Ass. B*tch.The daughter of a hitman, I take sh*t from no one, even if it's a guy that's six-foot-five and looks like the hulk.Only the biggest and strongest man can handle me, but little did I know he was under my nose my entire life.CarterPrideful. Patriotic. Protector.I take no prisoners. You mess with me, my family or my city, you're going down. I'm as hard as stone, as sharp as steel.But when it comes to my childhood friend Andrea, I might've just met my match.  Sexy and stubborn to boot, there's only one type of man that can handle a woman like her and do her body JUSTICE.

    Days later, when tests confirmed what Alicia already knew--that Chloe had Down syndrome--she didn't falter. Her ex-husband wanted a child who would grow to be a scholar. For Alicia, it's enough that Chloe just is.Now twenty-five, Chloe is sweet, funny, and content. Alicia brings her to adult daycare while she teaches at a local college. One day Chloe arrives home thrumming with excitement, and says the words Alicia never anticipated. She has met someone--a young man named Thomas. Within days, Chloe and Thomas, also mentally challenged, declare themselves in love.Alicia strives to see past her misgivings to the new possibilities opening up for her daughter. Shouldn't Chloe have the same right to love as anyone else? But there is no way to prepare for the relationship unfolding, or for the moments of heartbreak and joy ahead.With grace and warmth, Colleen Faulkner tells an unflinching yet heartrending story of mothers and daughters, and of the risks we all take, both in loving and in letting go.

    The 19th Century lighthouse that she, her parents and two sisters call home also has a troubled past, carrying the frightening myth that eerily mirrors the mystery of her younger sister today. Should Linnea run while she can? The women must decide to what extremes they are willing to go to protect their secrets. Ignore the brutality behind the retrieval of spoils from a fatal shipwreck in 1857? Defy a 2017 hurricane threatening to pummel their town? And when their world is upended, do the women have the strength to move forward?

    Poe and Twain’s End, comes a powerful novel set in the Midwest during the Great Depression, about two sisters bound together by love, duty, and pain. Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, fell into a comatose state, infected by the infamous “sleeping sickness” devastating families across the country. If only she could trade places with her older sister, June, who is the envy of everyone she meets: blonde and beautiful, married to a wealthy doctor, living in a mansion in St. Paul. And June has a coveted job, too, as one of “the Bettys,” the perky recipe developers who populate General Mills’ famous Betty Crocker test kitchens. But these gilded trappings hide sorrows: she has borne no children. And the man she used to love more than anything belongs to Ruth. When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, who’s brought the two of them together, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters. An emotional journey of redemption, inner strength, and the ties that bind families together, for better or worse, The Sisters of Summit Avenue is a heartfelt love letter to mothers, daughters, and sisters everywhere.

    Katherine Hill left her small New England hometown in pursuit of a dream. Now, twelve years later, she’s a high-powered cosmetics executive in Manhattan and a much glossier version of her former self, unrecognizable to her family and old friends. Not that she would know—she hasn’t been home in over a decade. Laney Marten always swore she’d never get "stuck” in Manchester, Vermont. No, she was destined to live out her glamorous big-city dreams. Instead, she wound up a young wife and mother. That was when her best friend ran out. When Katherine receives word of an inheritance from former neighbor Luella Hancock, she reluctantly returns home to the people and places she left behind. Hoping for a second chance, she’s met by an unforgiving Laney, her former best friend. And there’s someone else who’s moved on without her—someone she once loved. Tethered to their shared inheritance of Luella’s sprawling Victorian mansion, Katherine and Laney are forced to address their long-standing grudges. Through this, they come to understand that while life has taken them in different directions, ultimately the bonds of friendship and sisterhood still bind them together. But are some wounds too old and deep to mend?

    For Susan this is literally true. She's perfectly happy in her role as wife and mother in suburbia. Or perhaps not perfectly happy, because the fantasy world she slips into every so often is very different from her everyday life. . . .

    . . Mabel doesn't know a stinkin' thing about garlic farming. She knows how to develop an app and how to code. But when her aunt, Peggy Skinner, dies suddenly, Mabel inherits her Stinkin' Stuff Farm in western Massachusetts. She arrives during peak harvest time—with three days to bring in the entire crop before rain can destroy it. But Mabel has an even bigger problem: she suspects her aunt's “accidental death” was murder. As she digs for both garlic and clues, Mabel must contend with a mysterious crop thief, a rival garlic grower her aunt was suing, and a farmer who was after Aunt Peggy's green-thumb secret. It's up to Mabel to crack the code on a killer, before she joins the garlic bulbs six cloves under . . .

