Includes a detailed chronology of the war, historical maps, a glossary of military terms, and photos and illustrations.

    Instead of revising the Articles of Confederation, the framers had created a fundamentally new national plan that placed over the states a supreme government with broad powers. They proposed to submit it to conventions in each state, elected “by the People thereof,” for ratification.Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution.Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle—the Federalist essays of Hamilton and Madison—are placed in their original context, alongside the arguments of able antagonists, such as “Brutus” and the “Federal Farmer.”Part One includes press polemics and private commentaries from September 1787 to January 1788. That autumn, powerful arguments were made against the new charter by Virginian George Mason and the still-unidentified “Federal Farmer,” while in New York newspapers, the Federalist essays initiated a brilliant defense. Dozens of speeches from the state ratifying conventions show how the “draft of a plan, nothing but a dead letter,” in Madison’s words, had “life and validity…breathed into it by the voice of the people.” Included are the conventions in Pennsylvania, where James Wilson confronted the democratic skepticism of those representing the western frontier, and in Massachusetts, where John Hancock and Samuel Adams forged a crucial compromise that saved the country from years of political convulsion.Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith.In addition to useful notes, there are biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person's—and a people's—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition.This volume collects ten works published between 1772 and 1864:Two narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America.The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history.The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality.The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman.Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft's subversive and ingenious escape from Georgia to Philadelphia.Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs's complex and moving story of her prolonged resistance to sexual and racial oppression.The narrative of the "trickster" Jacob Green (1864) presents a disturbing story full of wild humor and intense crueltyTogether, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation.Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.The editors of this volume are William L. Andrews, E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill, and Henry Louis Gates Jr., W.E.B. Du Bois Professor of Humanities at Harvard University.

    Carter's unpopularity helped Republicans win seats in the House and gain control over the Senate for the first time in over 20 years. The Reagan Era had begun, ushering in a generation of conservative power. Democrats blamed Carter for this catastrophe and spent the next decade pretending he had never existed. Republicans cheered his demise and trotted out his name to scare voters for years to come. Carter and his wife Rosalynn returned to their farm in the small town of Plains, Georgia. They were humiliated, widely unpopular, and even in financial debt. 35 years later, Carter has become the most celebrated post-president in American history. He has won the Nobel Peace Prize, written bestselling books, and become lauded across the world for his efforts on behalf of peace and social justice. Ex-presidents now adopt the Carter model of leveraging their eminent status to benefit humanity. By pursuing diplomatic missions, leading missions to end poverty and working to eradicate disease around the world, Carter has transformed the idea of what a president can accomplish after leaving the White House.This is the story of how Jimmy Carter lost the biggest political prize on earth--but managed to win back something much greater. Jordan Michael Smith is a contributing writer at Salon and the Christian Science Monitor. His writing has appeared in print or online for the New York Times Magazine, Washington Post, The Atlantic, Slate, BBC, and many other publications. Born in Toronto, he holds a Master's of Arts in Political Science from Carleton University. He lives in New York City. www.jordanmichaelsmith.typepad.com.Cover design by Adil Dara.

    With the publication of this Library of America volume, the third of three volumes, all Melville's fiction has now been restored to print for the first time.Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville's darkest satire of American life and letters and one of his most powerful books.A pivotal work, both for Melville's career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.The Piazza Tales demonstrates Melville's dazzling mastery of many styles, including "The Encantadas," about nature's two faces--enchanting and horrific; the famous "Bartleby the Scrivener," about a Wall Street copyist who "would prefer not to"; and the enigmatic "Benito Cereno," about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.The Confidence-Man, Melville's last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools' Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.Many pieces never before collected are also included: the "Authentic Anecdotes of Old Zack" (burlesque sketches of Zachary Taylor's Mexican campaign), "Fragments from a Writing-Desk" (Melville's earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville's work: between freedom and fate, innocence and civilized corruption.

    With characteristically calculated understatement, he attributed his enormous and varied successes to “my having learnt a little to scribble.”This Library of America collection of Franklin’s works begins with letters sent from London (1757–1775) describing the events and diplomacy preceding the Revolutionary War. The volume also contains political satires, bagatelles, pamphlets, and letters written in Paris (1776–1785), where he represented the revolutionary United States at the court of Louis XVI, as well as his speeches given in the Constitutional Convention and other works written in Philadelphia (1785–1790), including his last published article, a searing satire against slavery.Also included are the delightfully shrewd prefaces to Poor Richard’s Almanack (1733–1758) and their worldly, pungent maxims that have entered our American culture. Finally, the classic Autobiography, Franklin’s last word on his greatest literary creation—his own invented personality—is presented here in a new edition, completely faithful to Franklin’s manuscript.A companion volume includes the complete “Silence Dogood” series, “Busy-Body” essays, and a generous selection of his early writings, including letters to the press, satires, and pamphlets.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

