A biological allegory that unfolds a historical and mythological mystery that counts back in time as far as the epic Mahabharata. One that surpasses time and the material world with its mathematical calculations within physical elements. Unexplainable evidences, puzzling data, conspiracy theories and unheard secrets intermingle with one another to create plots in the history of time that have been startling scientists and mythologists to date. It's now in the court room that he must face his worst fears and probably the world's greatest held secret, a rare phenomenon of a chromosomal defect, from an unexpected guest.

    Summer, 1947. A dame walks into a saloon . . .It’s not every afternoon that an enigmatic, comely blonde named Stilton (like the cheese) walks into the scruffy gin joint where Sammy "Two Toes" Tiffin tends bar. It’s love at first sight, but before Sammy can make his move, an Air Force general named Remy arrives with some urgent business. ’Cause when you need something done, Sammy is the guy to go to; he’s got the connections on the street.Meanwhile, a suspicious flying object has been spotted up the Pacific coast in Washington State near Mount Rainer, followed by a mysterious plane crash in a distant patch of desert in New Mexico that goes by the name Roswell. But the real weirdness is happening on the streets of the City by the Bay.When one of Sammy’s schemes goes south and the Cheese mysteriously vanishes, Sammy is forced to contend with his own dark secrets—and more than a few strange goings on—if he wants to find his girl.

    After they recover an NBN executive’s PAD at a protest in Broadcast Square, it seems Lana Rael and her friends, Johnny and Tim, might finally have their chance to discover the truth behind NBN’s saccharine and explosively popular franchise, Sunshine Junction.But when the aspiring activists stumble into the corporation’s all­ seeing eye, they find themselves in the limelight—and not in the way they hoped.As camdrones begin to follow them through the megacity and broadcast their every move on live threedee, Lana and her friends will have to ask themselves just how much they’re willing to sacrifice to fight the corps. Is making a difference worth risking their privacy, their lifestyle, or their lives?Fans of media giant NBN, its colorful programs, and its high-profile characters gain unparalleled access to the megacorp's HQ in Leigh Alexander's Monitor. As the media-focused megacorp responds to the threat posed by a trio of wannabe activists, we learn more about such popular characters as Jackson Howard, Victoria Jenkins, and Dinosaurus.Meanwhile, as the protagonists have their privacy stripped away, they lose control of their lives. Their actions become increasingly desperate and surprising. As they look for ways to retaliate, will their lives spiral into total anarchy? Will they regain control of the context that defines them? And who is responsible for their suffering? In Monitor, the truth is malleable, and learning how to shape it is paramount.In addition to its 96 pages of fiction, the hardcover edition of Monitor comes with a sixteen-page full color insert with setting information on activism in the Android future, NBN's Global Adaptive Entertainment, MegaBuy, and the future of marketing.

    His manipulative boss, Yoko, is trying to swindle the unsuspecting parents of his students and is using his golden boy American face to do it. Desperate to get his passport out of Yoko's locked cabinet, he sneaks into her office in the middle of the night only to surprise the Japanese mafia's burglary-in-progress. Taking whatever he can in the short amount of time he has, Max barely escapes with his life. However Max soon finds himself on the run from everyone from tattooed Yakuza to the Japanese police and a mysterious American named Lloyd Elgin who seems to have ties in the highest places. All are after the book Max grabbed instead of the passport that could take him home, a strange diary bound in leather and closed with a strange seal embossed with ornate chrysanthemum petals. Little does Max know that Yoko's father has been safeguarding the diary for more than half a century, and its secrets could topple some of Japan's most powerful people and rewrite the history of Japan's royal family.With both his and his girlfriend's life in the balance, Max must decipher the secrets of the diary and put an end to the chase before his newest, gravest troubles catch up to him and stop his running for good.Collector of Secrets marries the historical intrigue, deep research, and wide commercial appeal of the best of Dan Brown or Michael Gruber to the techno-savvy, judo-kicking, stranger-in-a-strange-land atmosphere of Barry Eisler's internationally bestselling John Rain series. Richard Goodfellow has used real-life conspiracy theories from the Far East in the creation of a nonstop ride that covers everything from World War II to Watergate. This is his first novel.

    Entrenched in a terrible war with the Turks and caught in a political struggle between power-hungry Pope Alexander VI and the newly elected Doge Loredan, the people of Venice fear that a demon has come to exact divine punishment for their sins.Doge Loredan is determined to find the real culprit before the Pope can turn the people against him. To do so, he hires unorthodox German monk Mathias to investigate the murders. Soon Lorenzo Scarpa, a young printer and nephew to one of the victims, joins in the search. The mystery leads them into Venice’s underground printing industry, where they learn of a dangerous book hidden somewhere in the city, a book whose secrets could determine the destiny of the Republic—a book that others are more than willing to kill for.

    The deceptive, crooked path that led him to today began a few months back. Born and raised in Baltimore, Maryland, nineteen-year old Fleming was a professional baseball pitcher with the Chicago White Sox. His successful first year in the minor leagues was waylaid when he received his draft notice. Through a series of misadventures, he ended up enlisting for four years in an elite unit called the A.S.A. or Army Security Agency; the army’s equivalent to the N.S.A. or the National Security Agency. Once in the army, Fleming learned that the recruiter had manipulated him with a host of untruths. Then, to his dismay, he learned that the army had lost his orders and he was placed in an infantry unit. Once in Vietnam, Platoon Sergeant, Levine questioned Fleming and dragged out of him the sad story of how he had enlisted for four years and ended up in an infantry unit. He became the butt of the platoon’s jokes and underwent vicious ribbing by the other platoon members. That day, the platoon was ordered back to their base camp: L.Z. English. Before leaving, they endured a mortar attack and then a ground probe. Fleming’s foxhole mate was critically wounded. Fleming did everything he could to save the man but his wounds were too severe and he died in Fleming’s arms. Repulsed by the ordeal, Fleming was left wondering if he could endure a whole year of this. Twelve-year old Van Phan Duc and his two friends twelve-year old Hoi Anh Vanh and Dan Tri Quang lived happily in their village until the day a N.V.A. invaded and forced them to join their struggle and fight the invading Americans. They were then assigned to a Viet Cong unit where they met Sergeant Chi, the man who would train them to be soldiers for the revolution and lead them into battle. Three American soldiers had been captured. Chi ordered the three boys to participate in brutally torturing the Americans. Dan embraced the torture and it turned him into a brutal fighting machine, much to Chi’s satisfaction. On the other hand, Hoi was repulsed by the events and a part of him died that day. He performed the torture but it wasn’t to Chi’s satisfaction. Van, a devout Buddhist, was also repulsed. He realized that life, as a soldier was three hundred and sixty degrees opposite of Buddha’s spiritual path. The 173rd’s area of operations was the Central Highlands. The 173rd’s home base was in and around the town of Bong Son, but they patrolled all over the province of Binh Dinh. For the next few months, Fleming and Van’s units met on numerous occasions. The first time they engaged each other in combat was in a simple ambush that lasted only two minutes. Both men were left repulsed by the carnage that could take place in only two minutes. Right after the ambush, Fleming’s company was deployed in a battalion-sized operation located in the Dak To mountain range. It was an area where numerous North Vietnamese soldiers infiltrated into South Vietnam from neighboring Cambodia and Laos. Fleming’s company was dropped into an area far from Dak To and the men were forced to march (hump) to their final destination. During the trek, they had to carve their way through impenetrable jungle and cross leach infested rivers to reach their destination, all the while suffering under Vietnam’s oppressive heat. Van’s Viet Cong unit was sent to the Dak To mountain range to do battle with Fleming and his company. Months passed with Van and Fleming’s units constantly meeting. Both men had similar personalities. Both men overcame their initial shock at war’s brutality and became highly competent soldiers who bravely fought the enemy. Both men were ultimately made into squad leaders. Both men continued to hate the war, yet were entrapped in the insanity that was war. They both recognized what war was—a brutally insane series of events where lives were lost and where dreams died.

    Paralleling their quest is the story of the evangelist’s escape with the scroll from the Roman siege of Jerusalem in 70 C.E., his struggles to complete the manuscript and his journeys and efforts with the daughter of Peter the Apostle to protect and save it for the ages. For both couples, time is running out and enemies are closing in.Richly evocative and fiercely moving, this literary thriller explores the hard questions: Did Mark intentionally omit the resurrection story, leaving it shrouded in mystery? Or did it become detached and lost forever?Discover the answer in The Lost Page.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    

    Rich, handsome, and ingenious, he charms the city's most prominent citizens even as he plots the crime of his century, the daring theft of a fortune in gold. But even Pierce could not predict the consequences of an extraordinary robbery that targets the pride of England's industrial era: the mighty steam locomotive. Based on remarkable fact, and alive with the gripping suspense, surprise, and authenticity that are his trademarks, Michael Crichton's classic adventure is a breathtaking thrill-ride that races along tracks of steel at breakneck speed.

