Thousands were arrested, tortured and killed under General Augusto Pinochet's repressive new regime. Soon after the coup, six-year-old Carmen Aguirre and her younger sister fled the country with their parents for Canada and a life in exile.In 1978, the Chilean resistance issued a call for exiled activists to return to Latin America. Most women sent their children to live with relatives or with supporters in Cuba, but Carmen's mother kept her precious girls with her. As their mother and stepfather set up a safe house for resistance members in La Paz, Bolivia, the girls' own double lives began. At eighteen, Carmen herself joined the resistance. With conventional day jobs as a cover, she and her new husband moved to Argentina to begin a dangerous new life of their own.This dramatic, darkly funny narrative, which covers the eventful decade from 1979 to 1989, takes the reader inside war-ridden Peru, dictatorship-run Bolivia, post-Malvinas Argentina and Pinochet's Chile. Writing with passion and deep personal insight, Carmen captures her constant struggle to reconcile her commitment to the movement with the desires of her youth and her budding sexuality. 'Something Fierce' is a gripping story of love, war and resistance and a rare first-hand account of revolutionary life.

    He lives on Vancouver Island, a place of uncommon beauty, where the climate is mild, the air is soft, and the growing season lasts nearly all year long.Lane has gardened for as long as he can remember, and sees his garden’s life as intertwined with his own. And when he gave up drinking, after years of addiction, he found solace and healing in tending to his yard. In this exquisitely written memoir, he relates stories of his hard early life in the context of the landscape he’s created. As he observes the seasonal changes, a plant or a bird or the way a tree bends in the wind brings to mind an episode from his storied past.Lane writes evocative descriptions of the animals, birds, insects, and plants that are his garden, and of the relationship he has to them all. Accompany Lane as he wanders his garden, where botanical “madeleines” release in him a flood of memory.From the Hardcover edition.

    Does it move us with its beauty? Can we make a living from it? But what if we examined a landscape on its own terms, freed from our expectations and assumptions?This is what celebrated writer Helen Humphreys sets out to do in this stunning, groundbreaking examination of place. For more than a decade Humphreys has owned a small waterside property on a section of the Napanee River in Ontario. In the watchful way of writers, she has studied her little piece of the river through the seasons and the years, cataloguing its ebb and flows, the plants and creatures that live in and round it, the signs of human usage at its banks and on its bottom.The River is the result, a gorgeous and moving meditation that uses fiction, non-fiction, natural history, archival maps and images, and stunning full-color photographs to get at the truth. In doing this, Humphreys has created a work of startling originality that is sure to become a new Canadian classic.

    Onge and her older sister Catherine are orphans. When King Louis XVI orders all men in New France to marry, Catherine becomes a fille du roi, one of the many young women sent to the new world as brides. Hélène will accompany her on the long sea voyage and live with her sister’s new family. But Catherine dies during the gruelling journey, and Hélène finds herself alone in strange new country. New France is a far harsher place than she imagined, with bitter winters and the threat of attack from the Iroquois. Will the new friendships she has made on her long voyage enable her to survive?

    On the other side of the country, Mitsue Sakamoto and her family felt their pleasant life in Vancouver starting to fade away after the Japanese attack on Pearl Harbor.Ralph found himself one of the many Canadians captured by the Japanese in December 1941. He would live out his war in a prison camp, enduring beatings, starvation, electric feet and a journey on a hell ship to Japan, watching his friends and countrymen die all around him. Mitsue and her family were ordered out of their home and were packed off to a work farm in rural Alberta, leaving many of their possessions behind. By the end of the war, Ralph was broken but had survived. The Sakamotos lost everything when the community centre housing their possessions was burned to the ground, and the $25 compensation from the government meant they had no choice but to start again.Forgiveness intertwines the compelling stories of Ralph MacLean and the Sakamotos as the war rips their lives and their humanity out of their grasp. But somehow, despite facing such enormous transgressions against them, the two families learned to forgive. Without the depth of their forgiveness, this book's author, Mark Sakamoto, would never have existed.

    The Iran-Iraq War is at its bloodiest. The ayatollahs, the rulers of Iran, have reduced the age of recruitment into the army. If Abbas doesn't leave soon, he will have to go to war.In the strange and often frightening city of Istanbul, Abbas has to grow up fast. Living alone for twelve weeks in a rundown hotel, he has to learn to live by his wits, and watch his back. Will he ever get his dream visa to England?

    Focusing on the growth of executive power under Harper and drawing on interviews with prominent insiders, Martin probes the smearing of opponents, the silencing of the public and diplomatic service, the secrecy, the prorogations, the unprecedented centralizing of power, and the attempted muzzling of the media. He examines controversies such as the existence of a secret dirty-tricks handbook, the Chuck Cadman affair, campaign financing, the dismissal of nuclear power head Linda Keen, the Afghan detainees cover-up, the turning of access-to-information laws into barricades to information, and more—and lets readers draw their own conclusions. Tough but balanced, Harperland offers a clear picture of a skilled politician at a crucial point in Canadian politics.