     Free History BONUS Inside! When the first settlers reached the United States of America and started to chip out a living in the wilderness that seemed so fierce and unfamiliar to their European eyes, they could never have dreamed that someday the land upon which they stood would become one of the most powerful countries in the entire world. When Native Americans first witnessed those white sails bringing ships with white sailors into their world for the first time, they could never have dreamed that within a few centuries their population would be all but destroyed, that they would have to endure massacre after massacre, be stripped of their freedom and confined to comparatively tiny reservations, and walk the Trail of Tears within the next few hundred years. When the preachers of the Great Awakening stood on the backs of wagons or bits of old tree stumps and told the American people a new story of individual freedom and the power of ordinary people, they could never have dreamed that their preaching would trigger a landslide of abolitionism that would end in a civil war that almost tore the entire country apart. When the Civil War was finally won by the Union, and all African Americans' chains were broken at last, the military leaders could never have dreamed that within the next half century, the United States would emerge as one of the world's greatest military powers during the Spanish-American War. And when those soldiers won the struggle against Spain in Cuba, they could never have dreamed that later in the century, Cuba itself would turn against them and become the single greatest threat of nuclear annihilation during the Cold War. When the Wright Brothers first took to the air and Thomas Edison made the lightbulb, they could never have dreamed that American innovation would produce not only the Ford car, basketball, the telephone, and Facebook, but it would also be instrumental in creating the atomic bombs that killed hundreds of thousands of people and finally brought an end to the Second World War. As for Martin Luther King, Jr., he did dream. He had a dream of equality and brotherhood, and his dream at least partially came true in 2008 when America saw the inauguration of its first black president. Never could the slaves of the great plantations of the South have dreamed that that day would ever come, but it did. Nobody could have dreamed it, but it all came to pass, and it became the history of the United States of America. And this is how it all happened... In The History of the United States: A Captivating Guide to American History, Including Events Such as the American Revolution, French and Indian War, Boston Tea Party, Pearl Harbor, and the Gulf War, you will discover topics such as The People Who Were There First A Time of Exploration Colonizing America The French and Indian War The Boston Tea Party The American Revolution The First President Restless Times Horrors for the Natives Awakening Civil War Seeking for Peace A Rising Power Progress Disaster Strikes The Biggest Bomb in the World Icy Tension Freedom on the Home Front Terror and Its War And much, much more! So if you want to learn more about the history of the United States, then sc

    Evangelicals who recognized this backed him more than any other presidential candidate in history. Heading into 2020, the stakes in his reelection are even higher. This election, nine months after this book releases, is a new fight for the soul of America. Stephen E. Strang makes the case that God wants America to be great because God has raised up America—beginning with our Founding Fathers—to be a beacon of light and hope for the world. We’ve been the nation with religious liberty that has supported those who have spread the gospel around the world.In this book Strang looks at the election, Trump, and America from a spiritual perspective and helps Christians (and others) see God’s hand at work. This book is as much about God and His purposes as about Donald Trump. But it is also an articulate, impassioned apologetic about why all Christians must support this imperfect president, because he has God’s blessing and because the destiny of America is riding on his reelection. This book also explores why he might lose, if his base is overconfident and doesn’t vote or if his opponents are dishonest enough to steal the election.God, Trump, and the 2020 Election is an inside look at how the political climate is affected by  spiritual warfare—an important subject for Bible-believing Christians. The satanic schemes are so brazen on key issues that the book was written to explain what’s at stake. Strang believes that the intersection of faith and politics needs to be part of the national discussion about the division in our country.Other Books By Stephen E. Strang:God and Donald Trump (2017) ISBN-13: 978-1629994864Trump Aftershock (2018)ISBN-13: 978-1629995557

