After all, she’s been on a self-imposed losing streak since her survivalist parents died: she’s stopped painting, broken off her engagement to Adrian and dated a real jerk. Rectifying her mistakes has to wait, however, because Cassie and her friends have just enough time to escape Brooklyn for her parents’ cabin before Bornavirus LX turns them into zombies, too. This is difficult enough, but Cassie’s tag along ex-boyfriend and her friend’s bratty sister have a knack for making everything, even the apocalypse, more unpleasant. When the two attract a threat as deadly as the undead to their safe haven, Cassie’s forced to see how far she’ll go to protect those she loves. And it’s a lot farther than she’d anticipated. This, coupled with Adrian’s distant voice on Safe Zone Radio and, of course, the living dead, threaten to put Cassie right back into the funk she just dragged herself out of. Survival’s great and all, especially when you have leather armor, good friends and home-brewed beer, but there’s something Cassie must do besides survive: tell Adrian she still loves him. And to do that, Cassie has to find faith that she’s stronger than she thinks, she’s still a crack shot and true love never dies.

    Ben looked away for only a second at the grocery store, but that was all it took. His brother was gone. Vanished right into the sticky air of the Florida Panhandle. They say you've got only a couple days to find a missing person. Forty-eight hours to conduct searches, knock on doors, and talk to witnesses. Two days to tear the world apart if there's any chance of putting yours back together. That's your window.That window closed five years ago, leaving Ben's life in ruins. He still looks for his brother. Still searches, while his stepmother sits and waits and whispers for Eric, refusing to leave the house that Ben's father can no longer afford. Now twenty and desperate for work, Ben takes a night stock job at the only place that will have him: the store that blinked Eric out of existence.Ben can feel that there's something wrong there. With the people. With his boss. With the graffitied baler that shudders and moans and beckons. There's something wrong with the air itself. He knows he's in the right place now. That the store has much to tell him. So he keeps searching. Keeps looking for his baby brother, while missing the most important message of all. That he should have stopped looking.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.

    She's also not like other girls her age, but then, who would be when the family business is monster hunting? Combat boots, ratty hooded sweatshirts, and hair worn short so nothing with claws can get a grip, Maggie's concerns in life slant more toward survival than fashion or boys. Which presents a problem when Maggie's mother informs Maggie that she can't get her journeyman's license for hunting until she loses her virginity.Something about virgin blood turning vampires into pointy rage monsters. Blood and gore and insides being on the outside and all that. Maggie's battled ghosts and goblins and her fair share of house brownies, but finding herself a boy - fitting in with her peers - proves a much more daunting task than any monster hunt. Did you know normal girls don't stuff their bras with holy water balloons? Nor do they carry wooden stakes in their waistbands. And they care about things like "matching" and "footwear." Of course, they also can't clean a gun blindfolded, shoot a crossbow, or exorcise ghosts from a house. Which means they're lame and Maggie's not. Because Maggie's awesome. The Awesome, in fact. Just ask her. She'd be more than happy to tell you. After she finds herself a date.

    After abandoning his car, and stuck in the middle of the Pennines, running for his life, Gordon reaches a guesthouse and meets up with the owners as well as other guests. After watching the news on the television, Gordon and his guests realise that the country has been thrown into bloody chaos, and are on the verge of a possible apocalypse. Nothing seems to be stopping these things, as the infected that the media are calling "Runners" are running amok and spreading the virus. Join Gordon, Joan, Sue, Lloyd, and Junior to see how this turns out for our characters. Who will manage to avoid the infection that is ravaging the country? Not for person under the age of 18. ,

    So when another tornado touches down in the exact same spot on the anniversary of this small-town tragedy, the town is shaken. For Brenna Ortiz, Joshua Calloway, and Callie Keller, the apprehension is more than just a feeling. Though they seem to share nothing more than a struggle to belong, the teens' paths continue to intersect, bringing them together when they least expect it, and perhaps, when they need it most. Both the living and the dead have secrets and unresolved problems, but they may be able to find peace and move forward--if only they work together.A beautifully told, haunting yet hopeful novel about pushing past the pain, facing the world, and finding yourself.

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    A HOLIDAY OF A LIFETIME.WISH YOU WERE HERE?THINK AGAIN…It should be like any other holiday.Beautiful beaches.Golden sunsets.Nothing for miles.You’ll never want to leave.Until you can’t…

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core.

    He’ll follow you home, and he won’t let you sleep.Who are the Sawkill Girls?Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.

    She starts to remember pieces of a past that frighten her. A past her parents hid from her…and a secret that could get her killed.

    Worse yet, the drafty old mansion they’ve rented is infested with flies, spiders, and other pests Paige doesn’t want to think about.She chalks it up to her rural surroundings, but it’s harder to ignore the strange things happening around the house, from one can of ravioli becoming a dozen, to unreadable words appearing in the walls. Soon Paige’s little brother begins roaming the house at all hours of the night, and there’s something not right about the downstairs neighbor, who knows a lot more than he’s letting on. Things only get creepier when she learns about the sinister cult that conducted experimental rituals in the house almost a hundred years earlier.The more Paige investigates, and the deeper she digs, the clearer it all becomes: whatever is in the house, whatever is causing all the strange occurrences, has no intention of backing down without a fight.Found in the aftermath, Diary of a Haunting collects the journal entries, letters, and photographs Paige left behind.