August: Osage County


Tracy Letts - 2008
    When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.

Oleanna


David Mamet - 1993
    Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship and abuse.

The Goat, or Who is Sylvia?


Edward Albee - 2003
    In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

Buried Child


Sam Shepard - 1979
    Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this family.

Travesties


Tom Stoppard - 1975
    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

The Flick


Annie Baker - 2014
    With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

Sweat


Lynn Nottage - 2017
    Set in 2008, the powerful crux of this new play is knowing the fate of the characters long before it's even in their sights.Based on Nottage's extensive research and interviews with real residents of Reading, Sweat is a topical reflection of the present and poignant outcome of America's economic decline.

Noises Off


Michael Frayn - 1982
    The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.

Suddenly Last Summer


Tennessee Williams - 1958
    Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true-or at least curiously and suspensefully possible-by the extraordinary skill with which he has wrung detail after detail out of a young woman who has lived with horror. Anne Meacham, as a girl who has been the sole witness to her cousin's unbelievably shocking death, is brought into a 'planned jungle' of a New Orleans garden to confront a family that is intensely interested in having her deny the lurid tale she has told. The post-dilettante's mother is, indeed, so ruthlessly eager to suppress the facts that she had the girl incarcerated in a mental institution and she is perfectly willing, once she finishes her ritualistic five o'clock frozen daiquiri, to order the performance of a frontal lobotomy. A nun stands in rigid attendance; a doctor prepares a hypodermic to force the truth; greedy relatives beg her to recant in return for solid cash. Under the assorted, and thoroughly fascinating, pressures that are brought to bear, and under the intolerable, stammering strain of reliving her own memories, Miss Meacham slowly, painfully, hypnotically paints a concrete and blistering portrait of loneliness.of the sudden snapping of that spider's web that is one man's life, of ultimate panic and futile flight. The very reluctance with which the grim, hopeless narrative is unfolded binds us to it; Mr. Williams threads it out with a spare, sure, sharply vivid control of language.and the spell is cast."

The Caretaker


Harold Pinter - 1960
    Harold Pinter specializes in the tragicomedy of the breakdown of communication, broadly in the tradition of the theatre of the absurds and this is demonstrated in both The Caretaker and The Birthday Party.

'night, Mother


Marsha Norman - 1983
    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

'Art'


Yasmina Reza - 1994
    The Tony Award-winning play that focuses on the meaning of art (in the form of a solid white painting) as well as the meaning of friendship, to both the man who bought the painting and the two friends who come to see it."

How I Learned to Drive


Paula Vogel - 1997
    Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.

In the Next Room, or the Vibrator Play


Sarah Ruhl - 2010
    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.

Look Back in Anger


John Osborne - 1957
    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."