This handsome volume traces the development of the cottage garden through Christopher Lloyd's elegant prose and specially commissioned photography, evoking the charm of the garden in all its beautiful variety.

    The botched parliament at Stormont lumbers from crisis to crisis and has scarcely passed any laws. At the time of writing, Sinn Féin and the DUP are refusing to share power and Northern Ireland is facing being run directly from London.This remarkable book examines power-sharing and the peace process in Northern Ireland on the twentieth anniversary of the Good Friday Agreement and asks what it has achieved beyond an end to violence. She concludes that, although it brought an end to violent blood shed on Northern Ireland's streets, it also failed to create healthy and functional politics.The Good Friday Agreement served an important purpose in 1998, but has since been out-paced by local and global politics. It is no longer fit to facilitate the peaceful politics it made possible, as the current collapse of power-sharing sadly shows.

    And few things taste more delicious than fruit picked straight from the tree or bush and eaten when perfectly ripe, perhaps still warm from the sun. This is fruit the way nature intended, not fruit that has been flown in from hundreds or thousands of miles away or stored in climate-controlled warehouses before being sealed in plastic for supermarket shelves. What could be fresher, tastier, more local, and more seasonal than fruit you've grown yourself, in your own garden or allotment, picked at just the moment when it's at its most perfect?This book shows just how easy it is to grow your own fruit. You don't need a huge garden or a dedicated orchard. It's possible to get a perfectly good harvest from plants grown in containers on balconies or patios and from even the smallest of town gardens. Pick the right varieties for the conditions you've got, invest in a bit of planning and preparation, follow the instructions contained in these pages, and you can be harvesting and eating your own strawberries, plums, pears, apricots, blackberries, redcurrants, melons, and figs.

    Offers brief profiles of each British monarch, and looks at events, places, objects, and rituals associated with the British throne.

    This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images by turns shocking, angering, wry, and heartbreaking.Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans s creativity and passion as an artist, activist, and mother shine through.

    But the second the Brits open their mouths, all bets are off. So don’t dream of visiting the UK, dating a Brit, or truly understanding what Jude Law is saying without this handy, hilarious, and informative guide to Britspeak. With the cheekiness of Austin Powers and the tidbit quotient of Schott’s Miscellany, screenwriter Jonathan Bernstein’s collection of Cockney rhyming slang, insults culled from British television shows of yore, and regional and “high British” favorites provides hours of educational, enlightening, even life saving hilarity. And if it doesn’t accomplish that, at least you’ll be aware that when a British citizen describes you as a “wally,” a “herbert,” a “spanner,” or a “bampot,” he’s not showering you with compliments. Knickers in a Twist is as indispensable as a London city guide, as spot-on funny as an episode of The Office, and as edifying as Born to Kvetch and Eats, Shoots and Leaves.

    Many of the contributors bring their own special touch, presenting a refreshingly eclectic variety of personal icons, from pub signs to seaside piers, from cattle grids to canal boats, and from village cricket to nimbies.First published as a lavish colour coffee-table book, this new expanded paperback edition has double the original number of contributions from many celebrities including Bill Bryson, Michael Palin, Eric Clapton, Bryan Ferry, Sebastian Faulks, Kate Adie, Kevin Spacey, Gavin Pretor-Pinney, Richard Mabey, Simon Jenkins, John Sergeant, Benjamin Zephaniah, Joan Bakewell, Antony Beevor, Libby Purves, Jonathan Dimbleby, and many more: and a new preface by HRH Prince Charles.

    It was the start, for better or for worse, of a long relationship with this unassuming and much maligned little country. He decided to put worldwide opinion to the test: is Belgium really as boring as people say it is? Immersing himself in Belgian culture – and sampling the local beer and ‘cat poo’ coffee along the way – he discovers a country of contradictions; of Michelin stars and processed food, where Trappist monks make the best beer in the world and grown men partake in vertical archery and watch roosters sing (not necessarily at the same time). This colourful and eccentric jaunt is proof that Belgium isn’t just a load of waffle.

    It recalls the monastic past of the house. It covers from the crunch of grass underfoot at midnight on a frosty New Year's Eve to the drip of trees in a melancholy March dawn.