    And while it’s important for any artist to have a vision, Willow can sometimes see things others can’t, just like her mother and grandmother before her. Not that she would exactly call herself a witch . . .When some local merchants gather in the studio for a painting party, they focus their attention on a still life with flowers and an assortment of garden tools, including antique pruning shears that soon disappear—at the same time despised restaurant owner Evangeline Fletcher is murdered. Willow must use all her gifts to find the killer, although it means teaming up with a handsome, mysterious detective whom Willow fears she may have accidentally conjured from a canvas. This investigation is sure to be a hoot . . .

    about real estate, dog love, and a city on alert. A gasoline tanker truck is “stuck” in the Midtown Tunnel. New Yorkers are panicked... Is this the next big attack? Alex, an artist, and Ruth, a former schoolteacher with an FBI file as thick as a dictionary, must get their beloved dachshund, whose back legs have suddenly become paralyzed, to the animal hospital sixty blocks north. But the streets of Manhattan are welded with traffic. Their dog, Dorothy, twelve-years-old and gray-faced, is the emotional center of Alex and Ruth's forty-five-year-long childless marriage. Using a cutting board as a stretcher, they ferry the dog uptown.This is also the weekend that Alex and Ruth must sell their apartment. While house hunters traipse through it during their open house, husband and wife wait by the phone to hear from the animal hospital. During the course of forty-eight hours, as the missing truck driver terrorizes the city, the price of their apartment becomes a barometer for collective hope and despair, as the real estate market spikes and troughs with every breaking news story. In shifting points of view—Alex’s, Ruth’s, and the little dog’s—man, woman, and one small tenacious beast try to make sense of the cacophony of rumors, opinions, and innuendos coming from news anchors, cable TV pundits, pollsters, bomb experts, hostages, witnesses, real estate agents, house hunters, bargain seekers, howling dogs, veterinarians, nurses, and cab drivers. A moving, deftly told novel of ultrahigh-urban anxiety.

    A young laundry boy risks his life, pretending to be a girl to play organized hockey in Canada in the 1920s. A Canadian couple is caught in when Shanghai is succumbs to violence during the Second Sino-Japanese War. A family struggles to buy a home in South Africa in the early years of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.From the vulnerable and disenfranchised to the educated and privileged, the characters in this extraordinary collection embody the diversity of the Chinese diaspora past and present. In these deeply affecting stories, Jack Wang subverts expectations as he captures the hope, pain, and sacrifices of the millions who journey into the unknown to create better lives, and explores the shifting boundaries of morality, the intimacies and failings of love, and the choices circumstances force us to make.

    But since she suffered a traumatic brain injury at the age of three, she has had trouble relating to most people. She’s also uncommonly messy, woefully disorganized, and incapable of holding down a regular job. When unexpected circumstances force her out of the comfortable and protective Jewish home where she was raised and into a cramped studio apartment in New York City with her college-age younger brother, she must adapt to an entirely different life—one with no safety net. Over the course of a challenging summer, Lucy is forced to discover that she has more strengths than she herself knew.

    Japan has attacked Pearl Harbor, people are angry, and one night, Sachiko and Nobu witness three teenage boys taunting and beating their father in the park. Sachiko especially remembers Terrence Harris, the boy with dark skin and hazel eyes, and Nobu cannot believe the boys capable of such violence toward his father are actually his friends.What Sachiko and Nobu do not know is that Terrence's family had received a telegram that morning with news that Terrence's father was killed at Pearl Harbor. Desperate to escape his pain, Terrence rushes from his home and runs into two high-school friends who convince him to find a Japanese man and get revenge. They do not know the man they attacked is Sachiko and Nobu's father.In the months that follow, Terrence is convicted of his crime and Sachiko and Nobu are sent to an internment camp in Arkansas, a fictionalized version of the two camps that actually existed in Arkansas during the war. While behind bars and barbed wire, each of the three young people will go through dramatic changes. One will learn acceptance. One will remain imprisoned by resentment, and one will seek a path to forgiveness.

    For a thousand years, she fulfills the wishes of greedy masters--building their palaces, lining their pockets with gold, and granting them every earthly pleasure. All that sustains her is the hope of finding Karim, the boy she fell in love with as a human. When at last she finds a note from her beloved, she confirms he has access to the elixir of life and that he still searches for her. But someone else also hunts her. Faruq--the man who plots to use her powers to murder and seize the life forces of others--is just one step behind her. With the help of a kind master named Nathan, Adeelah continues to search for Karim while trying to evade Faruq. To complicate matters, she begins to experience growing fatigue and pain after conjuring, and finds herself struggling against an undeniable attraction to Nathan. As Faruq closes in, Adeelah must decide just how much she'll risk to protect Nathan and be with Karim forever. How much power does she really have to change her future, and what is she willing to sacrifice for an eternity of love? If she makes the wrong choice, the deaths of many will be on her hands.

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

    Their unusual friendship survives despite shared lovers, turbulent marriages, and clamoring children.