The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn’t been back to the South since.Thirty years later, Billie returns, but her father’s home is unnervingly secluded; her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger.Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country.

    I've never seen the water, so I've gone there. I will try to remember to come back.Etta's greatest unfulfilled wish, living in the rolling farmland of Saskatchewan, is to see the sea. And so, at the age of eighty-two she gets up very early one morning, takes a rifle, some chocolate, and her best boots, and begins walking the 2,000 miles to water. Meanwhile her husband Otto waits patiently at home, left only with his memories. Their neighbour Russell remembers too, but differently - and he still loves Etta as much as he did more than fifty years ago, before she married Otto.

    (The classics Hombre, Valdez is Coming, and 3:10 to Yuma were just a few of his notable works.) With his extraordinary Cuba Libre, Leonard ingeniously combines all of his many talents and delivers a historical adventure/caper/western/noir like none other. The creator of U.S. Marshal Raylan Givens, star of Raylan, Pronto, Riding the Rap, and TV’s Justified, spins a gloriously exciting yarn about an American horse wrangler who escapes a date with a Cuban firing squad to join forces with a powerful sugar baron’s lady looking to make waves and score big in and around Spanish-American War-torn Havana in 1898. Everything you love about Leonard’s fiction—and more—is evident in Cuba Libre.

    Vermont, 1972. Carole LaPorte has a satisfying, ordinary life. She cares for her children, balances the books for the family’s auto shop and laughs when her husband slow dances her across the kitchen floor. Her tragic childhood might have happened to someone else. But now her mind is playing tricks on her. The accounts won’t reconcile and the murmuring she hears isn’t the television. She ought to seek help, but she’s terrified of being locked away in a mental hospital like her mother, Solange. So Carole hides her symptoms, withdraws from her family and unwittingly sets her eleven-year-old daughter Alison on a desperate search for meaning and power: in Tarot cards, in omens from a nearby river and in a mysterious blue glass box belonging to her grandmother. An exploration of the power of courage and love to overcome a damning legacy, All the Best People celebrates the search for identity and grace in the most ordinary lives.

    Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.

    And everything changes.While Róisín grew up in a tiny village in Ireland, ablaze with a passion for science and the skies and for all there is to discover about the world, François was raised by his beautiful young mother, who dreamt of new worlds but was unable to turn her back on her past.As we loop back through their lives, glimpsing each of them only when a comet is visible in the skies above, we see how their paths cross as they come closer and closer to this moment.Theirs are stories filled with love and hope and heartbreak, that show how strangers can be connected and ghosts can be real, and the world can be as lonely or as beautiful as the comets themselves.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

    This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date.Tree of Smoke was the 2007 National Book Award Winner for Fiction.

    But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.It’s also very, very funny.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    He quickly realizes he’s made a mistake when it becomes clear that he's replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerrillas are all fighting for South America’s future—and the groups aren’t as distinct as one might think. The actor thought this would be a role that would change his life. Now he’s worried he won't survive it.Inspired by a true story from the annals of 1970's Italian horror film, We Eat Our Own is a journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.