Her latest round of fertility treatments not only failed but left her on edge and unbalanced. And her three-year-old daughter, Elizabella, has a new imaginary friend, who seems much more devilish than playful. So when Veronica’s husband fails to return home from a business trip, what’s left of her stability begins to crumble.Given her family’s history of mental illness, and Elizabella’s insistence that her daddy is dead, Veronica starts questioning herself. Every move she makes is now suspect. Worse still, Veronica is positive that someone wants her and her daughter dead, too—unless it’s all in her mind…Somewhere beneath her paranoia is the answer to her husband’s vanishing. To find it, she’s led to a house in the Florida Keys. But once there, she isn’t sure she wants to know the truth.

    Still recovering from his manhunt chasing down escaped convict and sociopath Reynaud Shade in the Bighorn Mountains, Walt just can’t find the opportunity to sit back and kick off his cowboy boots. His daughter, Cady, is getting married in a few months to the brother of his under-sheriff Victoria Moretti and is in town, helping her dad ‘recuperate’ and to talk about love, life, and weddings. Meanwhile, the American Indian Days Parade and Pow Wow are attracting tourists and trouble. The pride and joy of Tommy Jefferson’s stables—and the catalyst for his marital troubles—the notorious divorce horse, has gone missing, and Jefferson, renowned Indian Relay Racer and one-time meth head, wants him back. With the help of his best friend Henry Standing Bear and his daughter, The Greatest Legal Mind Of Our Time, Walt sets off to the races.

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    . .Ruth Hartland is a psychotherapist with years of experience. But professional skill is no guard against private grief. The mother of grown twins, she is haunted by the fact that her beautiful, difficult, fragile son Tom, a boy who never "fit in," disappeared a year and a half earlier. She cannot give up hope of finding him, but feels she is living a kind of half-life, waiting for him to return. Enter a new patient, Dan--unstable and traumatized--who looks exactly like her missing son. She is determined to help him, but soon, her own complicated feelings, about how she has failed her own boy, cloud her professional judgement. And before long, the unthinkable becomes a shattering reality....An utterly compelling drama with a timebomb at its core, A Good Enough Mother is a brilliant, beautiful story of mothering, and how to let go of the ones we love when we must.

    She finds more comfort playing make-believe in the woods near her house in Roma, Kentucky, than with her classmates, who find her strange and awkward. When she happens upon a dead body hidden in the woods one day, she decides not to tell anyone about her discovery—a choice that begins to haunt her.Susanna Mitchell has always been a good girl, the dutiful daughter and wife. While her older sister Ronnie trolled bars for men and often drove home at sunrise, Susanna kept a neat house, a respectable job, a young daughter. But when Ronnie goes missing, and Susanna realizes that she’s the only person in Roma who truly cares about her sister’s fate, she starts to question her quiet life and its value.The Next Time You See Me is the story of how one woman’s disappearance exposes the ambitions, prejudices, and anxieties of a small southern town and its residents, who are all connected, sometimes in unexpected ways. Emily; Susannah; Tony, a failed baseball star-turned-detective, aspiring to be the county’s first black sheriff; and Wyatt, a fifty-five-year-old factory worker tormented by a past he can’t change and by a love he doesn’t think he deserves. Their stories converge in a violent climax that reveals not just the mystery of what happened to Ronnie but all of their secret selves.

    She boards a train and is whisked away. But she can't get the girl out of her head...Heidi Wood has always been a charitable woman: she works for a nonprofit, takes in stray cats. Still, her husband and daughter are horrified when Heidi returns home one day with a young woman named Willow and her four-month-old baby in tow. Disheveled and apparently homeless, this girl could be a criminal—or worse. But despite her family's objections, Heidi invites Willow and the baby to take refuge in their home.Heidi spends the next few days helping Willow get back on her feet, but as clues into Willow's past begin to surface, Heidi is forced to decide how far she's willing to go to help a stranger. What starts as an act of kindness quickly spirals into a story far more twisted than anyone could have anticipated.

    When The Professor, a man of enormous intellect and appetite, takes The Kid under his wing, his own startling past will cause upheavals in both of their worlds. At once lyrical, witty, and disturbing, Banks’s extraordinary novel showcases his abilities as a world-class storyteller as well as his incisive understanding of the dangerous contradictions and hypocrisies of modern American society.

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...

    He thinks she is his mother. But Tessa doesn't have any children.Not anymore.She doesn't know who the little boy is or how he got there. After contacting the police, Tessa is suspected of kidnapping the mystery child. Her whole life is turned upside down. And then her husband reveals a secret of his own...Tessa isn't sure what to believe or whom to trust. Because someone is lying. To find out who, she must first confront her painful past. But is the truth more dangerous than Tessa realizes? The Secret Mother is an intense psychological thriller with a twist that will make you wonder if you can ever trust anyone again.

    As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

    Annabelle Schwartzman has finally found a place to belong. As the medical examiner for the San Francisco Police Department, working alongside homicide detective Hal Harris, she uncovers the tales the dead can’t tell about their final moments. It is a job that gives her purpose—and a safe haven from her former life at the hands of an abusive husband. Although it’s been seven years since she escaped that ordeal, she still checks over her shoulder to make sure no one is behind her.Schwartzman’s latest case is deeply troubling: the victim bears an eerie resemblance to herself. What’s more, a shocking piece of evidence suggests that the killer’s business is far from over—and that Schwartzman may be in danger. In this pulse-pounding thriller from award-winning writer Danielle Girard, a woman must face her worst nightmare to catch a killer.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    . . a hidden cache of coded clues . . . a story written by a phantom author . . . an unsolved murder in a gritty urban park-- all collide memorably in Emily Arsenault's magnificent debut, at once a teasing literary puzzle, an ingenious suspense novel, and an exploration of definitions: of words, of who we are, and of the stories we choose to define us. In the maze of cubicles at Samuelson Company, editors toil away in silence, studying the English language, poring over new expressions and freshly coined words-- all in preparation for the next new edition of the Samuelson Dictionary. Among them is editorial assistant Billy Webb, just out of college, struggling to stay awake and appear competent. But there are a few distractions. His intriguing coworker Mona Minot may or may not be flirting with him. And he's starting to sense something suspicious going on beneath this company's academic facade.Mona has just made a startling discovery: a trove of puzzling citations, all taken from the same book, The Broken Teaglass. Billy and Mona soon learn that no such book exists. And the quotations from it are far too long, twisting, and bizarre for any dictionary. They read like a confessional, coyly hinting at a hidden identity, a secret liaison, a crime. As Billy and Mona ransack the office files, a chilling story begins to emerge: a story about a lonely young woman, a long-unsolved mystery, a moment of shattering violence. And as they piece together its fragments, the puzzle begins to take on bigger personal meaning for both of them, compelling them to redefine their notions of themselves and each other.Charged with wit and intelligence, set against a sweetly cautious love story, The Broken Teaglass is a tale that will delight lovers of words, lovers of mysteries, and fans of smart, funny, brilliantly inventive fiction.

    and letting her hair grow. It was also the summer when, without warning, popular high school student Kim Larsen disappeared from her small midwestern town. Her loving parents, her introverted sister, her friends and boyfriend must now do everything they can to find her. As desperate search parties give way to pleading television appearances, and private investigations yield to personal revelations, we see one town's intimate struggle to maintain hope and, finally, to live with the unknown. Stewart O’Nan's new novel begins with the suspense and pacing of a thriller and soon deepens into an affecting family drama of loss. On the heels of his critically acclaimed and nationally bestselling Last Night at the Lobster, Songs for the Missing is an honest, heartfelt account of one family’s attempt to find their child. With a soulful empathy for these ordinary heroes, O’Nan draws us into the world of this small American town and allows us to feel a part of this family.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.