It is also a unique civilization with philosophies and cosmologies that are markedly distinct from the dominant culture of our times – the West. India’s spiritual traditions spring from dharma which has no exact equivalent in western frameworks. Unfortunately, in the rush to celebrate the growing popularity of India on the world stage, its civilizational matrix is being digested into western universalism, thereby diluting its distinctiveness and potential.This book addresses the challenge of direct and honest engagement on differences, by reversing the gaze, repositioning India from being the observed to the observer and looking at the West from the dharmic point of view. In doing so it challenges many hitherto unexamined beliefs that both sides hold about themselves and each other. It highlights that unique historical revelations are the basis for western religions, as opposed to dharma’s emphasis on self-realization in the body here and now. It describes the integral unity that underpins dharma’s metaphysics and contrasts this with western thought and history as a synthetic unity. The west’s anxiety over difference and fixation for order runs in contrast with the creative role of chaos in dharma. The book critiques fashionable reductive translations and argues for preserving certain non-translatable words of Sanskrit. It concludes with a rebuttal against western claims of universalism and recommends a multi-civilizational worldview.The discussions and debate within the book employ the venerable tradition of purva-paksha, an ancient dharmic technique where a debater must first authentically understand in the opponent’s perspective, test the merits of that point of view and only then engage in debate using his own position. Purva-paksha encourages individuals to become truly knowledgeable about all perspectives, to approach the other side with respect and to forego the desire to simply win the contest. Purva-paksha also demands that all sides be willing to embrace the shifts in thinking, disruptive and controversial as they may be, that emerge from such a dialectical process.Being Different highlights six distinct and fundamental points of divergence between the dharmic traditions and the West. These are as follows:1) Approaches to difference: The West’s pervasive anxiety over personal and cultural differences have resulted in the endless need for the appropriation, assimilation, “conversion” and/or digestion and obliteration of all that does not fit its fundamental paradigms. The roots of this anxiety lie in the inherent schisms in its worldview. Dharmic traditions, in contrast, while not perfect, are historically more comfortable with differences, both individual and collective; they are not driven by mandates for expansion and control.2) History-centrism vs. Inner Sciences: The Judeo-Christian religious narrative is rooted in the history of a specific people and place. Further, the divine is external rather than within and guides humanity through unique and irreplaceable revelations. The dharmic traditions, in contrast, emphasize a series of sophisticated techniques of meditation and related inner sciences to achieve higher states of embodied knowing.3) Integral unity vs. synthetic unity: Since the time of Aristotle, the West has assumed an atomic partitioning of reality into distinct and unrelated parts. The Judeo-Christian worldview is based on separate essences for God, the world and/ human souls. Additionally, there is an unbridgeable gap between Greek reason and religious revelation. The result has been a forced unity of separate entities, and such a unity always feels threatened to disintegrate and remains synthetic at best. In dharmic cosmology all things emerge from a unified whole. In Hinduism this integral unity is the very nature of Brahman; in Buddhism there is no ultimate essence like Brahman, but the principle of impermanence and co-dependence provides unity. Dharma and science are enmeshed as part of the same exploration. Every aspect of reality mirrors and relates to every other aspect in a web of interdependency.4) The nature of chaos and uncertainty: The West privileges order in its aesthetics, ethics, religions, society and politics, and manifests a deep-rooted fear of chaos, uncertainty and complexity. The dharmic worldview see chaos as a creative catalyst built into the cosmos to balance out order that could become stultifying., and hence it adopts a more relaxed attitude towards it5) Translatability vs. Sanskrit: Unlike Western languages, in Sanskrit the fundamental sounds have an existential link to the experience of the object they represent. This makes Sanskrit a key resource for personal and cultural development. It also implies that the process of translation and digestion into Western schemas is unavoidably reductive.6) Western universalism challenged: In the “grand narrative” of the West, whether secular or religious, it is the agent or driver of historical unfolding and sets the template for all nations and peoples. This book challenges this self-serving universalism. It contrasts this with dharma’s non-linear approach to the past and multiple future trajectories.The very openness that makes dharma appealing, however, often makes it vulnerable to invasion, appropriation and erosion by a more aggressive and externally ambitious civilization. The book uses the metaphor of digestion to point to the destructive effects of what is usually white-washed as assimilation, globalization or postmodern deconstruction of difference. For complex reasons, which are analyzed at length, the dharmic traditions have been a particular target of digestion into the West, and Being Different challenges the uncritical acceptance of this process by both Westerners and Indians.

