But as the sun beats down, long-hidden secrets begin to surface. Her heart beats faster for the attention of handsome Edward, but is his heart already taken?Australia, six-weeks laterThe world is at war, the cruise liner docks, and Lily's desire for Edward is untameable. But something else is awry on this ship and Lily is determined to find out ....

    The first part of the book deals with his childhood and youth and his longing to become a successful farmer and hard-hitting fighter like his father.The tough life of cattle-farming is brusquely interrupted by the Zulu Wars, when Sean and his brother see fighting for the first time. Wilbur Smith vividly recreates the excitement of the war for the young men-their hope of winning their own cattle, the horror of the massacre at Isandhlwana, the heroism of the defence at Rorkes Drift.'Witwatersrand' is the name of the second part of this book and it tells the story of Sean's fabulous success in the gold rush and his rich life with Duff Charleywood and the beautiful Candy in the new town of Johannesburg, where huge fortunes were made and lost in a morning's dealing on the Exchange.The atmosphere of this feverish, violent time is brilliantly drawn: the heavy drinking, the elaborate houses, the ruthless abandonment of the failure. Sean and Duff are caught at last in a trap laid by their rival, the sinister and clever Hradsky, and leave Johannesburg for the wilderness to seek their fortunes once more.And now the book moves to its climax. At last it seems as though Sean will settle to a quiet married life – but fate has other plans for him. They return to Johannesburg and tragedy strikes quickly. Sean finds himself alone once more...Filled with action scenes in war and the early heady days of the gold rush, and adventure among the vast game herds of the African wilderness, this novel is dominated by the towering compelling personality of Sean, whose life story is continued in The Sound of Thunder and A Sparrow Falls.

    Bartering, backstabbing, browbeating, bribing...and praying for a little more weight to throw on the delicate balance of international power. This is a novel of men at the summit, their bold deals and soiled souls -- and their women, clutching at fevered moments as the time for loving, the time for living, slipped so quickly away.

    Flora, an amateur American botanist, is contracted by an international ring of flower thieves to infiltrate the household and acquire the coveted bloom. Her search is at once brightened by new love and threatened by her discovery of a series of ghastly crimes.More than half a century later, garden designer Addison takes up residence at the manor, now owned by the family of her husband, Rex. The couple’s shared passion for mysteries is fueled by the enchanting camellia orchard and an old gardener’s notebook. Yet its pages hint at dark acts ingeniously concealed. If the danger that Flora once faced remains very much alive, will Addison share her fate?

    Delia, an opera singer robbed of her voice by illness; George, an idealistic scientist who cannot face what his skills have created; Marjorie, desperately poor and unable to dislodge her writer’s block; and Lucius, ostensibly in control but whose personal life is in chaos. All are summoned to the Villa Dante, home of the late Beatrice Malaspina. But who was she?While they wait to find out, the villa begins to work its seductive magic. With its faded frescoes, overgrown garden and magnificent mediaeval tower, it is unlike anywhere they have been before. Slowly, four characters who have gone to great lengths to hide their troubles find that change – and even hope – is possible after all. But the mysterious Beatrice has a devastating secret to reveal that will affect them all…A beautiful evocation of Italy in the aftermath of World War Two, the personal consequences of living through such a time, and a celebration of humankind’s ability to heal and learn to love again, this most absorbing novel will win Elizabeth Edmondson a host of new fans.

    She has never met her Aunt Minerva Broome, and hardly knows what to expect at majestic country home of Staplewood. Her aunt, uncle, and cousin welcome her to their estate, buy her new clothes, and provide all the amenities a young lady of quality should have. Soon, Kate begins noticing strange things about the manor. Though the guests are few, even family dinners are formal. Unexplained noises and events occur in the night. Surrounded by her domineering Aunt, handsome but moody cousin Torquil, and cousin Philip, who appears to have taken her in instant dislike, Staplewood soon turns from an inviting stately house to a cold and gloomy mansion

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events. In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

    What follows is a nightmare of intrigue for the English armaments engineer as he makes his way home aboard an Italian freighter. Among the passengers are a couple of Nazi assassins intent on preventing his returning to England with plans for a Turkish defense system, the seductive cabaret dancer and her manager husband, and a number of surprising allies. Thrilling, intense, and masterfully plotted, Journey Into Fear is a classic suspense tale from one of the founders of the genre.

    King now takes us to a remote cottage in Cornwall where a gripping tale of intrigue, terrorism, and explosive passions begins with a visit to a recluse upon whom the fate of an entire nation may rest—a man code-named ... Touchstone.It’s eight years after the Great War shattered Bennett Grey’s life, leaving him with an excruciating sensitivity to the potential of human violence, and making social contact all but impossible. Once studied by British intelligence for his unique abilities, Grey has withdrawn from a rapidly changing world—until an American Bureau of Investigation agent comes to investigate for himself Grey’s potential as a weapon in a vicious new kind of warfare. Agent Harris Stuyvesant desperately needs Grey’s help entering a world where the rich and the radical exist side by side—a heady mix of the powerful and the celebrated, among whom lurks an enemy ready to strike a deadly blow at democracy on both sides of the Atlantic.Here, among a titled family whose servants dress in whimsical costumes and whose daughter conducts an open affair with a man who wants to bring down the government, Stuyvesant finds himself dangerously seduced by one woman and—even more dangerously—falling in love with another. And as he sifts through secrets divulged and kept, he uncovers the target of a horrifying conspiracy, and wonders if he can trust his touchstone, Grey, to reveal the most dangerous player of all ….Building to an astounding climax on an ancient English estate, Touchstone is both a harrowing thriller by a master of the genre and a thought-provoking exploration of the forces that drive history—and human destinies.

    Very early one morning, half-hidden by the swirling mists, he sets out alone to discover the secret of the lake - and unleashes a series of violent reactions - and violent deaths ...

    A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.

    She spies a stranger coming up the long road to the farm and watches as her mother speaks to him. Before the afternoon is over, Laurel will witness a shocking crime. A crime that challenges everything she knows about her family and especially her mother, Dorothy—her vivacious, loving, nearly perfect mother.Now, fifty years later, Laurel is a successful and well-regarded actress living in London. The family is gathering at Greenacres farm for Dorothy’s ninetieth birthday. Realizing that this may be her last chance, Laurel searches for answers to the questions that still haunt her from that long-ago day, answers that can only be found in Dorothy’s past.Dorothy’s story takes the reader from pre–WWII England through the blitz, to the ’60s and beyond. It is the secret history of three strangers from vastly different worlds—Dorothy, Vivien, and Jimmy—who meet by chance in wartime London and whose lives are forever entwined. The Secret Keeper explores longings and dreams and the unexpected consequences they sometimes bring. It is an unforgettable story of lovers and friends, deception and passion that is told—in Morton’s signature style—against a backdrop of events that changed the world.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    Those who dare to investigate will be caught in the cross fire of an ancient conflict forged by mortal sacrifice, assassination, and secret societies tied to the shadowy Knights Templar.Spanning centuries and continents, from the storm-rent skies over Calvary, through the intrigue and treachery of Byzantium and the Crusades, to the modern-day citadels of Istanbul, New York, London, Paris, and Rome, The Brotherhood of the Holy Shroud races to a chilling climax in the labyrinths beneath Turin, where astounding truths will be exposed: about the history of a faith, the passions of man, and proof of the most powerful miracle of all….From the Hardcover edition.