King now takes us to a remote cottage in Cornwall where a gripping tale of intrigue, terrorism, and explosive passions begins with a visit to a recluse upon whom the fate of an entire nation may rest—a man code-named ... Touchstone.It’s eight years after the Great War shattered Bennett Grey’s life, leaving him with an excruciating sensitivity to the potential of human violence, and making social contact all but impossible. Once studied by British intelligence for his unique abilities, Grey has withdrawn from a rapidly changing world—until an American Bureau of Investigation agent comes to investigate for himself Grey’s potential as a weapon in a vicious new kind of warfare. Agent Harris Stuyvesant desperately needs Grey’s help entering a world where the rich and the radical exist side by side—a heady mix of the powerful and the celebrated, among whom lurks an enemy ready to strike a deadly blow at democracy on both sides of the Atlantic.Here, among a titled family whose servants dress in whimsical costumes and whose daughter conducts an open affair with a man who wants to bring down the government, Stuyvesant finds himself dangerously seduced by one woman and—even more dangerously—falling in love with another. And as he sifts through secrets divulged and kept, he uncovers the target of a horrifying conspiracy, and wonders if he can trust his touchstone, Grey, to reveal the most dangerous player of all ….Building to an astounding climax on an ancient English estate, Touchstone is both a harrowing thriller by a master of the genre and a thought-provoking exploration of the forces that drive history—and human destinies.

    London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    Having just agreed to marry Alain, Madeleine's dashing brother, Lady Elspeth watches him leave to join his unit, and then she sets out for England, only to find herself trapped on the French coast.Caught amid a sea of stranded travelers, terrified refugees, and wounded men overflowing the port of Calais, the restless Elspeth—daughter of a Highland laird whose distinguished family can trace its roots back to the court of Mary, Queen of Scots—decides to make herself useful, carrying water to weary soldiers near the Front. It is an act of charity that almost gets her killed when enemy shells begin to explode around her.To her rescue comes Captain Peter Gilchrist, who pulls her away from the battle and leads her to safety. But before they can properly say good-bye, Elspeth and Peter are separated.Back in London, Elspeth is haunted by the horrors she witnessed in France. She also cannot forget the gallant Peter Gilchrist, even though she has promised herself to Alain.Transformed by her experience, Elspeth enrolls in a nursing course where she meets a fellow nurse in training, Bess Crawford. It is a daring move, made without the consent of Elspeth's guardian, her cousin Kenneth, a man with rigid notions of class and femininity.Yet Elspeth Douglas is a young woman with a mind of her own, which—as she herself says—is a blessing and a curse. She is determined to return to the battlefields of France to do her part . . . and to find the man she has no right to love. But before she can set things right with Alain, he goes missing, then Peter is gravely wounded. In a world full of terror and uncertainty, can the sweetness of love survive or will Elspeth's troubled heart become another casualty of this terrible war?A poignant tale brimming with adventure, danger, and love, The Walnut Tree is an enchanting holiday gift and a wonderful companion to Charles Todd's acclaimed Bess Crawford series.

    Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci's enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.

    Compelled by this message, the wealthy, sybaritic Sextus Roscius goes not to his harlot, but to his doom—savagely murdered by unknown assassins. In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on this case. The charge is patricide; the motive, a son's greed. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.Gordianus's investigation takes him through the city's raucous, pungent streets and deep into urban Umbria, unraveling layers of deceit, twisted passions, and murderous desperation. From pompous, rouged nobles to wily slaves to citizens of seemingly simple virtue, the case becomes a political nightmare. As the defense proceeds toward a devastating confrontation in the Forum, one man's fate may be threaten the very leaders of Rome itself.

    Struggling to support herself after her father's disappearance, Katherine has neither time nor money to solve the mystery alone. She has no choice but to seek help from a woman she has only just met; awkward socialite Connie Swift.As the letters become increasingly frantic, this unlikely team of amateur detectives must learn to work together, while struggling to navigate the rigid rules of Victorian propriety, their families’ expectations, and the complicating interference of men.Confronting danger as they venture into new and frightening territory, Katherine and Connie risk arrest, exposure, and even their reputations to solve the Case of the Black Tulips. Can they solve the mystery before someone gets killed....or they kill each other?The Case of the Black Tulips is the first book in the Caster & Fleet mystery series, set in 1890s London.

    England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the boy's sensitive best friend, Charles Frant. Drawn to Frant's beautiful, unhappy mother, Thomas becomes caught up in her family's twisted intrigues. Then a brutal crime is committed, with consequences that threaten to destroy Thomas and all that he has come to hold dear. Despite his efforts, Shield is caught up in a deadly tangle of sex, money, murder and lies -- a tangle that grips him tighter even as he tries to escape from it. And what of the strange American child, at the heart of these macabre events, yet mysterious -- what is the secret of the boy named Edgar Allen Poe?

    Pretty and remote, nothing exceptional happens.Add a measure of mystery ...Until the day that Master of the Mill Joshua Braithwaite goes missing in dramatic circumstances, never to be heard of again.A sprinkling of scandal ...Now Joshua's daughter is getting married and wants one last attempt at finding her father. Has he run off with his mistress, or was he murdered for his mounting coffers?And Kate Shackleton, amateur sleuth extraordinaire!Kate Shackleton has always loved solving puzzles. So who better to get to the bottom of Joshua's mysterious disappearance? But as Kate taps into the lives of the Bridgestead dwellers, she opens cracks that some would kill to keep closed.