    The opening night of ‘Romeo and Juliet’. But it is not just the young lovers in the play who are star-crossed. Mercutio is found murdered in the middle of the play - but it is real, not stage, blood that flows from his body. Tom Musgrove, is hired by the theatre owners to solve the murder case as quickly and quietly as possible. The theatre has only just reopened after two years of plagues, and they can’t afford a scandal on their doorstep. As Tom plunges into the mean streets of Elizabethan London he soon realises he has jumped blindly into a web of murderous intrigue, which has already claimed the lives of Kit Marlowe and Francis Walsingham. As the shattered remnants of England’s first Secret Service split into two lethally opposed camps, the blood begins to flow from the stinking sewers of Southwark to the gilded halls of Westminster. Can Musgrove track down the murderer and solve the mystery? Or will he end up being the one hunted to The Point of Death? ‘The Point of Death’ is a thrilling Elizabethan murder mystery, full of intrigue and suspense.

    Clive tells his story--one involving the ill-fated Donner Party, who became permanently lodged in the American consciousness in the winter of 1847, when the first skeletonized survivors of the party stumbled out of the California mountains, replete with tales of courage, resourcefulness, bad luck, murder, barbarism--and, finally, starvation and cannibalism.Captivated by the Donner Party, Nora agrees and they venture into the Sierra Nevada in search of the camp. Quickly, they learn that the discovery of the missing starvation camp is just the tip of the iceberg--and that the real truth behind those long-dead pioneers is not only far more complex and surprising than they could have imagined...but it is one that puts them both in mortal danger from a very real, present-day threat in which the search for the lost party, and its fabled fortune in gold, are merely means to a horrifying end.

    He starts talking to Julian’s friends and family, including his friend Kolpos and his gorgeous Greek assistant, Elena.It turns out Julian was referring to the ancient tomb of Akhnaton, almost a myth to the world.But Julian had found some long lost artefacts and taken it to expert Robert Rabjohn who confirms that they are the real thing.When Ross finds strange connections between the deaths of Julian, Tutankhamen, Howard Carter and Orde Wingate, all years apart, he becomes concerned for his own safety.Julian’s body goes missing and then a strange message is found which says ‘Let the Eye of Ra descend’, referring to the ancient God Ra who sent his Eye to slay all the human beings…Every contact and every informant he speaks to disappears.How long will it be before the culprits catch up with him too?Threatened, almost friendless, Ross turns for help to his mother’s people, the Bedouin Hawazim tribe.It is only with their help, that he can solve the mystery of The Eye of Ra…

     Kamas, Utah. 2024. In the totalitarian dystopia that America has become after the Unionist Party’s rise to power, the American West contains vast Restricted Zones dotted with ghost towns, scattered military garrisons and corrective labor camps where the regime disposes of its real and suspected enemies. Kamas is one such camp. On a frigid March night, a former businessman from Pittsburgh, Paul Wagner, arrives at a labor camp in Utah’s Kamas Valley, a dozen miles east of the deserted resort town of Park City, which prisoners are dismantling as part of a massive recycling project. When Wagner arrives, he is unaware that his eleven-year-old daughter, Claire, has set off to Utah to find him after becoming separated from her mother at the Philadelphia Airport. By an odd quirk of fate, Claire has traveled on the same train that carried her father into internal exile. Only after Wagner has renounced all hope of survival, cast his lot with anti-regime hard-liners and joined them in an unprecedented and suicidal revolt does he discover that Claire has become a servant in the home of the camp’s Deputy Warden. Wagner is torn between his devotion to family and loyalty to his fellow rebels until, on the eve of an armored assault intended to crush the revolt, he faces an agonizing choice between a hero’s death and a coward’s freedom. In FORTY DAYS AT KAMAS, author Preston Fleming offers a stirring portrait of a man determined to survive under the bleakest of conditions and against formidable odds. Fleming’s gift for evocative prose brings the characters and events to life in a way that arouses emotional tension while also engaging the reader’s intellect with fundamental questions about the future of American society.

    When morphine-addicted veteran John Weldon marries into the comfortably suburban McCullough family on the eve of Reconstruction and the Indian Wars, life gets complicated. How will Weldon hide his addiction from the family he resents and admires, keep his standing in the army and find the strength to survive the tragedies that come when loving others?John Weldon spends a lifetime journeying across the prairie frontier of America only to find that he already has a home. The House on Tenafly Road is the first book of The Tenafly Road Series about the Weldon and Crenshaw families of Gilded Age New Jersey. *Historical Novel Society Editors' Choice and Notable Indie Book of the Year “The various members of the McCullough family are portrayed with careful detail and some moments of unexpected humor, but it’s the tortured John Weldon who commands the book; his slow and halting search for personal redemption makes for mesmerizing reading. . . . extremely evocative. . . . a long and very satisfyingly complex novel. “ Steve Donoghue