To find her way in her Soviet-era apartment block, she resorts to painting red crosses on the doors leading back to her apartment. But she still remembers the past in vivid detail.Alexander, a young man whose life has been brutally torn in two, would like nothing better than to forget the tragic events that have brought him to Minsk. When he moves into the flat next door to Tatiana’s, he’s cornered by the loquacious old lady. Reluctant at first, he’s soon drawn into Tatiana’s life story – one told urgently, before her memories of the Russian 20th century and its horrors are wiped out.The two forge an unlikely friendship, a pact against forgetting giving rise to a new sense of hope in the future. Deeply moving, with flashes of humour, Red Crosses is a shining narrative in the tradition of the great Russian novel.

    As Lucile explores these two versions of love, she vacillates in confusion, but in the end she must choose, and her heart’s instinct is surprising and poignant. Originally published under the title La Chamade, this new translation by Douglas Hofstadter returns a forgotten classic to English.In Translator, Trader, Douglas Hofstadter reflects on his personal act of devotion in rewriting Françoise Sagan’s novel La Chamade in English, and on the paradoxes that constantly plague any literary translator on all scales, ranging from the humblest of commas to entire chapters. Flatly rejecting the common wisdom that translators are inevitably traitors, Hofstadter proposes instead that translators are traders, and that translation, like musical performance, deserves high respect as a creative act. In his view, literary translation is the art of making subtle trades in which one sometimes loses and sometimes gains, often both losing and gaining at the same time. This view implies that there is no reason a translation cannot be as good as the original work, and that the result inevitably bears the stamp of the translator, much as a musical performance inevitably bears the stamp of its artists. Both a companion to the beloved Sagan novel and a singular meditation on translation, Translator, Trader is a witty and intimate exploration of words, ideas, communication, creation, and faithfulness.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.