In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    She struggles with social skills and misreads the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by.Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.But Molly’s orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what’s happening, Molly’s unusual demeanor has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black—but will they be able to find the real killer before it’s too late?A Clue-like, locked-room mystery and a heartwarming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.Alternate cover edition of ISBN 9780593356159.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough."--Elin Hilderbrand, #1 New York Times bestselling author of 28 SummersIt's been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town's Baptist church, the police station, and in the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and in a new documentary about the crime.When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town's youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its own missing girl to come home. But Odette can't look away. She shares a wound that won't close with the mute, one-eyed mystery girl. And she is haunted by her own history with the missing Tru.Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past--the night her friend disappeared, the night that inspired her to become a cop, the night that wrote them all a role in the town's dark, violent mythology.In this twisty psychological thriller, Julia Heaberlin paints unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength.Praise for We Are All the Same in the Dark"[Julia] Heaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it. 'What's coming is always unimaginable, ' Odette's one-time therapist tells her, 'and by that, I mean just that. It cannot be imagined. What's coming never acts or behaves the way we think it will.' That's true for this novel, too."--Dallas Morning News

    The perfect house. The perfect life. All gone now.What could cause a man, when all the stars of fortune are shining upon him, to suddenly snap and destroy everything he has built? This is the question that haunts Sergeant Ryan DeMarco after the wife and children of beloved college professor and bestselling author Thomas Huston are found slaughtered in their home. Huston himself has disappeared and so is immediately cast as the prime suspect. DeMarco knows—or thinks he knows—that Huston couldn't have been capable of murdering his family. But if Huston is innocent, why is he on the run? And does the half-finished manuscript he left behind contain clues to the mystery of his family's killer? A masterful new thriller by acclaimed author Randall Silvis, Two Days Gone is a taut, suspenseful story that will break your heart as much as it will haunt your dreams.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents. Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul. Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir where life is cheap and the price of truth is high.

    Tucked in the folds of the woman’s curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She’s seen her before. In her dreams…One hundred years ago, a love story ended in tragedy, its mysteries left unsolved. It’s time for the lake to give up its secrets. As each mystery unravels, it pulls Kate deeper into the eddy of a haunting folktale that has been handed down in whispers over generations. Now, it’s Kate’s turn to listen.As the drowned woman reaches out from the grave, Kate reaches back. They must come together, if only in dreams, to right the sinister wrongs of the past.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    In such a dangerous landscape it can only be a terrible tragedy, surely...When another child goes missing, and then a third, it’s no longer possible to believe that their deaths were accidental, and the villagers must admit that there is a murderer among them. Even Catrin Quinn, a damaged woman living a reclusive life after the accidental deaths of her own two sons a few years ago, gets involved in the searches and the speculation.And suddenly, in this wild and beautiful place that generations have called home, no one feels safe and the hysteria begins to rise.But three islanders—Catrin, her childhood best friend, Rachel, and her ex-lover Callum—are hiding terrible secrets. And they have two things in common: all three of them are grieving, and none of them trust anyone, not even themselves.

    Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.

    Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .