Symons reveals Poe as his contemporaries saw him a man struggling to make a living out of hack journalism and striving to find a backer for his new magazine, and a man whose life was beset by so many tragedies that he was often driven to excessive drinking and a string of unhealthy relationships. Fittingly written by another master in the art of crime writing, this volume brilliantly portrays the original creator of the detective story and reveals him as the genius and unashamed plagiarist that he was."

    Marlowe gives it to us. The backdrop is Renaissance Europe, a world alive with creative ferment, triple-crossing intrigue, and the passionate quest for novelty. Lofty tragedy and lyric poetry still reign as queens of the literary arts, but young writers heady with ambition seek live action to give substance to their teeming imaginations. It is scoundrel time, and the novel is in gestation. To enter Cervantes's world we cross a threshold that is Shakespearean and quixotic into a metaphysical wonderland where time expands to become space and vast vaulted distances bend back on themselves, where the threads of fiction and the strands of history shuttle back and forth in the great loom of the artist's imagination. Marlowe's Cervantes is a towering creation: flesh and blood and living legend, actor in and creator of the events in his own fantastical life story. He not only survives war, prison, torture, and poverty, he survives death itself, growing inexorably toward the writing of Don Quixote, which would bring both him and his character immortal fame.

    Martin lives in a small English village, where he studies his hero and putters about harmlessly—until an ambitious outsider, Nick Marshall, is appointed postmaster instead of Martin. Slick and self-assured, Nick steals Martin's girlfriend and decides to modernize the friendly local office by firing dedicated but elderly employees and privatizing the business. Suddenly, gentle Martin is faced with a choice: meekly accept defeat as he always has, or fight for what he believes in, as his hero, Hemingway, would.Filled with Michael Palin's trademark wit and good humor, this novel is for anyone who has ever dreamed of triumphing over the technocrats and backstabbers of the world. Hilarious, touching, and ultimately inspirational, Hemingway's Chair will make readers stand up and cheer.

    You'll see how each philosopher created a complete and coherent system of thought, including their views on ethics, metaphysics, politics, and esthetics. You'll learn about their epistemology -- how we know what we know. And you'll learn how each thinker related to his times and to the work of other philosophers over the centuries.The sophisticated, complex, and subtle ideas of great philosophers are now available in a dramatized format that entertains and informs. Yet like all Knowledge Products productions, the full substance and content of these ideas are presented in clear and understandable language. Each presentation invites the intelligent listener to ponder the great ideas without struggling through an academic or simplified writing style.Each presentation in The Giants of Philosophy is sensitively and intelligently narrated by Charlton Heston, one of America's most respected actors. Known for his rich voice and dramatic acting skills, Mr. Heston makes your journey through the history of philosophy both compelling and provocative.

    This compelling story of the later journey is a valentine from son to father, a magical tale of a family adrift, and a poetic exploration of the region’s rich history. In experiencing this great wilderness, Berton and his family discover their deep connection to nature — and each other.Librarian's Note: uploaded the original cover for this hard cover edition - ISBN 10: 0771011954

    seasoned with the terror of war. We Escaped plunges the reader into the extraordinary World War II escapades of an ordinary couple and their children as they first escape from Nazi-occupied Holland; and then deal with the war years by leavening danger and stress with the joy and love of everyday family life. It is the song and dance of The Sound of Music seasoned with the terror of guns and blood. The story begins in the Netherlands, a peaceful nation protected by a treaty of neutrality and kinship with Hitler's Germany. The calm is shattered by the cacophony and confusion of battle as, under the guns of panzers, German troops overrun Holland's lines. The ter Weele family's subsequent exodus from their home is told from the points of view of the father, Lieutenant Carl ter Weele, a Dutch reservist called up to defend the Grebbeberg; his wife Margery, an American citizen raised in Boston, who delivers her third child in a hospital not far from the Grebbeberg as war threatens; their oldest son, six-year-old Jan, whose dark eyes and hair lead Nazis to suspect he is Jewish; and their second son, Alex, a blond and fair-skinned imp, who at the age of two charms a German border guard into allowing the family to cross into Switzerland. Within weeks of Germany's conquest of Holland, the family has to flee the dragnet of the Gestapo, which is arresting all Dutch military officers. As far as Carl can see, the only way out is through Germany, and from there it's a tortuous and terrifying journey through Switzerland, Vichy France, Spain, and Portugal, with the Gestapo a threat at every turn.

    Writer, Sailor, Soldier, Spy brings to light for the first time this riveting secret side of Hemingway’s life—when he worked closely with both the American OSS, a precursor to the CIA, and the Soviet NKVD, the USSR’s forerunner to the KGB to defeat Adolf Hitler and the Nazis.Reynolds dig deep into Hemingway’s involvement in World War II, from his recruitment by both the Americans and the Soviets—who valued Hemingway for his journalistic skills and access to sources—through his key role in gaining tactical intelligence for the Allies during the liberation of Paris, to his later doubts about communist ideology and his undercover work in Cuba. As he examines the links between his work as a spy and as an author, Reynolds reveals how Hemingway’s wartime experiences shook his faith in literature and contributed to the writer’s block that plagued him for much of the final two decades of his life. Reynolds also illuminates how those same experiences also informed one of Hemingway’s greatest works—The Old Man and the Sea—the final novel published during his lifetime.A unique portrait as fast-paced and exciting as the best espionage thrillers, Writer, Sailor, Soldier, Spy illuminates a hidden side of a revered artist and is a thrilling addition to the annals of World War II.

    Apart from Richards, 'all of us were eighteen years old, though Botham seemed to have lived a bit longer - or at least more vigorously - than the rest.'In this irresistible memoir of a life lived in cricket, Vic Marks returns to the heady days when Richards and Botham were young men yet to unleash their talents on the world stage while he and Roebuck looked on in awe. After the high-octane dramas of Somerset, playing for England was almost an anti-climax for Marks, who became an unlikely all-rounder in the mercurial side of the 1980s. Moving from the dressing room to the press box, with trenchant observations about the modern game along the way, Original Spin is a charmingly wry, shrewdly observed account of a golden age in cricket.

    The authors explain and illuminate the rift in Chilean society that widened dramatically during the Pinochet era.

    Kennedy declaring that religion should play no role in the elections to Bush saying, "I believe that God wants me to be president"?Historian Randall Balmer takes us on a tour of presidential religiosity in the last half of the twentieth century—from Kennedy's 1960 speech that proposed an almost absolute wall between American political and religious life to the soft religiosity of Lyndon B. Johnson's Great Society; from Richard Nixon's manipulation of religion to fit his own needs to Gerald Ford's quiet stoicism; from Jimmy Carter's introduction of evangelicalism into the mainstream to Ronald Reagan's co-option of the same group; from Bill Clinton's covert way of turning religion into a non-issue to George W. Bush's overt Christian messages, Balmer reveals the role religion has played in the personal and political lives of these American presidents.Americans were once content to disregard religion as a criterion for voting, as in most of the modern presidential elections before Jimmy Carter.But today's voters have come to expect candidates to fully disclose their religious views and to deeply illustrate their personal relationship to the Almighty. God in the White House explores the paradox of Americans' expectation that presidents should simultaneously trumpet their religious views and relationship to God while supporting the separation of church and state. Balmer tells the story of the politicization of religion in the last half of the twentieth century, as well as the "religionization" of our politics. He reflects on the implications of this shift, which have reverberated in both our religious and political worlds, and offers a new lens through which to see not only these extraordinary individuals, but also our current political situation.

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    She felt as if she were 19 again, the age at which she got pregnant out of wedlock and relinquished her newborn son for adoption. Suddenly, he was back — this stranger she had given birth to — and he wasn’t just searching for his roots. Joshua was looking for a mom. Eager to embrace the second chance she had been granted, Denise leapt wholeheartedly into the role. “It’s a BIG boy,” she announced to her family and friends, setting free her twenty-six-year secret. But Joshua was not a boy. He was a grown man, with a history that fell far short of what she had envisioned for him when she’d been assured he would be “better off” without her. His adoptive parents had essentially given up on him at age thirteen, sending him away with only an eighth-grade education. He drifted through a series of institutions and group homes, and ultimately onto the New York City streets, where he fell into drugs and crime. When an early marriage failed, he and his young wife surrendered an infant and toddler to adoption. By the time Denise and her son reunited, he was in his second marriage to a teenaged runaway who was six months pregnant with their first child. Despite her disappointment and his obvious problems, Denise was determined to restore their severed bond and give him the unconditional love that had been lacking in her own childhood.At the same time, she struggled with her parents’ adverse reaction to her reunion and their refusal to acknowledge their grandson’s existence. The shameful event that they had worked so vigorously to bury was back to haunt them. They could not accept their daughter’s happiness at having found her lost child.Still reeling in the overwhelming mix of joy and grief, gratitude and guilt triggered by reunion with her son, Denise received a letter from an aunt she never knew existed. Aunt Mabel revealed some startling information about Denise’s mother, who had claimed to be an only child raised by a kindly couple after both her parents passed away. In truth, she was one of nine siblings tossed to the winds by their mother after the death of their father in 1929. As she got to know her new-found aunts, uncles and cousins, Denise became obsessed with understanding how her grandmother could desert her children and how her mother, who so clearly bore the scars of abandonment, could then force her own daughter to give up a child.A year into their reunion, after Josh’s wife left him with their ten-month-old daughter, the rage that he had initially denied surfaced. Denise went from feeling like a new mom to the frustrated parent of an out-of-control teenager. In the face of his angry outbursts and threats to cut her off, she remained intent on “fixing” him, believing that, in time, she could heal his wounds. Once more, she put her own pain aside and stood by him as he married twice more and fathered another child.Only when Josh and Denise reached an impasse in year five, did she recognize how emotionally shutdown she had been since relinquishing her son — and how she had let her fear of losing him again hold her hostage. In the silence of their estrangement, she began the hard work that ultimately allowed her to resolve her own issues, reclaim the young woman she had left behind after surrendering what turned out to be her only child, and make peace with the past. She found acceptance and forgiveness for her mother, her son, and ultimately herself.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

    The latter two books have become classics, in English and in translation."At times," says Bernard Crick, "he almost literally cared for his writing more than his life, certainly more than his comfort and physical well-being." He died at forty-six, ravaged by tuberculosis after years of overexertion, hardship, and self-neglect.By the time of his death, however, George Orwell (1903-1950) was already a world-renowned writer who had achieved literary fame and success, and not only as a novelist. Many of his political essays and journalistic pieces can claim a place among the great texts of political theory, as well as English literature, their strength and style forged by "an almost reckless commitment to speak out unwelcome truths" in simple, powerful language.Bernard Crick is the first and only biographer to have been given unrestricted access to the Orwell Estate and archives by Sonia Orwell, the author's late widow, as well as having unlimited rights of quotation from his published and unpublished works to use as Crick alone saw fit.Crick has also interviewed many of Orwell's distinguished friends and less well known contemporaries about every period of Orwell's life, from his oppressed, rebellious schooldays at St. Cyprian's and Eton, to his short career in Burma as an imperial policeman, to fighting fascism in the Spanish Civil War, through his final writing period on the remote island of Jura in the Scottish Hebrides.The result is a penetrating biography unlike any other about him, for Crick masterfully relates the private, sometimes sordid facts of Orwell's life to the substance of his writing and to the inconstant politics of his day, in a story well told with sympathy but by no means uncritically.Crick confronts the multiple paradoxes of Orwell, avoiding any simple distinctions between the man and his work. It is not enough to read Orwell's fiction as disguised autobiography, nor to treat his documentary journalism as only recorded fact.George Orwell: A Life superbly illuminates the complex relationship between the daily experiences and the monumental writings of this private, often mystifying man who was so intensely "the wintry conscience of a generation."

    In his brief life, Hank Williams created one of the defining bodies of American music. Songs such as "Your Cheatin' Heart," "Hey, Good Lookin'," and "Jambalaya" sold millions of records and became the model for virtually all country music that followed. But by the time of his death at age twenty-nine, Williams had drunk and drugged and philandered his way through two messy marriages and out of his headline spot on the Grand Ole Opry. Even though he was country music's top seller, toward the end he was so famously unreliable that he was lucky to get a booking in a beer hall. Colin Escott's enthralling, definitive biograph -- now the basis of the major motion picture I Saw the Light -- vividly details the singer's stunning rise and his spectacular decline, revealing much that was previously unknown or hidden about the life of this country music legend. Originally published as Hank William: The Biography.