Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    A mock elegy for the heady joys of old-time Soho, 'The Song of Lunch' displays the full range of Reid's wit, craft and human sympathy.

    Full of powerful scenes and down-home wisdom, this novel is the story of Rosemary O'Neal and her northern Maine family, including her slightly daft mother, garrulous sister Miriam who wears only green, and gay Uncle Bishop, a 300-pound know-it-all whose current boyfriend has a penchant for ladies' shoes. Add to this confusion a former college roommate, Lizzie, who uses Rosemary's house to hide from her husband and rendezvous with her lover. Rosemary had lived for eight years with William in a big, rambling house in rural Maine. Then William commited suicide on a trip to London, leaving Rosemary with a lot of questions, anger, and no way to say good-bye. Seeking solace from her cat - which seems to better understand human nature than the Homo sapiens - Rosemary retreats from the world, only to be shocked out of her cocoon by an unsettling turn of events. Yet, despite the chaos created by family and friends, Rosemary slowly comes to realize that the anchor that holds them all together is still firmly in place, and that life is but a fleeting, poignant experience to be savored.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    ***Best Small Press Debut of 2012 -- The Atlantic Wire***May We Shed These Human Bodies peers through vast spaces and skies with the world's most powerful telescope to find humanity: wild and bright and hard as diamonds.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    A striking and emotionally resonant collection, SUBWAY DANCER AND OTHER STORIES is a compilation of stories originally published in some of the most respected literary magazines in the country, including The Antioch Review, Virginia Quarterly Review, Glimmer Train and Ploughshares. In the award-winning story “Bloodlines,” two neighbors of different ethnicities are friends in spite of their differences…until an argument about expensive purebred dogs versus mutts from the pound brings the whole neighborhood’s precarious balance crashing down. “Bloodlines” was reprinted in Bark Magazine’s best-selling anthology Dog is My Co-Pilot and was cited in Best American Short Stories. In Witness to Breath, a woman living a dangerous life working on the streets takes in an elderly dog left behind when his owner is killed in a robbery. Despite never having been a dog person, their brief relationship changes her in ways she never could have expected.In Disappearances, a man not fluent in his own emotions tries unsuccessfully to broadside a train in his pickup truck, then spends the rest of the story figuring out the first clue to why he’d try to do such a thing.Among the other riveting and beautifully crafted stories included in this collection, “Five Singing Gardeners and One Dead Stranger” and “Requiem For a Flamer” were nominated for the Pushcart Prize, and “The Man Who Found You in the Woods” was cited in Best American Short Stories. This collection includes an Author’s Note by Catherine Ryan Hyde.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    Having entered the Church more by default than through any great calling, he struggles to inject some life into his ailing parish. His wife Christine longs for them to escape the endless rounds of coffee mornings and cake sales. Then Theo, a child at her school, starts to exhibit strange marks on his hands and feet that vanish almost as soon as they have appeared. What has produced these marks - is it physical violence or something stranger? And why has the previous vicar of St Joseph's ended up in a psychiatric hospital?

    She marks out the precious moments of her characters' lives against deceptively commonplace backdrops -- a St. John's hospital cafeteria lit only by the lights in the snack machines; a half-built house "like a rib cage around a lungful of sky" -- and the results linger long in the memory. In Degrees of Nakedness Lisa Moore shows us that love, alongside desire, can sometimes come as a surprise, sometimes an ambush.