A small white patch had now appeared on her arm.' Anupama's fairytale marriage to Anand falls apart when she discovers a white patch on her foot and learns that she has leukoderma. Abandoned by her uncaring in-laws and insensitive husband, she is forced to return to her father's home in the village. The social stigma of a married woman living with her parents, her steother's continual barbs and the ostracism that accompanies her skin condition force her to contemplate suicide. Determined to rebuild her life against all odds, Anupama goes to Bombay where she finds success, respect and the promise of an enduring friendship. Mahashweta is an inspiring story of courage and resilience in a world marred by illusions and betrayals. This poignant tale offers hope and solace to the victims of the prejudices that govern society even today.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    His teenage son is calling. What could he want?A seemingly simple demand torments Kumarasurar, who fears it might put his finances—and perhaps his son’s life—in jeopardy. As a father’s anxieties unravel, his memories undermine his self-worth and imaginary scenes of damnation taunt him.Estuary brings alive the different ways—absurd and endearing by turns—in which a man and his young son navigate the contemporary world. In the process, it peels back the layers of Kumarasurar’s loneliness: the hurt of a married man whose wife cares only for the happiness of their child, the endless monotony of an office job, and the struggle of the salaried middle-class to give their children the best chance of success.Perumal Murugan’s latest novel, his first in an urban setting, is also a razor-sharp parody of everything from e-commerce to the fitness industry, art appreciation to political manipulation, cram schools to social networks. Through a meditative exploration of a father’s emotional landscape, Murugan tells of a world wrecked by unchecked consumerism and an obsession with growth, where technology overrides common sense and degrees don’t guarantee education. And, with characteristic tenderness, he also weaves in a way to redemption.ABOUT THE AUTHORPERUMAL MURUGAN is the author of eleven novels, five collections of short stories and five anthologies of poetry in Tamil. Three of his novels translated into English—Poonachi: Or the Story of a Black Goat, Trial by Silence and A Lonely Harvest—were shortlisted for the JCB Prize for Literature in 2018 and 2019. His other novels translated into English include Seasons of the Palm, shortlisted for the Kiriyama Prize in 2005, Pyre, Current Show and One Part Woman. Murugan is now the principal at the Government Arts College in Namakkal.ABOUT THE TRANSLATOR:NANDINI KRISHNAN lives in Madras with assorted four-legged and two-legged beings. She is the author of Hitched: The Modern Indian Woman and Arranged Marriage (2013) and Invisible Men: Inside India’s Transmasculine Networks (2018). This is her first translation from Tamil.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    Smuggled into India from Bangladesh and given refuge by his uncle, a leader of the ruling Communist Party, he grows up in Zakaria Street—a Little Baghdad of the old—dreaming of becoming a pukka Kalkatta-wallah. When friendship with a local gang disqualifies him from school, he ends up as assistant to a passport forger, and then a masseur. Soon enough, innocent massage leads to ‘plus plus treatments’, and Kalkatta opens its doors, drawing Jami into the world of the rich and famous, housewives, tourists and travelling executives, and occasionally to high-paying and dangerous ‘parties’. Danger looms, too, from rivals and the police, and the ever-present risk of losing his cover. Jami’s shadowy double life takes a turn for the unexpected when he meets Pablo, a young boy who suffers from leukemia, and his single mother Mandira. Made to oscillate between his refugee family, the neighbourhood gang, his massage-parlour clients, even the cultured world of Bengali intellectuals inhabited by Mandira, he succeeds in becoming a true Kalkatta-wallah, but a stranger to himself. Until his love for Pablo threatens to destroy everything, and drive him away even from his beloved Kalkatta.

    Revealing the phenomenon and difference between faith and belief with prospective to after death ritual.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    His wife Mariamma stretches their money, raises their two boys, and, in her spare time, gleefully fantasizes about Ousep dying. One day, their seemingly happy seventeen-year-old son Unni—an obsessed comic-book artist—falls from the balcony, leaving them to wonder whether it was an accident. Three years later, Ousep receives a package that sends him searching for the answer, hounding his son’s former friends, attending a cartoonists’ meeting, and even accosting a famous neurosurgeon. Meanwhile, younger son Thoma, missing his brother, falls head over heels for the much older girl who befriended them both. Haughty and beautiful, she has her own secrets. The Illicit Happiness of Other People—a smart, wry, and poignant novel—teases you with its mystery, philosophy, and unlikely love story.

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    It is is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

    Mistaken for a holy man, he plays the part and succeeds so well that God himself intervenes to put Raju's newfound sanctity to the test. Narayan's most celebrated novel, The Guide won him the National Prize of the Indian Literary Academy, his country's highest literary honor.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.