    This book focuses on the third: the role of U.S. and European churches, academics, think-tanks, foundations, government and human rights groups in fostering separation of the identities of Dravidian and Dalit communities from the rest of India. The book is the result of five years of research, and uses information obtained in the West about foreign funding of these Indian-based activities. The research tracked the money trails that start out claiming to be for "education," "human rights," "empowerment training," and "leadership training," but end up in programs designed to produce angry youths who feel disenfranchised from Indian identity. The book reveals how outdated racial theories continue to provide academic frameworks and fuel the rhetoric that can trigger civil wars and genocides in developing countries. The Dravidian movement's 200-year history has such origins. Its latest manifestation is the "Dravidian Christianity" movement that fabricates a political and cultural history to exploit old faultlines. The book explicitly names individuals and institutions, including prominent Western ones and their Indian affiliates. Its goal is to spark an honest debate on the extent to which human rights and other "empowerment" projects are cover-ups for these nefarious activities. For more information, or to view videos about this book, visit www.breakingindia.com

    Without Vishnu, he was afraid, chaos would ensue. So he and his son Narada, the wandering sage, set in motion a plan to get Vishnu to return to earth.A talking anthill, an arrogant sage, an irate cowherd, and even the asura king Ravana, each have their parts to play in these stories that describe the founding of the Venkateshwara temple at Tirupati. Set amongst the lovely Tirumala hills, this temple to Lord Vishnu, is one of the most beautiful temples in the world. It is said that more than 50,000 people visit this shrine every day, to pray to Venkateshwara to wash away their sins.

    Now, for the first time in the English language, Tantra Illuminated presents an accessible introduction to this sacred tradition that began 1,500 years ago in the far north of India. Translated from primary Sanskrit sources and offering a profound look at spiritual practice, this book reveals Tantra's rich history and powerful teachings.

    For Easwaran, the Gita’s epic battle represents the war in our own hearts and Arjuna’s anguish reflects the human condition: torn between opposing forces, confused about how to live. Sri Krishna’s timeless guidance, Easwaran argues, can shed light on our dilemmas today. Placing the Gita’s teachings in a modern context, Easwaran explores the nature of reality, the illusion of separateness, the search for identity, the meaning of yoga, and how to heal the unconscious. The key message of the Gita is how to resolve our conflicts and live in harmony with the deep unity of life, through the practice of meditation and spiritual disciplines. Sri Krishna doesn’t tell Arjuna what to do. He points out the prince’s choices, and then leaves it to Arjuna to decide. Easwaran shows us clearly how these teachings still apply — and how, like Arjuna, we must take courage and act wisely if we want our world to thrive.

    It is especially geared towards those with a fervour for deeper spiritual truths, awakening and enlightenment. Humanity's basic assumptions are being challenged. First and foremost among them is the 'I am the body' idea, which is the cause of suffering for mankind. What is special about these words presented here is that they tackle the truth from both vantage points: the absolute plane of existence and the practical aspect of daily living in this world.

    The Ramayana records the adventure of Rama, the Lord of righteousness, as He struggles to overcome the forces of Ravana. This absorbing naration has delighted and enlightened countless generations in India, and its timeless spiritual insights are compellingly relevant in today's confused world.

    Miracle on Second Avenue won the 2012 National Indie Excellence Award for Biography. The work is a memoir of Mukunda Goswami, one of the pioneers of the religious group that is now known throughout the world formally as the International Society for Krishna Consciousness (ISKCON). Miracle is a series of historical events that include the movement's founder, A.C. Bhaktivedanta Swami, and his interactions on two continents with the author over the three-year period from August 1966 until December 1969.

    The Maharshi considered this to be one of the greatest works expounding the traditional teachings of Advaita and often quoted the verses which are full of divine nectar. This work will quench the thirst of any earnest seeker who repeatedly reflects on its meaning and attempts to apply the teaching.306pp

    Then Lord Brahma gave him eyes and beauty and he became a proud tyrant who refused to see the truth. But Andhaka was the son of Shiva, after all and even Indra, Vishnu and Brahma wished him no harm. Eventually, it was Shiva's firm hand that led him back to happiness.

    The influence of this most renowned of all the Hindu scriptures has spread far beyond its religion of origin to inspire figures as diverse as Mohandas Gandhi, Henry David Thoreau, Ralph Waldo Emerson, Aldous Huxley, and C. G. Jung. This fresh translation stands out from all the others first of all for its careful faithfulness to the original language, but also for the extensive tools for understanding it provides, which include: detailed explanatory notes, the entire Sanskrit text on facing pages—both in the original Devanagari alphabet as well as in a romanized version that allows the reader to approximate the sounds (a pronunciation guide is provided)—a word-for-word translation for comparison, an exhaustive glossary, and a wealth of essays on the Gita’s background, symbolism and influence. This Gita is an excellent resource for serious students, but it’s also the perfect version for first-time readers who want to approach the text with understanding.

