Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    He’s everybody’s buddy, has a great sense of humor, works hard at his typical boring job to provide for the wife and kids. And he is a Stranger. Michael seethes with furious impatience for the coming of the Time of the Strangers, when he and millions like him will be able at last to reveal their true selves to a horrified, helpless world.

    The paranoid outlook of the book's main character, Horridge, is a grim commentary on a bleak Liverpool suburb and Thatcher-era England. Millipede Press is proud to present this masterpiece of paranoia literature in a brand new edition, with the corrected text by Campbell and the compelling photographs of J.K. Potter.Ramsey Campbell is Britain's most respected living horror writer. He has been given more awards than any other writer in the field, including the Grand Master Award of the World Horror Convention and the Lifetime Achievement Award of the Horror Writers Asssociation, as well as numerous World Fantasy Awards.

    His outlook and destiny are irreparably changed, however, when an unusual dark red spot appears on the ceiling in the hallway. Bit by bit, the spot grows, first into a dripping blood stain and eventually into a grotesque, muttering creature. As the creature grows, Walt finds himself more and more interested in fostering its well-being. At first he only feeds it stray animals so that the blood-hungry monster can survive, but this soon fails to satisfy the creature’s ghastly needs. It is gradually becoming human again, and for that to happen it requires human blood and human flesh. And once Walt has crossed the line from curiosity to murder, there is no going back."Page after stunning page, Ed Kurtz gets it right. This book was like memory lane for me, its luminous prose and unstoppable tension taking me back to the great small town horror novels of the '70s and '80s. I didn't think they made 'em like this anymore, but thankfully, I was wrong. For, with Bleed, Kurtz has not only written an intensely scary tale, but a timeless one as well."- Joe McKinney, author of Apocalypse of the Dead and Flesh Eaters

    Doyle, so he decided to bring down the whole corrupt system from the inside. But after discovering something monstrous in the bank's files, he was framed for murder and trapped inside a conspiracy beyond reason.Now Doyle's doing his best to survive against a nightmare cabal of crooked conglomerates, DNA-doped mutants, drug-addled freak show celebs, experimental surgeons, depraved doomsday cults, and the ultra-bad mojo of a full-blown Hexadrine habit. Joined by his pet turtle Deckard, and Dara, a beautiful missionary with a murderous past, Doyle must find a way to save humankind and fight the terrible truth at the heart of...SKULLCRACK CITY

    Pandora and sail into a cruise of metaphysical terror, madness, and death.

    Justin Gray, a former small-time drug dealer in St. Louis, has arrived in Tampa, FL, to start a new life. But on his first night in town his buddy Erik takes him to a disco, where he tries a mild dose of skullflush. Another of Erik's friends takes a larger dose and is tranformed into a ravenous beast who practically devours four people on the dance floor and then commits suicide. Local dealer Tony Mendoza begins a search for Justin, the only witness who knows what really happened in the disco that night. Mendoza himself is sought by the Yanomamo warrior Kerebawa, who travels to America to retrieve skullflush and avenge its theft before it is sniffed by too much of Tampa's "nightlife."

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    The people of Deacons Kill have seen terrible storms before, and they settle down uneasily to wait it out. But this one is different. As the drifts creep higher, a train appears out of the storm, arriving on rusty abandoned tracks–an antique circus train bringing clowns...and shadows...and death

    Defying her father’s orders to remain at home, she travels to Tidepool, the last place Henry is known to have visited. Residents of the small, shabby oceanside town can’t quite meet Sorrow’s eyes when she asks about her brother.When corpses wash up on shore looking as if they’ve been torn apart by something not quite human, Sorrow is ready to return to Baltimore and let her father send in the professional detectives.However, after meeting Ada Oliver, a widow whose black silk dresses and elegant manners set her apart from other Tidepool residents, Sorrow discovers Tidepool’s dark, deadly secret.With this discovery, some denizens of Tidepool—human and otherwise—are hell-bent on making sure Sorrow never leaves their forsaken town.Lovecraftian dark fantasy gets a modern treatment in this terrifying debut novel.

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    666 takes the reader into the world of evil that lies unsuspected behind the door of an ordinary-looking house: a house that reappears from time to time near any city, waiting invitingly, innocently, for someone to rent it, a house in which a dreadful, bloody, orgiastic crime recurs again and again, bringing its victims screaming to the very brink of hell—and into the hands of the devil himself.

    When a writer staying at the same vacation home as Veronica has the chance to hear her story, he jumps at it. What follows takes him to the dark heart of a father's troubled relationship with his only son, in a story that stretches from a college town in the Hudson Valley to the battlefields on Afghanistan, from post-9/11 America to the height of Victorian England. It is a story that leads inexorably to the Belvedere House, the home Veronica shares with her husband, within whose walls a father's terrible words to his son echo and gain in awful force. With nods to Peter Straub, H.P. Lovecraft, and Charles Dickens, House of Windows is a tense, frightening exploration of a marriage under strain from forces psychological and supernatural, a meditation on the ways loss haunts every one of us.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    Antique specialist Rick Dellatolla knew a good deal when he saw one. And the mahogany chair, thickly carved in a cascade of intertwined human bodies, seemed a genuine stroke of luck. Then weird things started happening to Rick and his family. The foliage died in their garden. They lost track of time once inside their house. And their pet dog died a horrifying and pathetic bloody death. That was when Rick decided to destroy the chair before it destroyed everything he'd ever cared for. But by then then it was too late to stop the Evil that seemed to remain with Rick as a gift for he rest of his entire, hell-filled life...