For four centuries, it existed as a quiet residential area in a charming city long known for its ethnic and religious tolerance. On this street of 240 families, Muslims and Christians, Serbs and Croats lived easily together, unified by their common identity as Sarajavans. Then the war tore it all apart.   As she did in her groundbreaking work about North Korea, Nothing to Envy, award-winning journalist Barbara Demick tells the story of the Bosnian War and the brutal and devastating three-and-a-half-year siege of Sarajevo through the lives of ordinary citizens, who struggle with hunger, poverty, sniper fire, and shellings.   Logavina Street paints this misunderstood war and its effects in vivid strokes—at once epic and intimate—revealing the heroism, sorrow, resilience, and uncommon faith of its people.   With a new Introduction, final chapter, and Epilogue by the author

    It was the first time Rushdie heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet, and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. Rushdie was asked to choose an alias that the police could call him by. He thought of writers he loved and various combinations of their names. Then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, and how does he learn to fight back? In this remarkable memoir, Rushdie tells that story for the first time; the story of the crucial battle for freedom of speech. He shares the sometimes grim, sometimes comic realities of living with armed policemen, and the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. Compelling, provocative, and moving, Joseph Anton is a book of exceptional frankness, honesty, and vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.

    Madame is an unexpected gem: a novel about Poland during the grim years of Soviet-controlled mediocrity, which nonetheless sparkles with light and warmth.Our young narrator-hero is suffering through the regulated boredom of high school when he is transfixed by a new teacher --an elegant "older woman" (she is thirty-two) who bewitches him with her glacial beauty and her strict intelligence. He resolves to learn everything he can about her and to win her heart.In a sequence of marvelously funny but sobering maneuvers, he learns much more than he expected to--about politics, Poland, the Spanish Civil War, and his own passion for theater and art--all while his loved one continues to elude him. Yet without his realizing it, his efforts--largely bookish and literary--to close in on Madame are his first steps to liberation as an artist. Later, during a stint as a teacher-in-training in his old school, he discovers that he himself has become a legendary figure to a new generation of students, and he begins to understand the deceits and blessings of myth, and its redemptive power.A winning portrait of an artist as a young man, Madame is at the same time a moving, engaging novel about strength and weakness, first love, and the efforts we make to reconcile, in art, the opposing forces of reason and passion.