    This book is not so much a manifesto as it is a dialogue—a “writing in conversation”—among a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people “experience multilayered oppression that profoundly impacts our safety, health, and survival,” this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.

    It was wrapped in material and weighted down with rocks. Red River Girl is a gripping account of that murder investigation and the unusual police detective who pursued the killer with every legal means at his disposal. The book, like the movie Spotlight, will chronicle the behind-the-scenes stages of a lengthy and meticulously planned investigation. It reveals characters and social tensions that bring vivid life to a story that made national headlines. Award-winning BBC reporter and documentary maker Joanna Jolly delves into the troubled life of Tina Fontaine, the half-Ojibway, half-Cree murder victim, starting with her childhood on the Sagkeeng First Nation Reserve. Tina's journey to the capital city is a harrowing one, culminating in drug abuse, sexual exploitation, and death. Aware of the reality of missing and murdered Indigenous women and girls, Jolly has chronicled Tina Fontaine's life as a reminder that she was more than a statistic. Raised by her father, and then by her great-aunt, Tina was a good student. But the violent death of her father hit Tina hard. She ran away, was found and put into the care of Child and Family Services, which she also sought to escape from. That choice left her in danger. Red River Girl focuses not on the grisly event itself, but on the efforts to seek justice. In December 2015, the police charged Raymond Cormier, a drifter, with second-degree murder. Jolly's book will cover the trial, which resulted in an acquittal. The verdict caused dismay across the country. The book is not only a true crime story, but a portrait of a community where Indigenous women are disproportionately more likely to be hurt or killed. Jolly asks questions about how Indigenous women, sex workers, community leaders and activists are fighting back to protect themselves and change perceptions. Most importantly, the book will chronicle whether Tina's family will find justice.

    In the charming town of Carlisle, children and grown-ups alike flock from miles around to hear her spellbinding tales. And when Bev King and his younger brother Felix arrive for the summer, they, too, are captivated by the Story Girl. Whether she's leading them on exciting misadventure or narrating timeless stories--from the scary "Tale of the Family Ghost" to the fanciful "How Kissing Was Discovered" to the bittersweet "The Blue Chest of Rachel Ward"--the Story Girl has her audience hanging on every word.

    He was left untreated and unattended to for thirty-four hours in the Emercency Room, where he ultimately died from an easily treatable infection. McCallum and Perry show that Sinclair’s tragically avoidable death reflects a particular structure of indifference born of and maintained by colonialism.

    Among these biographies, readers will find aviators and artists, politicians and pop stars, athletes and activists. The exceptional men featured include writer James Baldwin, artist Aaron Douglas, filmmaker Oscar Devereaux Micheaux, lawman Bass Reeves, civil rights leader John Lewis, dancer Alvin Ailey, and musician Prince.The legends in Little Legends: Exceptional Men in Black History span centuries and continents, but each one has blazed a trail for generations to come.

    After finishing mission school they return to their Gwich'in community in the Northwest Territories. Their lives revolve around bootleggers, the bar, drug abuse and meaningless sex. James and Jake try to dull their painful memories of the school. Each hides a dark secret that fuels his nightmares. Enough alcohol silences the demons for a night; a gun and a single bullet silences demons forever. When a friend commits suicide and a former priest appears on television, the community is shattered. James and Jake confront their childhood abuse and break the silence to begin a journey of healing and rediscovery.

    The Great Depression has brought great hardship, and young Noreen’s family must scrimp to make ends meet.In a horrible twist of fate, Noreen, like hundreds of other young Canadians, contracts polio and is placed in an isolation ward, unable to move her legs. After a few weeks she gains partial recovery, but her family makes the painful decision to send her to a hospital far away for further treatment. To Stand On My Own is Noreen’s diary account of her journey through recovery: her treatment; life in the ward; the other patients, some of them far worse off than her; adjustment to life in a wheelchair and on crutches; and ultimately, the emotional and physical hurdles she must face when she returns home. In this moving addition to the Dear Canada series, award-winning author Barbara Haworth-Attard recreates a desolate time in Canadian history, and one girl’s brave fight against a deadly disease.

    During her million-tree career, she encountered hundreds of clearcuts, each one a collision site between human civilization and the natural world, a complicated landscape presenting geographic evidence of our appetites. Charged with sowing the new forest in these clearcuts, tree planters are a tribe caught between the stumps and the virgin timber, between environmentalists and loggers.In Eating Dirt, Gill offers up a slice of tree planting life in all of its soggy, gritty exuberance, while questioning the ability of conifer plantations to replace original forests that evolved over millennia into complex ecosystems. She looks at logging's environmental impact and its boom-and-bust history, and touches on the versatility of wood, from which we have devised countless creations as diverse as textiles and airplane parts.Eating Dirt also eloquently evokes the wonder of trees, which grow from tiny seeds into one of the world's largest organisms, our slowest-growing ""renewable"" resource. Most of all, the book joyously celebrates the priceless value of forests and the ancient, ever-changing relationship between humans and trees. Also available in hardcover.Published in partnership with the David Suzuki Foundation.