Unfortunately fate has other ideas, entangling our lives and making it virtually impossible.My wild friends and crazy family agree I should steer clear of him, but everything becomes irrelevant when we’re together. It’s heart-stopping, gut-wrenching, and my mind is plagued with 'what if'.I’m left questioning if what I thought was the end of our journey was only the beginning.The heart wants it wants, and mine wants Jake, always.But sometimes in life happily ever afters don’t come easily, and ours might prove impossible.**Always You is Book 1 in the Always Series. This book is part one of a trilogy and is not a standalone.**

    Grant was the most famous person in America, considered by most citizens to be equal in stature to George Washington and Abraham Lincoln. Yet today his monuments are rarely visited, his military reputation is overshadowed by that of Robert E. Lee, and his presidency is permanently mired at the bottom of historical rankings. In U. S. Grant, Joan Waugh investigates Grant's place in public memory and the reasons behind the rise and fall of his renown, while simultaneously underscoring the fluctuating memory of the Civil War itself.

    Congress was divided over how the Union should be reunited: when and how the secessionist South should regain full status, whether former Confederates should be punished, and when and whether black men should be given the vote. Devastated by war and resorting to violence, many white Southerners hoped to restore a pre-Civil War society, just without slavery, and the pugnacious Andrew Johnson, who was no Lincoln, seemed to share their goals. With the unchecked power of executive orders, Johnson ignored Congress, pardoned rebel leaders, promoted white supremacy, opposed civil rights, and called Reconstruction unnecessary. Congress had to stop the American president who acted like a king.With her extensive research and profound insights, Brenda Wineapple dramatically restores this pivotal period in American history, when the country, on the heels of a brutal war, was rocked by the first-ever impeachment of a sitting American president. And she brings to vivid life the extraordinary characters who brought that impeachment forward: the willful Johnson and his retinue of advocates--including complicated men like Secretary of State William Seward--as well as the equally complicated visionaries committed to justice and equality for all, like Thaddeus Stevens, Charles Sumner, Frederick Douglass, and Ulysses S. Grant. Theirs was a last-ditch, patriotic, and Constitutional effort to render the goals of the Civil War into reality and to make the Union free, fair, and whole.

    The explanations of transcendent phenomena given by saints, sages, and near-death experiencers—miracles, immortality, heaven, God, and transcendent awareness—are fully congruent with scientific ?discoveries in the fields of relativity, quantum physics, medicine, M-theory, neuroscience, and quantum biology.The Physics of God describes the intersections of science and religion with colorful, easy-to-understand metaphors, making abstruse subjects within both science and religion easily accessible to the layman—no math, no dogma. This intriguing book: Pulls back the curtain on the light-show illusion we call matter. Connects string theory’s hidden brane worlds to religion’s transcendent heavens. Reveals the scientific secret of life and immortality: quantum biology’s ?startling discovery that the human body is continuously entangled. Demonstrates the miracle-making power of our minds to effect instantaneous physiological changes. Explains how the intelligent observer effect confirms our high spiritual ?potential.Compelling and concise, The Physics of God will make you believe in the unity of science and religion and eager to experience the personal transcendence that is the promise of both.

    The Civil War posed a critical test of the young nation's character, endurance, and will to survive. Coming only two generations after the nation's founding, the secession of Southern states challenged the very existence of the United States. "America's most monumental drama and morality tale" comes alive in this brilliant collection from America's leading history magazine, as selected by its current editor-in-chief, Edwin S. Grosvenor.

