This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    Corduroy Mansions is the affectionate nickname given to a genteel, crumbling mansion block in London's vibrant Pimlico neighborhood and the home turf of a captivating collection of quirky and altogether McCall-Smithian characters. There's the middle-aged wine merchant William, who is trying to convince his reluctant twenty-four-year-old son, Eddie, to leave the nest; and Marcia, the boutique caterer who has her sights set on William. There's also the (justifiably) much-loathed Member of Parliament Oedipus Snark; his mother, Berthea, who's writing his biography and hating every minute of it; and his long-suffering girlfriend, Barbara, a literary agent who would like to be his wife (but, then, she'd like to be almost anyone's wife). There's the vitamin evangelist, the psychoanalyst, the art student with a puzzling boyfriend and Freddie de la Hay, the Pimlico terrier who insists on wearing a seat belt and is almost certainly the only avowed vegetarian canine in London.Filled with the ins and outs of neighborliness in all its unexpected variations, Corduroy Mansions showcases the life, laughter and humanity that have become the hallmarks of Alexander McCall Smith's work.

    Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

    Christopher and Valentine are on the verge of becoming lovers until he must return to his World War I regiment. Ultimately, Christopher, shell-shocked and suffering from amnesia, is sent back to London. An unforgettable exploration of the tensions of a society confronting catastrophe, sexuality, power, madness, and violence, this narrative examines time and a critical moment in history.

    The opening novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time.Discover the extraordinary life of Anthony Powell – captured by acclaimed biographer Hilary Spurling in Anthony Powell: Dancing to the Music of Time

    In the first chapter her brother, a devout Catholic (whereas Patience is a rather unthinking Catholic, nevertheless she undeniably is one) comes to tea to tell her that her husband Edward is being unfaithful. Patience, who is perfectly happy with her husband, her children and her St John’s Wood life, is not too upset, in fact she is more curious than anything else because a) her husband had never seemed inattentive, on the contrary, b) she is mystified at the thought of another woman going to bed with Edward out of choice.Fortuitously (for this is a caper, a farce, a satire, something unreal – which is why coincidence is allowable) Patience meets Philip and upon going back with him to his room in Regent’s Park ‘realises that through seven years of marriage she has never understood the meaning of married love, has never had a moment of sexual pleasure, has been cheated by her husband of true happiness.’ This is what Tribune magazine told its readers, assuring them that there was ‘no melodrama – or pornography here. Patience is a truly delightful, idyllic story of a simple soul’s discovery of the beauties of sexual love and her attempts to reconcile it with her mild Catholicism and her ardent maternal love.’

    And life without ahusband at thirty-one is just fine, thank you very much.She has a steady job working as a private investigator(albeit a mediocre one); a devoted boyfriend of fiveyears, Jason; and a wonderful relationship with her dad(it's a shame her mother is such a lost cause). Then, ona romantic weekend retreat to a faux-ancient castle,Jason proposes marriage, leaving Hannah with nochoice but the obvious: to turn him down cold.Much to her horror, four weeks later, Jason becomesengaged to his next-door neighbor, a fine bakerand "proficient seamstress." Has Hannah blown herlast chance at a solid relationship as her familyclaims? Jason agrees to give her another chance -- butonly if she meets his terms, among them a promise todust off the many skeletons in her closet.Brimming with her characteristic blend of humorand heartache, Anna Maxted's Being Committed is a perceptivelook at intimacy (and its substitutes), commitmentphobia, and the power others have over us.

    There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

    A sudden windfall and Gemma's distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off.Gemma's neighbor, the intellectual baker Joubert, is consumed by fascination for her. Denying voyeurism but nonetheless noting every change in the fit of Gemma's jeans, every addition to her wardrobe, all of her love bites and lovers, Joubert -- with the help of the heroine's diaries -- follows her path toward ruin.Adultery and its consequences. Disappointment and deception. Fat and slim. Then and now. Familiar ingredients of the novel are given new life in Gemma Bovery's unique graphic form.From the Hardcover edition.

    Among the unforgettable characters lurk the homicidal wife and her deadly leg of lamb, a conniving and lecherous wine connoisseur and the one-eyed brain at the mercy of his vengeful spouse. Tales of the Unexpected is an astonishing assortment of twisted treats from the master storyteller.

    Welcome to the village of Notwithstanding where a lady dresses in plus fours and shoots squirrels, a retired general gives up wearing clothes altogether, a spiritualist lives in a cottage with the ghost of her husband, and people think it quite natural to confide in a spider that lives in a potting shed. Based on de Bernières' recollections of the village he grew up in, Notwithstanding is a funny and moving depiction of a charming vanished England.

    Newly arrived from her tour of the Continent, Sophy invites herself into the circle of her relatives. When Lady Ombersley agrees to take in her young niece, no one expects Sophy, who sweeps in and immediately takes the town by storm. Beautiful, gay, impulsive, shockingly direct, Sophy sweeps into elegant London society and scatters conventions and traditions before her like wisps in a windstorm. Resourceful, adventurous and utterly indefatigable, Sophy is hardly the mild-mannered girl that the Rivenhalls expect when they agree to take her in. Kind-hearted Aunt Lizzy is shocked, and her arrogant stern cousin Charles Rivenhall, the Ombersley heir, vows to rid his family of her meddlesome ways by marrying her off.But vibrant and irrepressible Sophy was no stranger to managing delicate situations. After all, she'd been keeping opportunistic females away from her widowed father for years. Staying with her relatives could be her biggest challenge yet. But Sophy discovers that her aunt's family is in desperate need of her talent for setting everything right: her aunt's husband is of no use at all, her ruthlessly handsome cousin Charles has tyrannical tendencies that are being aggravated by his pedantic bluestocking fiancee Eugenia Wraxton; her lovely cousin Cecelia is smitten with an utterly unsuitable suitor, a beautiful but feather-brained poet; her cousin Herbert is in dire financial straits and has fallen foul of a money-lender; and the younger children are in desperate need of some fun and freedom, and Sophy's arrived just in time to save them all. With her inimitable mixture of exuberance and grace, Sophy becomes the mainstay of her hilariously bedeviled family, as a horsewoman, social leader and above all, as an ingenious match-maker. Using her signature unorthodox methods, Sophy sets out to solve all of their problems. By the time she's done, Sophy has commandeered household and Charles's horses, but she finds herself increasingly drawn to her eldest cousin. Could it be that the Grand Sophy had finally met her match? Can she really be falling in love with him, and he with her? And what of his betrothal to grim Eugenia?

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.