    These were the points of the triangle forming the major route of the transatlantic slave trade. And these are the cities that acclaimed author Caryl Phillips explores--physically, historically, psychologically--in this wide-ranging meditation on the legacy of slavery and the impact of the African diaspora on the life of a place and its people.In a brilliantly layered narrative, Phillips combines his own observations with the stories of figures from the past. The experiences of an African trader in nineteenth-century Liverpool are contrasted with Phillips's experience of the city, where, as a Carib-bean black, he is scorned by the city's "native" blacks. His interactions with American Pan-Africanists coming "home" to Ghana (and with those Ghanaians for whom leaving seems the best hope) are paired with the account of a British-trained African minister in eighteenth-century Accra who turned a blind eye to the slave trade flourishing around him. The story of a white judge who disrupted "the natural order" in Charleston by integrating the Democratic primary in 1947 is set against Phillips's search for remnants of the "pest houses" where slaves were "seasoned" be-fore being sold.Phillips weaves these narrative threads together with acute insight and a novelist's grasp of time, place and character. The result is a provocative and unexpected book, at once historically illuminating and profoundly affecting.

    Indeed, Flora Britannica is the definitive contemporary flora, an encyclopaedia of living folklore, a register – a sort of Domesday Book.It is unique in that it is not a botanical flora but a cultural one – an account of the role of wild plants in social life, arts, custom and landscape. It is also unique in that information has been supplied by the people themselves. Five years of intensive original research have aroused popular interest and ‘grassroots’ involvement on an exceptional scale. People all over Britain – both rural and urban – have been encouraged to record and celebrate the cultural dimensions of their own flora, and to send their memories and anecdotes, observations and regional knowledge to Flora Britannica.The result is a nationwide record of the popular culture, domestic uses and social meanings of our wild plants. It is both useful and delightful – superbly written by one of the most outstanding English authors on natural history and illustrated with nearly 500 photographs. Including trees and ferns, it covers 1,000 species, many of them in considerable detail. A new flora for the people, Flora Britannica is a testimony to the continuing relationship between nature and human beings, and a celebration that the seasons and the landscape, local character and identity, still matter in Britain.

    In the style of Studs Terkel (Working, Hard Times, The Good War) and Dave Isay (Listening Is an Act of Love), Londoners offers up  the stories, the gripes, the memories, and the dreams of those in the great and vibrant British metropolis who “love it, hate it, live it, left it, and long for it,” from a West End rickshaw driver to a Soldier of the Guard at Buckingham Palace to a recovering heroin addict seeing Big Ben for the very first time. Published just in time for the 2012 London Olympic Games, Londoners is a glorious literary celebration of one of the world’s truly great cities.

    And, as one would expect from this unique and popular broadcaster, the tunes he lists are not the usual suspects.

    Jimmy Nail has been a household name since Auf Wiedersehen, Pet hit our screens in the 1980s. since then, his career as an actor and a musician has put on him on the silver screen alongside Madonna and given him a No. 1 hit single. Success on this astonishing scale was beyond the wildest dreams of the working class lad whose harsh childhood and brutal schooling put him on a collision course with Strangeways. But a short spell in prison helped propel Nail onwards and upwards. With the support of his friends and family, it wasn't long before Jimmy's unique talents and single-minded determination brought him attention of a different kind - and changed his life for ever. In A Northern Soul, Jimmy Nail tells his own vivid story in this intriguing, inspiring and sometimes confounding account of how one man rose to fame and fortune by refusing to be anything but himself.

    The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next 30 years. Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column, and Happy Mondays. Propelled onwards by cultural entrepreneur Tony Wilson, Factory always sought new ways to energize the popular consciousness, such as the infamous Hacienda nightclub, which enjoyed a checkered 15-year history after opening in 1982. Factory's reputation as a cultural hub was also bolstered by its fierce commitment to its own visual identity, achieved through the iconic sleeve designs and campaigning artwork of Peter Saville. However, the lofty reputation of Factory's artistic ventures only sporadically translated into commercial success, and when London Records pulled out of a 1992 takeover bid because of the absence of contracts, the fate of Factory Communications Ltd. was sealed. But the label's downfall has done nothing to quell interest in the Factory legend, as films such as 24-Hour Party People and Control attest. Despite this perennial interest, the definitive, authentic story of Factory Records has never been told until now. This is the most complete, authoritative, and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists, and gun-toting gangsters to create the most influential record label of modern times.