    It's an important story in the Borges' canon, incorporating most of the author's philosophical and esthetic preoccupations in a typically brief compass. With great solemnity and a convincing array of scholarly detail (including annotated references to imaginary books and articles), Borges contocts a fable of an alternate world and its infiltration of our own. The reality of Tlon is idealist: material objects have no existence; language has no nouns; its principal discipline is psychology, since its inhabitants see the universe as nothing but a series of mental processes. A series of 24 illustrations accompanies the text. Their disturbing resemblances to our reality make them appropriate reflections of Borges's imaginative constructs.' -- The Kingston "Whig-Standard"

    presidents. He freed the slaves, gave the world some of its most beautiful phrases, and redefined the meaning of America. He did all of this with wisdom, compassion, and wit. Yet, throughout his life, Lincoln fought with God. In his early years in Illinois, he rejected even the existence of God and became the village atheist. In time, this changed but still he wrestled with the truth of the Bible, preachers, doctrines, the will of God, the providence of God, and then, finally, God’s purposes in the Civil War. Still, on the day he was shot, Lincoln said he longed to go to Jerusalem to walk in the Savior’s steps.What had happened? What was the journey that took Abraham Lincoln from outspoken atheist to a man who yearned to walk in the footsteps of Christ?In this thrilling journey through a largely unknown part of American history, New York Times best-selling author Stephen Mansfield tells the richly textured story of Abraham Lincoln’s spiritual life and draws from it a meaning sure to inspire Americans today.

    Since his assassination in 1865, no American’s words have become more familiar or more admired, and their enduring power has established him as one of our greatest writers. Now, in a groundbreaking study, the distinguished Lincoln scholar Douglas L. Wilson demonstrates that exploring Lincoln’s presidential writing provides a window onto his presidency and a key to his accomplishments. Lincoln’s Sword tells the story of how Lincoln developed his writing skills, how they served him for a time as a hidden presidential asset, how it gradually became clear that he possessed a formidable literary talent, and it reveals how writing came to play an increasingly important role in his presidency. “By the time he came to write the Gettysburg Address,” Wilson says, “Lincoln was attempting to help put the horrific carnage of the Civil War in a positive light, and at the same time to do it in a way that would have constructive implications for the future. By the time he came to write the Second Inaugural Address, fifteen months later, he was quite consciously in the business of interpreting the war and its deeper meaning, not just for his contemporaries but for what he elsewhere called the ‘vast future.’ ”Illustrated with reproductions of Lincoln’s original manuscripts, Lincoln’s Sword affords an unprecedented look at a distinctively American writer.

    Lee is a story not of defeat but of triumph—triumph in clearing his family name, triumph in marrying properly, triumph over the mighty Mississippi in his work as an engineer, and triumph over all other military men to become the towering figure who commanded the Confederate army in the American Civil War. But late in life Lee confessed that he "was always wanting something."In this probing and personal biography, Emory Thomas reveals more than the man himself did. Robert E. Lee has been, and continues to be, a symbol and hero in the American story. But in life, Thomas writes, Lee was both more and less than his legend. Here is the man behind the legend.

    Beside him is Liz from Accounting. The sun sets, and the temperature plummets. Unwittingly, the pair take refuge in the empty lair of a predator with long fangs and an even longer memory.Armed with nothing but a blunt cutlery knife and paperclips, John and Liz struggle to survive in the wilderness. But hunger, cold, and vicious animals are the least of their problems. Just wait till they meet the natives.

    It was the contest in which an unlettered, hot-tempered southwestern frontiersman, trumpeted by hissupporters as a genuine man of the people, soundly defeated a New England aristocrat whose education and political r�sum� were as impressive as any ever seen in American public life. It was, many historians have argued, the country's first truly democratic presidential election. It was also theelection that opened a Pandora's box of campaign tactics, including coordinated media, get-out-the-vote efforts, fund-raising, organized rallies, opinion polling, campaign paraphernalia, ethnic voting blocs, opposition research, and smear tactics.In The Birth of Modern Politics, Parsons shows that the Adams-Jackson contest also began a national debate that is eerily contemporary, pitting those whose cultural, social, and economic values were rooted in community action for the common good against those who believed the common good was bestserved by giving individuals as much freedom as possible to promote their own interests. The book offers fresh and illuminating portraits of both Adams and Jackson and reveals how, despite their vastly different backgrounds, they had started out with many of the same values, admired one another, andhad often been allies in common causes. But by 1828, caught up in a shifting political landscape, they were plunged into a competition that separated them decisively from the Founding Fathers' era and ushered in a style of politics that is still with us today.

