wondrous drama Timberlake Wertenbaker explores the beauty and terror inherent in growing up.The Ash Girl premiered at Birmingham Rep in 2001.

    Her grandfather, on the other hand, intends to see her starched and pressed into a fine society lady. When she's sent to Miss Eliza Crumb-Biddlecomb's Finishing School for Young Ladies, Jocelyn's hopes of following in her father's fearsome footsteps are lost in a heap of dance lessons, white gloves, and way too much pink.So when Jocelyn receives a letter from her father challenging her to avenge his untimely demise at the jaws of the Neverland crocodile, she doesn't hesitate-here at last is the adventure she has been waiting for. But Jocelyn finds that being a pirate is a bit more difficult than she'd bargained for. As if attempting to defeat the Neverland's most fearsome beast isn't enough to deal with, she's tasked with captaining a crew of woefully untrained pirates, outwitting cannibals wild for English cuisine, and rescuing her best friend from a certain pack of lost children, not to mention that pesky Peter Pan who keeps barging in uninvited.The crocodile's clock is always ticking in Heidi Schulz's debut novel, a story told by an irascible narrator who is both dazzlingly witty and sharp as a sword. Will Jocelyn find the courage to beat the incessant monster before time runs out?

    * Consists of the two critically acclaimed plays performed at the National Theatre both printed in one volume - thus offering exceptional value for money. * Invaluable teacher's notes and student drama activities written by Ruth Moore and Paul Bunyan, recognised experts in the area of Drama in English. * Philip Pullman worked closely with playwright Nicolas Wright to create the text, and both writers have contributed introductions to our edition. * The exciting, highly imaginative storyline, which captivates boys and girls alike, offers a wide range of textual and dramatic investigations. Parts for all the class, and ideal for smaller groups, with potential for interchangeable male/female roles.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

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    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    To Wendy, they returned by fairy magic, fresh from the fight with Captain Hook, a little mussed up but none the worse for wear.But to the rest of the world, Wendy and her brothers were abducted and put through such a traumatic experience, Wendy has subconsciously taken to hiding the truth from her brothers and herself by making up stories. Fairy stories – about a boy named Peter Pan and a world called Neverland.Life is anything but a fairy story for them now. Wendy is being subjected to unwanted psychiatric therapy, her brothers are bullied at school, and the family is falling apart. Then, one mist-filled night, a billowing black flag parts the clouds in the sky like the fin of a shark. It bears the stark white symbol of a skull and crossbones upon it. Wendy has been forced to leave Neverland behind. But it is far from finished with her. In the blink of an eye, her world is once more turned upside down by a pixie in human form, a one-handed captain far more handsome and intriguing than she remembered him to be – and by a little boy… who grew up after all.

    Barrie introduced them in his beloved tale, Peter Pan. In this new picture book, Dave Barry and Ridley Pearson take a fresh look at these characters as only they can. Created for the animated film, Mary Blair's illustrations helped to define the look of this Walt Disney classic and bring all the magic of Never Land to life-from the ominous Skull Rock to Peter's secret underground lair. Laced with humor, action, and a dash of pixie dust, this cheeky retelling and vibrant concept art are woven into an entertaining new take on a classic story.

    She’ll turn back only if someone proposes and she accepts!Returning to the land and many of the characters from her beloved Newbery Honor–winning Ella Enchanted, Gail Carson Levine has written a delightful tale about a clever and endearing heroine who is determined to defy expectations.Evie is happiest when she is healing people, diagnosing symptoms, and prescribing medications, with the help of her devoted friend (and test subject) Wormy. So when Wormy unexpectedly proposes to her, she kindly turns him down; she has far too much to do to be marrying anyone. And besides, she simply isn’t in love with him.But a certain meddling fairy named Lucinda has been listening in, and she doesn’t approve of Evie’s rejection. Suddenly, Evie finds herself transformed from a girl into a hideous, hungry ogre. Evie now has only sixty-two days to accept another proposal—or else be stuck as an ogre forever.

     Neverland is a cruel lie. Children follow Peter Pan believing their dreams will come true—to never grow up. Surprise, surprise... they never will. The children Peter Pan abducts are murdered or meet a grimmer fate. I'm the child who escaped Peter's treachery. I've made it my life's calling to rescue the Lost Boys, even those who don't wish to be saved. Now Pan has a schooner he's using to steal even more children. I'm the only one who can stop him. Call me Hook. I am the master and commander of a pirate ship, and I'll have my revenge on Peter Pan if it's the last thing I do. Pick up this page turner today! Praise for Hook: Dead to Rights: "I love it!" — Jannie "I highly recommend this book!" — S. Simmons

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.