    The extraordinarily wealthy 5th Duke of Portland had a mania for it, hiding in his carriage and building tunnels between buildings to avoid being seen. In 1897, an elderly widow asked the court to exhume the grave of her late father-in-law, T. C. Druce, under the suspicion that he’d led a double life as the 5th Duke. The eccentric duke, Anna Maria contended, had faked his death as Druce, and her son should inherit the Portland millions. Revealing a dark underbelly of Victorian society, Piu Marie Eatwell evokes an era when the rise of sensationalist media blurred every fact into fiction and when family secrets and fluid identities pushed class anxieties to new heights.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    Set in London in 1921, 'Murder Offstage' is full of intrigue and red herrings. This is a classic murder mystery which will appeal to fans of Agatha Christie and Downton Abbey.When Posie Parker’s childhood friend is robbed of a priceless jewel and becomes a suspect in a cold-blooded murder case, budding detective Posie vows she will clear his name. Aided by her seriously gorgeous assistant Len, Posie soon realizes things are not quite as they seem, and the darkly-glamorous world of London’s theatre and glittering nightclubs prove far more dangerous than she ever could have imagined.Just who exactly is the dangerous Lucky Lucy Gibson? And who is it she has killed in the lobby of the Ritz Hotel? And more importantly, what on earth has happened to Mr Minks, the much-loved office cat?

    Dottie Manderson stumbles upon the body of a dying man in a deserted night-time street. As she waits for help to arrive, she holds the man’s hand and tries to get him to tell her what happened. But with his last breaths he sings to her some lines from a popular stage show. But why, Dottie wonders? Why would he sing to her instead of sending a final message to his loved ones? Why didn’t he name his attacker? Dottie needs to know the answers to these questions and so, even though a particular, very annoying, young policeman is investigating the case officially, she feels compelled to carry out her own investigation into the mysterious death. Introducing a new 1930s female sleuth in a traditional, cozy mystery series set in London between the two world wars, from Caron Allan, the writer of Criss Cross, Cross Check and Check Mate, a diary-based murder not-so-mysterious trilogy set in contemporary Britain. Extract from Night and Day: a Dottie Manderson mystery: If she hurried, she shouldn’t get too wet. She had been hopelessly optimistic when she told the cabby the rain had stopped. It hadn’t. Dottie drew her fur coat more tightly around her and held onto her hat, now not much more than a bit of limp lace and ribbon. But almost her first step took her an inch deep into a puddle and she couldn’t help but give a little yelp at how cold the water was, and the shock of it. ‘Blast it,’ she grumbled, and leaning against a nearby gate-post, she shook the worst of the water from her silver sandals. Almost new, too, she thought ruefully, and almost certainly ruined. At least her dress hadn’t seemed to suffer too badly. She hitched the skirt of it up a little higher and continued her short but eventful journey. A sound came to her ears. A soft shushing sort of sound but almost melodic. She paused a moment. Listened. Her eyes, growing accustomed to the darkness, made out a shape on the pavement not ten yards ahead. Her heart gave an odd lurch, as if a cold hand gripped it. ‘Idiot,’ she muttered, and forced herself to keep going. She really shouldn’t read gothic novels late at night, it made her jumpy. No doubt all she would find were the pages of a newspaper all spread about by the wind, and made to look odd by the streetlamp behind her creating shadows. The sound came again. A little louder, a little more insistent. It sounded almost like… There was someone—a man—lying on the pavement. She felt a little shimmer of fear. Could it be a drunk? Perhaps she ought to step into the road, walk round him very carefully, keeping her distance… The head moved very slightly. His face was a pale oval in the dim lamplight. And she saw that the lips moved too. It was him making that odd noise. So it was a drunk, after all. He was singing to himself in a soft sibilant whisper. Her ear caught the rough melody of it, and even then, just as she saw the blood on his shirt-front, one part of her mind was saying, I know that song. She forgot her fears and ran to his side. ‘What happened? Are you all right?’ she asked, then berated herself for asking such a stupid question. Because it was all too obvious he was not all right. She knelt beside him and put out a hand to take his groping one. He was quite young, though older than her own nineteen years of age. But no more than perhaps his early thirties. Fairish hair, slightly receding, and dark from the rain. One of those moustaches that were all the rage at the moment. Blue eyes, very blue like a child’s, wide and astonished-looking. From his smart evening dress, he was clearly well-to-do, although she didn’t recognise him. But the blood—oh the blood.

    Will her death end the ceaseless plotting against Mary’s red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London’s “The Queen’s Head” where Lord Westfield’s Men perform. The scene there grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company’s bookholder (a role far wider than mere producer) faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star — and chief shareholder — Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield’s Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade — an appearance at court — and the canny bookholder senses the end to the drama is at hand…First published to great acclaim in 1988, The Queen’s Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwright Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy was nominated for a 1996 Edgar Award for Best Novel.

    But when the groom is murdered on the way to his wedding, the bride’s brother tasks his two best detectives—Gareth, a knight, and Gwen, the daughter of the court bard—with bringing the killer to justice. And once blame for the murder falls on Gareth himself, Gwen must continue her search for the truth alone, finding unlikely allies in foreign lands, and ultimately uncovering a conspiracy that will shake the political foundations of Wales.

    She confesses to him that she is fleeing for her life, and Falco makes the rash decision to rescue her—a decision he will come to regret. For Sosia bears a heavy burden: as heavy as a pile of stolen Imperial ingots, in fact. Matters just get more complicated when Falco meets Helena Justina, a Senator's daughter who is connected to the very same traitors he has sworn to expose. Soon Falco finds himself swept from the perilous back alleys of Ancient Rome to the silver mines of distant Britain—and up against a cabal of traitors with blood on their hands and no compunction whatsoever to do away with a snooping plebe like Falco….The Silver Pigs is Lindsey Davis' classic novel which introduced readers around the world to Marcus Didius Falco, a private informer with a knack for trouble, a tendency for bad luck, and a frequently inconvenient drive for justice.