Luckily, you have access to an extraordinary writing tool that can help overcome all of these problems: your brain."Fire Up Your Writing Brain" teaches you how to develop your brain to its fullest potential. Based on proven, easy-to-understand neuroscience, this book details ways to stimulate, nurture, and hone your brain into the ultimate writing tool. Inside, you'll learn how to: Identify the type of writer you are: Do you think or feel your way through writing a book? Are you a pantser or a plotter?Develop writing models that accelerate your learning curve.Hardwire your brain for endurance and increased productivity.Brainstorm better character concepts and plot points.Learn to edit your manuscript on both a macro and micro level.Recharge a lagging brain to gain an extra burst of creativity.Filled with accessible instruction, practical techniques, and thought-provoking exercises, "Fire Up Your Writing Brain" shows you how to become a more productive, creative, and successful writer--a veritable writing genius!"An excellent resource--the way that neuroscience and the art of writing are jointly explored allows for a new, unique, and practical integration of the two." --Teresa Aubele-Futch, Ph.D., Assistant Professor of Neuroscience at Saint Mary's College, Notre Dame and co-author of "Train Your Brain to Get Happy" and "Train Your Brain to Get Rich""Full of neuroscience facts and tips, this inspiring book will change your brain--and your writing life. I learned techniques that I'll apply to my students and my own writing." --Linda Joy Myers, President of the National Association of Memoir Writers and award-winning author of "Don't Call Me Mother: A Daughter's Journey from Abandonment to Forgiveness"

    Major revisions take this popular Complete Idiot's Guide to a new level, offering readers a better way to unlock their creativity from the first page. Exercises help them explore their talents and experiment with different genres and forms of writing, including short stories, narrative fiction, memoirs, magazine articles, poetry, drama, blogging, and freewriting.

    Writing memoir is a deeply personal, and consequential, undertaking. As the acclaimed author of five memoirs spanning significant turning points in her life, Beth Kephart has been both blessed and bruised by the genre. In Handling the Truth, she thinks out loud about the form—on how it gets made, on what it means to make it, on the searing language of truth, on the thin line between remembering and imagining, and, finally, on the rights of memoirists. Drawing on proven writing lessons and classic examples, on the work of her students and on her own memories of weather, landscape, color, and love, Kephart probes the wrenching and essential questions that lie at the heart of memoir. A beautifully written work in its own right, Handling the Truth is Kephart’s memoir-writing guide for those who read or seek to write the truth.

    Yet writers looking for guidance on reporting and writing true stories have had few places to turn for advice. Now in Storycraft, Jack Hart, a former managing editor of the Oregonian who guided several Pulitzer Prize–winning narratives to publication, delivers what will certainly become the definitive guide to the methods and mechanics of crafting narrative nonfiction.Hart covers what writers in this genre need to know, from understanding story theory and structure, to mastering point of view and such basic elements as scene, action, and character, to drafting, revising, and editing work for publication. Revealing the stories behind the stories, Hart brings readers into the process of developing nonfiction narratives by sharing tips, anecdotes, and recommendations he forged during his decades-long career in journalism. From there, he expands the discussion to other well-known writers to show the broad range of texts, styles, genres, and media to which his advice applies. With examples that draw from magazine essays, book-length nonfiction narratives, documentaries, and radio programs, Storycraft will be an indispensable resource for years to come.

    Most people who try and write a novel give up or fail miserably. If you need help writing your novel, you need look no further. Publisher, editor and writer, Jim Driver, reveals many of the secrets the experts use to write bestselling novels. He says: "Taking inspiration from the Pulp Fiction writers of the 1940s and 1950s, showed me how to banish writers' block forever. I also discovered the easiest way to create and plot commercial novels." Know What Your Readers Will Buy Before You Write A Word "Writing your novel should be fun and it can be easy. But you have to know how to motivate yourself and reach a point where the words will not stop flowing out of you." How To Write A Novel – The Simple Way Take action now: use the LOOK INSIDE feature (above) to see how valuable the information inside this short eBook (less than 14,000 words). You need solid information, not useless flannel. I'm confident this will be the last book you need to read before you write your bestselling novel.

    Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.This book brings together scientists, physicians, engineers, and other experts to help you:Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.Avoid common pitfalls and misconceptions to ensure technical accuracy.Write realistic and compelling scientific elements that will captivate readers.Brainstorm and develop new science- and technology-based story ideas.Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction.Putting the Science in Fiction collects articles from "Science in Sci-fi, Fact in Fantasy," Dan Koboldt's popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

    Having written in a number of genres -- prose, poetry, personal and critical essays, as well as plays -- she is an artist ideally suited to answer essential questions about what makes a story striking, a novel come alive, a writer an artist as well as a craftsman.In The Faith of a Writer, Oates discusses the subjects most important to the narrative craft, touching on topics such as inspiration, memory, self-criticism, and "the unique power of the unconscious." On a more personal note, she speaks of childhood inspirations, offers advice to young writers, and discusses the wildly varying states of mind of a writer at work. Oates also pays homage to those she calls her "significant predecessors" and discusses the importance of reading in the life of a writer.Oates claims, "Inspiration and energy and even genius are rarely enough to make 'art': for prose fiction is also a craft, and craft must be learned, whether by accident or design." In fourteen succinct chapters, The Faith of a Writer provides valuable lessons on how language, ideas, and experience are assembled to create art.