    Arranged chronologically and containing many pieces restored to the form in which Twain intended them to appear, the volumes show with unprecedented clarity the literary evolution of Mark Twain over six decades of his career.This volume contains eighty pieces from the years 1891 to 1910, when Twain emerged from bankruptcy and personal tragedy to become the white-suited, cigar-smoking international celebrity who reported on his own follies and those of humanity with an unerring sense of the absurd. Some stories display Twain’s fascination with money and greed, such as “The Esquimau Maiden’s Romance” and “The Man That Corrupted Hadleyburg.” Other stories, written after the death of his daughter Susy in 1896, explore the outer limits of fantasy and psychic phenomena, including “Which Was the Dream?” “The Great Dark,” and “My Platonic Sweetheart.”The United States military involvement in Cuba, China, and the Philippines turned Twain’s attention to political satire and invective. “To the Person Sitting in Darkness,” “The United States of Lyncherdom,” “The Czar’s Soliloquy,” and “The War Prayer” are biting denunciations of European and American imperialism. Other political issues inspired articles and stories about the Jews, the notorious Dreyfus case, and vivisection. Twain’s increasingly unorthodox religious opinions are powerfully, often comically, expressed in “Extracts from Adam’s Diary,” “Eve’s Diary,” “Eve Speaks,” “Adam’s Soliloquy,” “A Humane Word from Satan,” “What is Man?” “Extract from Captain Stormfield’s Visit to Heaven,” and “Letters from the Earth.”“Against the assault of laughter,” he said, “nothing can stand.” Twain’s brilliant inventiveness continues to shine in such later comic masterpieces as “Fenimore Cooper’s Literary Offences,” “Italian Without a Master,” “Hunting the Deceitful Turkey,” and “My First Lie and How I Got Out of It.” A posthumous collection of proverbs and aphorisms (“More Maxims of Mark”) is included as an appendix.The publishing history of every story, sketch, and speech in this volume has been thoroughly researched, and in each instance the most authoritative text has been reproduced. This collection also includes an extensive chronology of Twain’s complex life, helpful notes on the people and events referred to in his works, and a guide to the texts.

    It is our greatest national drama, at once heroic, tragic, and epic—our Iliad, but also our Bible, a story of sin and judgment, suffering and despair, death and resurrection in a “new birth of freedom.” Drawn from letters, diaries, speeches, articles, poems, songs, military reports, legal opinions, and memoirs, The Civil War: The First Year brings together over 120 pieces by more than sixty participants to create a unique firsthand narrative of this great historical crisis.Beginning on the eve of Lincoln’s election in 1860 and ending in January 1862 with the appointment of Edwin M. Stanton as secretary of war, signaling a new energy and determination to the Union war effort, this volume collects writing by figures well-known—Ulysses S. Grant, Robert E. Lee, Mary Chesnut, Frederick Douglass, and Lincoln himself among them—and less familiar, like pro-slavery advocate J.D.B. DeBow, Lieutenants Charles B. Haydon of the 2nd Michigan Infantry and Henry Livermore Abbott of the 20th Massachusetts Volunteer Infantry Regiment, and plantation mistresses Catherine Edmondston of North Carolina and Kate Stone of Mississippi. Together, the selections provide a powerful sense of the immediacy, uncertainty, and urgency of events as the nation was torn asunder. Secessionist appeals by Georgia Governor Joseph E. Brown and Alabama legislator Stephen F. Hale give voice to the intense racial fears that helped drive the South toward disunion; Union corporal Samuel J. English and Confederate surgeon Lunsford P. Yandell evoke the shock, confusion, and horror of battle in Virginia and Missouri; memoirist Sallie Brock candidly records the impact of war on Richmond society; and Sam Mitchell recounts his liberation from slavery when the South Carolina Sea Islands fell to Union soldiers.The Civil War: The First Year includes headnotes, a chronology of events, biographical and explanatory endnotes, endpaper maps, and an index.

    Studies in the exercise of power that marks relations between sexes, classes, and cultures, they show James’s special solicitude for the young heroines who occupy the center of his fictional world.Washington Square (1880) examines the life of Catherine Sloper, a plain, sweet, young woman who lives imprisoned by the selfishness of those close to her: her lover, who cares only for her fortune; her aunt, who meddles for the sake of romantic intrigue; and her protective father, who repays her adoration with irony and wit. Set in the New York of the 1840s, Washington Square evokes the still-intimate city of James’s childhood while presenting a frightening moral lesson in the human consequences of manipulation and indifference.The Portrait of a Lady (1881) is the story of Isabel Archer, a beautiful, idealistic, and inexperienced American woman who is made wealthy by her uncle at the instigation of her dying cousin. Surrounded by the seductive pleasures of nineteenth-century Europe, she preserves her idealism despite involvement with some who would divert her life to uses of their own—Caspar Goodwood, virile American captain of industry; Lord Warburton, scion of British aristocracy; Gilbert Osmond, connoisseur and collector of beautiful objects; Madame Merle, subtle and charming expatriate of unknown connections, and indomitable Henrietta Stackpole, roving journalist and steadfast friend. James’s many-layered masterpiece concerns the perilous American pursuit of individual freedom.The Bostonians (1886) presents an unusual contest for the affections of Verena Tarrant, the lovely, naïve, and pliant daughter of a mesmerist lecturer. She is courted by two cousins: Basil Ransom, an impractical Mississippi landowner now pursuing a meager New York legal practice, and Olive Chancellor, a rich young Boston feminist. Against the richly textured backdrop of Boston and New York society, they enact a drama of confused identity and willful calculation that demonstrates the power and the perils engendered by the refusal of self-knowledge.