    D. Eisenhower comes a surprising portrait of William Tecumseh Sherman, the Civil War general whose path of destruction cut the Confederacy in two, broke the will of the Southern population, and earned him a place in history as “the first modern general.” Yet behind his reputation as a fierce warrior was a sympathetic man of complex character. A century and a half after the Civil War, Sherman remains one of its most controversial figures—the soldier who brought the fight not only to the Confederate Army, but to Confederate civilians as well. Yet Eisenhower, a West Point graduate and a retired brigadier general (Army Reserves), finds in Sherman a man of startling contrasts, not at all defined by the implications of “total war.” His scruffy, disheveled appearance belied an unconventional and unyielding intellect. Intensely loyal to superior officers, especially Ulysses S. Grant, he was also a stalwart individualist. Confident enough to make demands face-to-face with President Lincoln, he sympathetically listened to the problems of newly freed slaves on his famed march from Atlanta to Savannah. Dubbed “no soldier” during his years at West Point, Sherman later rose to the rank of General of the Army, and though deeply committed to the Union cause, he held the people of the South in great affection.In this remarkable reassessment of Sherman’s life and career, Eisenhower takes readers from Sherman’s Ohio origins and his fledgling first stint in the Army, to his years as a businessman in California and his hurried return to uniform at the outbreak of the war. From Bull Run through Sherman’s epic March to the Sea, Eisenhower offers up a fascinating narrative of a military genius whose influence helped preserve the Union—and forever changed war.

    As the 2012 presidential campaign begins: Profiles of twelve men who have run for the presidency and lost, but who, even in defeat, have had a greater impact on American history than many of those who have served as president—from Henry Clay to Stephen Douglas, William Jennings Bryan to Al Gore—Plus, mini-profiles on 22 "honorable mentions."

    Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.

    Gorky's reputation grew as a unique literary voice from the bottom strata of society and as a fervent advocate of Russia's social, political, and cultural transformation. By 1899, he was openly associating with the emerging Marxist social-democratic movement, which helped make him a celebrity among both the intelligentsia and the growing numbers of "conscious" workers. At the heart of all his work was a belief in the inherent worth and potential of the human person. In his writing, he counterposed individuals, aware of their natural dignity, and inspired by energy and will, with people who succumb to the degrading conditions of life around them. Both his writings and his letters reveal a "restless man" (a frequent self-description) struggling to resolve contradictory feelings of faith and skepticism, love of life and disgust at the vulgarity and pettiness of the human world. He publicly opposed the Tsarist regime and was arrested many times. Gorky befriended many revolutionaries and became a personal friend of Vladimir Lenin after they met in 1902. He exposed governmental control of the press (see Matvei Golovinski affair). In 1902, Gorky was elected an honorary Academician of Literature, but Tsar Nicholas II ordered this annulled. In protest, Anton Chekhov and Vladimir Korolenko left the Academy. Leo Tolstoy with Gorky in Yasnaya Polyana, 1900. From 1900 to 1905, Gorky's writings became more optimistic. He became more involved in the opposition movement, for which he was again briefly imprisoned in 1901. In 1904, having severed his relationship with the Moscow Art Theatre in the wake of conflict with Vladimir Nemirovich-Danchenko, Gorky returned to Nizhny Novgorod to establish a theatre of his own. Both Constantin Stanislavski and Savva Morozov provided financial support for the venture. Stanislavski believed that Gorky's theatre was an opportunity to develop the network of provincial theatres which he hoped would reform the art of the stage in Russia, a dream of his since the 1890s. He sent some pupils from the Art Theatre School-as well as Ioasaf Tikhomirov, who ran the school-to work there. By the autumn, however, after the censor had banned every play that the theatre proposed to stage, Gorky abandoned the project.