Things take an unexpected turn when Bheeshma disrupts the swayamvar and kidnaps the three princesses for his brother, Vichi-travirya, the ruler of Hastinapur. Amba vows to avenge the insult meted out to her. She appeals to several kings and princes to help her destroy Bheeshma but they all refuse as he is too powerful an adversary to challenge. Disappointed and filled with rage, Amba decides to take revenge herself and prays to Shiva to guide her. Amar Chitra Katha tells the compelling story of one who played a crucial role in the final outcome of the epic battle of Kurukshetra.

    Quiet, firm and dependable he won the heart of every person he met. However, it was his hot-headed brother who was heir to the throne. But no one could stand in the way of what destiny had in store for the young prince. By the strangest twists of fate, Arul ascended the throne as Raja Raja Chola and proved to be one of the greatest rulers in the history of medieval India. During his 30-year-reign the Chola empire not only became a formidable maritime power but was also a hub of art and architecture.

    Scheming rivals, foolish rulers and wicked courtiers leave him undaunted. He can organise king Vaideha's security, a network of spies and a royal wedding with equal flair. so, when a deadly plot is revealed, it is Aushadha who swings into action.

    But, the spirited daughter of the mountain god was not to be easily subdued as her waters darted about uncontrollably. Only Shiva could tame her by entangling her in the coils of his hair. When her waters could finally wend their way out, they were calmer and purer. They turned arid wastes into fertile land and filled up the oceans. Since those ancient times when King Bhagiratha sought her help, Ganga, whether roaring or placid, dancing or sombre, continues to enchant one and all with her life-giving beauty.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    It was said to be the beginning of kali Yuga. This Amar Chitra Katha tells the story of the curse which dooms Pareekshit to die at the hands of the Serpent King, Takshaka, and how his son, Janamejaya, avenges his death.

    Without Vishnu, he was afraid, chaos would ensue. So he and his son Narada, the wandering sage, set in motion a plan to get Vishnu to return to earth.A talking anthill, an arrogant sage, an irate cowherd, and even the asura king Ravana, each have their parts to play in these stories that describe the founding of the Venkateshwara temple at Tirupati. Set amongst the lovely Tirumala hills, this temple to Lord Vishnu, is one of the most beautiful temples in the world. It is said that more than 50,000 people visit this shrine every day, to pray to Venkateshwara to wash away their sins.

    Fate, however, had other plans. It turned his battlefield into a magnificent palace, where he was required to woo – and win – a beautiful princess. Wit was to be his most valuable weapon. Strong, handsome and yet wise, such a battle was easy for the young man. But for the many others who coveted his throne, it was an insurmountable hurdle.

    The deva also told him that if the necklace broke the person who repaired it would die. It happened as the king feared. The necklace broke and Queen Chellana, who was wear

    Perhaps, what brought the two still closer were the stories the Guru narrated. These stories provided a meaningful context for the topics under discussion. They also demonstrate that in those days knowledge was not the monopoly of any select group. Thus Janashruti, the ruler of the land, approaches the cart driver Raikva, with humility, to seek the highest truth.

    Sheltered by a potter the boy grew up with the prophecy of a wandering sage ringing in his ears that he would one day become king. The Sanskrit classic, Kathasaritasagar and Vikrama Charita, from which most of this story is taken, traces the path that makes Shalivahana so powerful that an entire era, the Shalivahana Shaka, was named after him.

    But sometime, the sun's glare got uncomfortably fierce, and Sanjna could not bear it. She devised the perfect cover for herself - Chhaya, her mirror image! Away from the blazing Surya, the lonely Sanjna pined for her beloved. Eventually, a way had to be found to ensure everyone's happiness.

    Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.

    Little did his family realize that Soordas could often see more than anyone else. He could direct a shepherd to his lost goat and a father to his missing son. He could describe exactly how the idol of his beloved Lord Krishna was dressed in the temple each day. The Mughal emperor Akbar personally came to invite him to his court. The poet Tulsidas visited him. The powerful, the wise and the ordinary flocked to him for his all-seeing wisdom and his soul-stirring songs of devotion.

    As he rises into the sky he spreads light and warmth all over the world. The great Ganga king, Narasimha Rao, commissioned 1200 artisans to recreate this scene in stone. The Konark Sun Temple is a place where the lines between fact, fiction and folklore have blurred over time. Amar Chitra Katha interweaves the history of the 13th century monument with some of the mythology associated with it.