James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    One night at a cocktail party Mary meets Frank Renzo, a reporter who has covered stories from the fall of Dienbienphu to the Emmett Till murder trial in Mississippi. Slowly, reluctantly, they fall in love. Their ensuing affair, in all its desperate elation, plays out against a backdrop that ranges from the jazz clubs of Greenwich Village to the smoke-filled rooms of the Kennedy campaign. A romance in the grand tradition that is also a neon-lit portrait of America at its apogee, On Green Dolphin Street is Sebastian Faulks at the peak of his powers.

    Grey and his wife, speculation is rife that one of them might marry the local apothecary, Edward Hope. Although he is immediately attracted to Margaret, Hope is ultimately persuaded to marry the beautiful Hester and becomes trapped in an unhappy marriage. His troubles are compounded when a malicious village gossip accuses Hope of grave-robbing, threatening his career. A powerful exploration of the nature of ignorance and prejudice, Deerbrook also may be regarded as one of the first Victorian novels of English domestic life.Excerpt:Every town-bred person who travels in a rich country region, knows what it is to see a neat white house planted in a pretty situation, - in a shrubbery, or commanding a sunny common, or nestling between two hills, - and to say to himself, as the carriage sweeps past its gate, "I should like to live there," - "I could be very happy in that pretty place." Transient visions pass before his mind's-eye of dewy summer mornings, when the shadows are long on the grass, and of bright autumn afternoons, when it would be luxury to saunter in the neighbouring lanes; and of frosty winter days, when the sun shines in over the laurustinus at the window, while the fire burns with a different light from that which it gives in the dull parlours of a city. Mr. Grey's house had probably been the object of this kind of speculation to one or more persons, three times a week, ever since the stage-coach had begun to pass through Deerbrook. Deerbrook was a rather pretty village, dignified as it was with the woods of a fine park, which formed the back-ground to its best points of view. Of this pretty village, Mr. Grey's was the prettiest house, standing in a field, round which the road swept. There were trees enough about it to shade without darkening it, and the garden and shrubbery behind were evidently of no contemptible extent. The timber and coal yards, and granaries, which stretched down to the river side, were hidden by a nice management of the garden walls, and training of the shrubbery. In the drawing-room of this tempting white house sat Mrs. Grey and her eldest daughter, one spring evening.

    Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, who takes his own life after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.

    A new arrival, Miss Gomez, lives for her postal correspondence with the Church of the Brethren of the Way in Jamaica. No one will believe Miss Gomez when she announces her revelation of a hideous sex crime soon to be committed in Crow Street. Until Prudence Tuke disappears, the police arrive, and the newspapers herald a 'Sex Crime Prophecy'...

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Unfolding in a series of snapshots, Tessa Hadley’s moving novel follows Stella from the shallows of childhood, growing up with a single mother in a Bristol bedsit in the 1960s, into the murky waters of middle age.Clever Girl is a story vivid in its immediacy and rich in drama—violent deaths, failed affairs, broken dreams, missed chances. Yet it is Hadley’s observations of everyday life, her keen skill at capturing the ways men and women think and feel and relate to one another, that dazzles.

    from taking the shortest cut towards securing for herself the easiest possible existence.’ It is narrated by different narrators, including Conrad's regular narrator, Charles Marlow, who describe and attempt to interpret various episodes in Flora’s life and is the only book to focus on a female character.Excerpt:I cannot say that any particular moral complexion has been put on this novel but I do not think that any body had detected in it an evil intention. And it is only for their intentions that men can be held respon sible. The ultimate effects of whatever they do are far beyond their control. In doing this book my in tention was to interest people in my Vision of things which is indissolubly allied to the style in which it is expressed. In other words I wanted to write a cer tain amount of pages in prose, which, strictly speaking, is my proper business. I have attended to it conscien tiously with the hope of being entertaining or at least not insufferably boring to my readers. I can not suf ficiently insist upon the truth that when I sit down to write my intentions are always blameless however de plorable the ultimate effect of the act may turn out to be.

    A device in the members' smokeroom and a sudden magnesium flash that could easily have been nitro-glycerine leave Scotland Yard baffled. Even Fleet Street cannot identify the illusive Manfred, Gonsalez, Pioccart and Thery - FOUR JUST MEN dedicated to punishing by death those whom conventional justice can not touch.

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    Now it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people—a laborer, a young widow, the local doctor, and a movie star, among others—could not be more different and yet they are united in their love for the works and words of Austen. As each of them endures their own quiet struggle with loss and trauma, some from the recent war, others from more distant tragedies, they rally together to create the Jane Austen Society.

    Set in the wilds of Africa, Larger Than Life introduces Alice, the unforgettable character at the center of Picoult’s anticipated new novel, Leaving Time.   A researcher studying memory in elephants, Alice is fascinated by the bonds between mother and calf—the mother’s powerful protective instincts and her newborn’s unwavering loyalty. Living on a game reserve in Botswana, Alice is able to view the animals in their natural habitat—while following an important rule: She must only observe and never interfere. Then she finds an orphaned young elephant in the bush and cannot bear to leave the helpless baby behind. Thinking back on her own childhood, and on her shifting relationship with her mother, Alice risks her career to care for the calf. Yet what she comes to understand is the depth of a parent’s love.

    "Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."