As seen in her two previous, highly acclaimed books-Restoration London and Dr. Johnson's London-she has immersed herself in contemporary sources of every kind. She begins with the River Thames, the lifeblood of Elizabethan London. The city, on the north bank of the river, was still largely confined within old Roman walls. Upriver at Westminster were the royal palaces, and between them and the crowded city the mansions of the great and the good commanded the river frontage. She shows us the interior décor of the rich and the not-so-rich, and what they were likely to be growing in their gardens. Then the Londoners of the time take the stage, in all their amazing finery. Plague, small-pox, and other diseases afflicted them. But food and drink, sex and marriage and family life provided comfort, a good education was always useful, and cares could be forgotten in a playhouse or the bear-baiting rings, or watching a good cockfight. Liza Picard's wonderfully skillful and vivid evocation of the London of four hundred years ago enables us to share the delights, as well as the horrors, of the everyday lives of sixteenth century Britain.

    DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.

    The Seven Deadly Sins of Psychology diagnoses the ills besetting the discipline today and proposes sensible, practical solutions to ensure that it remains a legitimate and reliable science in the years ahead.In this unflinchingly candid manifesto, Chris Chambers draws on his own experiences as a working scientist to reveal a dark side to psychology that few of us ever see. Using the seven deadly sins as a metaphor, he shows how practitioners are vulnerable to powerful biases that undercut the scientific method, how they routinely torture data until it produces outcomes that can be published in prestigious journals, and how studies are much less reliable than advertised. He reveals how a culture of secrecy denies the public and other researchers access to the results of psychology experiments, how fraudulent academics can operate with impunity, and how an obsession with bean counting creates perverse incentives for academics. Left unchecked, these problems threaten the very future of psychology as a science--but help is here.Outlining a core set of best practices that can be applied across the sciences, Chambers demonstrates how all these sins can be corrected by embracing open science, an emerging philosophy that seeks to make research and its outcomes as transparent as possible.

    The most famous of all English Bibles, the King James Version was the culmination of centuries of work by various translators, from John Wycliffe, the fourteenth-century initiator of English Bible translation, to the committee of scholars who collaborated on the King James translation. "Wide as the Waters" examines the life and work of Wycliffe and recounts the tribulations of his successors, including William Tyndale, who was martyred, Miles Coverdale, and others who came to bitter ends, as well as the fifty-four scholars from Oxford and Cambridge who crafted the King James Version of the Bible. Historian Benson Bobrick traces this story through the tumultuous reigns of Henry VIII, Edward VI, Mary Tudor, and Elizabeth I, a time of fierce contest between Catholics and Protestants in England. Once people were free to interpret the word of God, they began to question the authority of their inherited institutions, both religious and secular. This led to reformation within the Church, and to the rise of constitutional government in England and the end of the divine right of kings. "Wide as the Waters" is a story about a crucial epoch in the development of Christianity, about the English language and society, and about a book that changed the course of history. "Bobrick is an exceptionally able writer of popular histories. . . . This new book is by far his most ambitious. . . . He succeeds entirely in the challenge he sets himself." (Simon Winchester, author of "The Professor and the Madman," for "The New York Times Book Review") "With this compelling study, Bobrick has written an intricate and delightful prelude to any effective understanding of the evolution of modern Western democracy." (Michael Pakenham, "The Baltimore Sun") "["Wide as the Waters"] . . . has the satisfying concreteness of a good novel. . . . This fast-paced nonfiction narrative is so engaging that it's likely to make a believer of any reader." (Daniel Mendelsohn, "New York Magazine")

    Jad Adams offers a concise account of Gandhi's life: from his birth and upbringing in a small princely state in Gujarat during the high noon of the British Raj, to his assassination at the hands of a Hindu extremist in 1948 only months after the birth of the independent India which he himself had done so much to bring about.

    A backstage glimpse of the realities of the new Hollywood focuses on the film releases and strategies of the summer of 1998, showing why Godzilla was fated to fail and how Spielberg triumphed.

    J.G.A. Pocock suggests that Machiavelli's prime emphasis was on the moment in which the republic confronts the problem of its own instability in time, and which he calls the Machiavellian moment.After examining this problem in the thought of Machiavelli, Guicciardini, and Giannotti, Pocock turns to the revival of republican thought in Puritan England and in Revolutionary and Federalist America. He argues that the American Revolution can be considered the last great act of civic humanism of the Renaissance. He relates the origins of modern historicism to the clash between civic, Christian, and commercial values in the thought of the eighteenth century.