    In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.

    It has little to do with the rigid daily calendar diary you may have kept as a child or the factual travelogue you wrote to recall the Grand Canyon. Instead, it is a tool for tapping the full power of your inner resources.The New Diary is as much for those who already keep a journal as it is for those who have never kept one. It does not tell you the "right" way to keep a diary; rather, it offers numerous possibilities for using the diary to achieve your own purposes. It is a place for you to clarify goals, visualize the future, and focus your engergies; a means of freeing your intuition and imagination; a workbook for exploring your dreams, your past, and your present life.It is for everyone seeking concrete methods for dealing with personal problems. It is for women and men interested in achieving self-reliance and inner liberation, for artists and writers seeking new techniques for overcoming blocks to creativity.

    Great! But now you're faced with a laundry list of questions: Should I freelance full time or part time? Should I write for magazines, newspapers, or online markets? How do I dream up the perfect article idea, and how do I pitch it successfully? How do I negotiate contracts, foster relationships with editors, and start getting steady work while avoiding financial panic attacks and unpleasant ulcers?The Essential Guide to Freelance Writing answers all of these questions--and much more. From breaking in to navigating the basics of the business, this book is your road map to a fruitful and rewarding freelance life. You'll learn how to:Dig into various markets, including consumer magazines, trade journals, newspapers, and online venues.Make your digital mark and build your writing platform.Pitch like a pro and craft solid query letters that get responses.Conduct professional interviews in person, by phone, or by e-mail.Write and structure various types of articles, from front-of-the-book pieces to profiles and features.Quit your lackluster day job, and live the life you've always wanted.Filled with insider secrets, candid advice, and Zachary Petit's trademark humor and blunt honesty, The Essential Guide to Freelance Writing won't just show you how to survive your freelancing writing career--it will teach you how to truly thrive.

    An updated handbook for prospective authors describes what editors are looking for in a book proposal; discusses outlines, sample chapters, and submission requirements; explains how to test-market a book idea and select the right editors and publishers for a proposal; and includes sample proposals.

    How do you make your readers believe your characters are falling in love? How do you show that sizzle of attraction? How do you write a good kissing scene? How do you bring in the much-needed tension but still have your characters flirting and getting closer? In this book I take one of my romance novels (Acting Married) and I go through the entire novel with you, basically interrupting myself to tell you what I was thinking as I was writing the novel. It's like watching a movie with commentary. I pull back the curtain so you can see why I started it the way I did, why I decided to put certain scenes in, and what pushes the romance forward in the book. I preface all this with what I consider the essentials of a good romance novel, and I end with my list of well-loved romance tropes that you can draw from in order to write your own bestselling romance novel.

    She'll help you understand what show, don't tell means, teach you how to spot told prose in your writing, and reveal why common advice on how to fix it doesn't always work. With in-depth analysis, Understanding Show, Don't Tell (And Really Getting It) looks at what affects told prose and when telling is the right thing to do. It also explores aspects of writing that aren’t technically telling, but are connected to told prose and can make prose feel told, such as infodumps, description, and backstory. Her easy-to-understand examples will show you clear before and after text and demonstrate how telling words change the prose. You'll learn how to find the right balance between description, narrative, and internalization for the strongest impact. These examples will also demonstrate why showing the wrong details can sound just as dull as telling. This book will help you: Understand when to tell and when to show Spot common red flag words often found in told prose Learn why one single rule doesn't apply to all books Determine how much telling is acceptable in your writing Fix stale or flat prose holding your writing back Understanding Show, Don't Tell (And Really Getting It) is more than just advice on what to do and what not to do—it’s a down and dirty examination and analysis of how show, don’t tell works, so you can adapt the “rules” to whatever style or genre you’re writing. By the end of this book, you’ll have a solid understanding of show, don’t tell and the ability to use it without fear or frustration.

    This is my attempt to change that.But first….I need you help.I NEED REAL WRITING-RELATED QUESTIONS FROM REAL TEENS!If you’re a teen and you like to write… Or if you know a teen who likes to write….PLEASE SUBMIT YOUR WRITING-RELATED QUESTIONS, and I’ll go through them all and–hopefully–yours will end up in the finished book!The book, btw, will be published by Scholastic in the fall of 2018–just in time for NaNoWriMo!If you want your question considered, just go to AllyCarter.com/DearAlly and let me know what you’d like to know. --from Ally Carter's blog

    The theory itself may be simple — "Purpose opposed by Obstacle yields Conflict" — but Cook takes his "Plottoist" through hundreds of situations and scenarios, guiding the reader’s hand as a dizzying array of purposes and obstacles come to a head. Cook’s method is broken down into three stages: First, the master plot. This four-page chart distills the most basic plot points into a three-line sentence. Next, the conflict situation. Each master plot leads the reader to a list of circumstances, distributed among 20 different conflict groups (these range from “Love’s Beginning” to “Personal Limitations” to “Transgression”). There are over 2,000 unique conflict situations in the book, and each is cross-referenced with designs for how the situation might have started, or where it might go. Finally, there are character combinations — Cook offers an extensive index of protagonists, each cross-referenced with various supporting players — themselves tied to various conflict situations, for what appears to be an inexhaustible reservoir of suggestions and inspiration.