    The Kaurava brothers tricked their Pandava cousins out of a kingdom, and even Lord Krishna could not stop the horror and bloodshed that followed. Veda Vyasa composed an epic poem, the longest in the world, to describe the events that unfolded. In this epic tale of superhuman heroes and gory action, Veda Vyasa explores human ambitions, relationships and conflicts to find the true purpose of life

    Stories about the gods and humans who inhabited it. Of the river Pampa who yearned to marry Shiva. Of Vali, the insecure king of Kishkindha, and of Rama who was unable to give his faithful lieutenant, Hanuman, the one thing he desired. More mysterious is the storyteller, an ascetic, who insists that the brothers are destined to become rulers of a mighty empire.

    This new collection of Hindu tales, including the birth of the gods, tales of creation, and the arrival of humans, is illuminated by Amanda Hall's exquisite artwork, which reflects the influence of both classical and contemporary Indian art.

    As Arjuna relives the battle of Kurukshetra, he senses a profound change coming upon himself. He begins to understand the true meaning of surrender and sacrifice. The book comprises three parts, narrated principally by Arjuna. Part I takes us through the childhood and youth of the Pandavas and Kauravas, the game of dice, the Pandavas' exile, and ends with the armies arrayed for battle at Kurukshetra. Part II recounts the battle itself, and the teachings of the Bhagvad Gita. Part III presents a moving and brilliantly original take on the Mahabharata, as Lidchi-Grassi gives a voice to the forgotten victims of every war - the ordinary citizens who must pick themselves up, and resume the business of life. An old order has been swept away, but can the new age - the Kali Yuga - help lessen human strife and misery? Vastly ambitious in scope and epic in scale, The Great Golden Sacrifice of the Mahabharata is an astonishing read.

    The most detailed and profound information about the Babaji mystery EVER to be revealed. Sanctioned by the divine Mahavatar Babaji Himself, and authored by his direct disciple Yogiraj Siddhanath, this book serves the highest spiritual welfare of Humanity in the coming Golden Age.

    Is the holy place bigger, or the devotee?More people have embarked on a quest for the sacred in India than anywhere else. An exceptionally rich religious tradition and an abundance of minor and major pilgrim sites have given seekers ample motivation to pack their bags and go on a search.Pilgrim's India is about all journeys impelled by the idea of the sacred. It brings together essays and poems from the Katha Upanishad, Fa-Hien, Basavanna and Kabir to Paul Brunton, Richard Lannoy, Amit Chaudhuri, Arun Kolatkar and others about various aspects of trips undertaken in the name of God. Readers will encounter the watchful reserve of a British journalist in southern India, the vigorous prose of a contemporary Sikh pilgrim, a French author-adventurer s appraisal of the Ellora caves, a modern-day Zoroastrian s reflections on Udvada and a woman's impression of what it means to be Muslim in India.Mystics, witnesses and wanderers write about the Supreme Being, about journeys and destinations, false starts, bottlenecks and blind alleys, about humour, rage and revelation all of which make this anthology a deeply absorbing and idiosyncratic take on pilgrims and pilgrim trails in India.

    

    For example, there are clear references to alchemy, so linking this work to Indian texts of the Raseshvaras - Lords of the Rasa or the quintessence. It also clearly sets out methods of meditation on the goddess as Kundalini at the root of the spine, alludes to sexual techniques of the Kaulas, to the pre-eminence of the guru, to Chandi, and outlines the importance of building temples, establishing tanks and the unity of the different forms of Shakti.

    

    Following a hundred years of vociferous social reform, including a 1947 law that criminalized their lifestyles, the women in devadasis communities contend with severe social stigma and economic and cultural disenfranchisement. Adroitly combining ethnographic fieldwork with historical research, Davesh Soneji provides a comprehensive portrait of these marginalized women and unsettles received ideas about relations among them, the aesthetic roots of their performances, and the political efficacy of social reform in their communities. Poignantly narrating the history of these women, Soneji argues for the recognition of aesthetics and performance as a key form of subaltern self-presentation and self-consciousness. Ranging over courtly and private salon performances of music and dance by devadasis in the nineteenth century, the political mobilization of devadasis identity in the twentieth century, and the post-reform lives of women in these communities today, Unfinished Gestures charts the historical fissures that lie beneath cultural modernity in South India.