    Everyone said he was a good kid: a bit of a clown, maybe not too serious about his studies, but sweet and kind and quick to make friends. When, as a clean-cut teenager, he signed up with the army, the people of Reeds Springs, Missouri, expected to hear nothing but good things about R.J. and Lexie Mease's eldest son.It wouldn't work out that way. Darrell Mease would end up on the front lines of the Vietnam War and would come home a drug addict. Over the personally tumultuous, drifting decades that followed, he'd make a new name for himself in the Ozarks: as a tough drug dealer. Then, in 1987, he gunned down a 69-year-old meth kingpin, his wife, and their 20-year-old paraplegic grandson. After a desperate cross-country escape, he was captured, hauled back to Missouri, and sentenced to death for his crimes.In jail, Mease experienced a religious conversion, and he made a shocking prediction: he would be saved by miraculous intervention.No one believed it would happen. But it did. On January 27, 1999, Pope John Paul II visited St. Louis and spoke to Missouri's then-governor, Mel Carnahan. It was the same date that authorities had set for Mease's execution. The pope asked that he be spared. Carnahan agreed.

    He published various books during his lifetime, with the most notable being The Communist Manifesto (1848) and Capital (1867–1894), many of which were co-written with his friend, the fellow German revolutionary socialist Friedrich Engels.The text of Wage Labour and Capital came from lectures Marx delivered to the German Workmen's Club of Brussels in 1847, a time of great political upheaval. The relationship between wage-labour to capital is a core concept in Marx's analysis of political economy and its relationship with capitalism. This book is an essential for anyone attempting to understand the development of Marxist theory.This edition of Wage Labour and Capital is specially formatted with a Table of Contents.

    Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the style of painting in any society reflects the visual skills and habits that evolve out of daily life. Renaissance painting, for example, mirrors the experience of such activities as preaching, dancing, and gauging barrels. The volume includes discussions of a wide variety of painters, including Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Masaccio, Luca Signorelli, Boccaccio, and countless others. Baxandall also defines and illustrates sixteen concepts used by a contemporary critic of painting, thereby assembling the basic equipment needed to explore fifteenth-century art.

    

    A defender of Copernicus´s sun-centred universe, he famously discovered that planets move in ellipses, and defined the three laws of planetary motion. Perhaps less well known is that in 1615, when Kepler was at the height of his career, his widowed mother Katharina was accused of witchcraft. The proceedings led to a criminal trialthat lasted six years, with Kepler conducting his mother's defence.In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary episode in Kepler's life, one which takes us to the heart of his changing world. First and foremost an intense family drama, the story brings to life the world of a small Lutheran community in the centre of Europe at a time of deep religious and political turmoil - a century after the Reformation, and on the threshold of the Thirty Years' War.Kepler's defence of his mother also offers us a fascinating glimpse into the great astronomer's world view, on the cusp between Reformation and scientific revolution. While advancing rational explanations for the phenomena which his mother's accusers attributed to witchcraft, Kepler nevertheless did not call into question the existence of magic and witches. On the contrary, he clearly believed in them. And, as the story unfolds, it appears that there were moments when even Katharina'schildren struggled to understand what their mother had done...

    Young Tom Afflick has never felt so alone. His parents have split up and his mother has relocated him, hundreds of miles away from his home in Manchester to the unfamiliar city of Edinburgh. At his new school, Tom is simply known as 'The Manc' - a blow-in, an outsider. On a routine school trip to the historic site of Mary King's Close, Tom follows the ghostly figure of a young girl - only to find himself transported back in time to 1645, the year of the Edinburgh plague. Apprenticed against his will to a violent plague doctor, Tom needs to use all of his modern-day skills in order to survive, while he desperately searches for a way back to his own time. This children's historical novel is a departure for Philip Caveney - acclaimed author of the Sebastian Darke thrillers for children and the Alec Devlin mysteries - and is sure to be a hit with them.

    Dr. Plumb’s impressive and provocative narrative is accompanied by contributions from leading historians, including Morris Bishop, J. Bronowski, Maria Bellonci, and many more, who have further illuminated the lives of some of the era’s most unforgettable personalities, from Petrarch to Pope Pius II, Michelangelo to Isabella d'Este, Machiavelli to Leonardo. A highly readable and engaging volume, THE ITALIAN RENAISSANCE is a perfect introduction to the movement that shaped the Western world.

     In the words of Shakespeare, a retrograde is one of God’s spies. The retrograde has the unique capacity for understanding the stark chasm between the degenerate, socialist-infiltrated world of decay on one side and the well-meaning, good-hearted, but clueless Christian world on the other. In a time of such profound decay, being one of God’s spies is a last resort and a pure necessity: it involves not “deep cover,”—i.e., acting like the enemy—but rather “half cover”: acting as a “contra” in the secular arena, a crypto-Christian counterinsurgent willing to fight like a Navy Seal and to think like a counterintel officer. Retrogrades . . . to the streets: our aim is to reverse the deliberate, deuced machinations of “radicals” like Saul Alinsky who, by penning the rulebook of radicalism, threw down a challenge that has, until now, gone unanswered. Rules for Retrogrades is the handbook men of good will need to win the culture war! Here is a sampling from the call to action found within these pages: No truth is “off-limits”; we must never be ashamed to be candid. It is a damnable lie that humility disallows Christians from standing up (for what they believe) in the cultural and political forum! Control of language is control of thought; don’t let radicals control the language. Never trust a man who is unwilling to have enemies. Radicals form coalitions but retrogrades form fellowships. The root of cultural decay is feminism: end feminism to end radicalism.