    Tuchman distilled the complex interplay of personalities and events into gripping narratives that combine lucid scholarship with elegant literary art. A shrewd portraitist, she laid bare the all-too-human failures of leaders caught in the pull of historical currents and often tragically blinded by biases of culture and temperament.Nowhere are her talents more brilliantly on display than in her Pulitzer Prize–winning bestseller The Guns of August (1962), a riveting account of the outbreak of World War I and the weeks of fighting leading up to the First Battle of the Marne in September 1914. Tuchman dramatizes the diplomatic debacles that precipitated the war and the intransigence of the German and French armies as they dogmatically adhered to their battle plans, with disastrous consequences. Interwoven with her vivid re-creation of the German march through Belgium into France and the fierce fighting on the Eastern Front are astute characterizations of the conflict’s key military and political leaders, among them French General Joseph Joffre, German Kaiser Wilhelm II, and British First Lord of the Admiralty Winston Churchill. The Guns of August can also be read as a cautionary study in the perils of brinksmanship, and Tuchman’s searching observations about the irrational escalation of conflict among states made a deep impression on President John F. Kennedy, who famously drew on the book for insight during the Cuban Missile Crisis. In a deluxe reader’s edition for the first time in more than a generation, The Guns of August is presented here with ten fully restored color maps and sixteen pages of photographs.Some of Tuchman’s finest writing graces her next book, The Proud Tower: A Portrait of the World Before the War, 1890–1914 (1966). She brings to life the disparate worlds of the self-satisfied English aristocracy and the miserable poor whose conditions gave rise to international anarchism; revisits the national madness of the Dreyfus Affair in France; considers the naiveté and cynicism of the varied participants in the international peace conferences at The Hague; mounts a dazzling foray into cultural criticism with a meditation on the operas of Richard Strauss; and creates unforgettable portraits of such political titans as Thomas B. Reed, longtime Speaker of the U.S. House of Representatives, and French Socialist leader Jean Jaurès. Honoring the historian’s ideal to envision life “as it really was,” Tuchman paints a fin-de-siècle world “bursting with new tensions and accumulated energies.” The present volume reproduces the original endpaper illustrations from the first edition of The Proud Tower, plus a thirty-two page insert of illustrations. And as a special coda, it presents “How We Entered World War I,” a 1967 essay that appeared in The New York Times Magazine in which Tuchman explores the genesis of U.S. involvement in the Great War.

    First published in nine volumes from 1889 to 1891, this classic work was out of print for several decades until The Library of America reissued it in two volumes: the first volume on the years of Thomas Jefferson's presidency and the second devoted to those of James Madison.With a cast of characters including Aaron Burr, Napoleon Bonaparte, Albert Gallatin, John Randolph, Toussaint L'Ouverture, and the complex, brilliantly delineated character of Thomas Jefferson, the first volume is unrivaled in its handling of diplomatic intrigue and political factionalism. Upon assuming office, Jefferson discovers that his optimistic laissez-faire principles--designed to prevent American government from becoming a militaristic European "tyranny"--clash with the realities of European war and American security. The party of small government presides over the Louisiana Purchase, the most extensive use of executive power the country has yet seen. Jefferson's embargo--a high-minded effort at peaceable coercion--breeds corruption and smuggling, and the former defender of states' rights is forced to use federal power to suppress them. The passion for peace and liberty pushes the country toward war.In the center of these ironic reversals, played out in a Washington full of diplomatic intrigue, is the complex figure of Jefferson himself, part tragic visionary, part comic mock-hero. Like his contemporary Napoleon Bonaparte, he is swept into power by the rising tide of democratic nationalism; unlike Bonaparte, he tries to avert the consequences of the wolfish struggle for power among nation-states.The grandson of one president and the great-grandson of another, Adams gained access to hitherto secret archives in Europe. The diplomatic documents that lace the history lend a novelistic intimacy to scenes such as Jefferson's conscientious introduction of democratic table manners into stuffily aristocratic state dinner parties. Written in a strong, lively style pointed with Adams's wit, the History chronicles the consolidation of American character, and poses questions about the future course of democracy.