هذه الإشاعة تدفع مجموعة من الشبان إلىزيارة المكان للتحقق بأنفسهم من الموضوع. مغامرات تتداخلوقصص تتشعب، يسافر عبرها فهد وفارس ونور وسامي فيرحلة عبر الزمن، وعبر تجارب تؤدي إلى فهم أعمق للذات.The only fairy tale or rather “jinn-tale” bedtime stories to come out of the Middle East are hundreds of years old. Well, it was about time for a new one. Part folklore, part philosophy, part myth, and part truth, “Maskoon” (The Haunted) is a young reader’s book based on a real haunted palace in the UAE.The author’s visit to the palace left her with questions and doubts that translated into this bedtime fable-like tale of friendship, loneliness, courage and love.Maskoon was hailed by the media as one of the first novel-length books written in Arabic within the paranormal/horror genre. The book contains a special poetic contribution from the renowned Emirati poet, Rashid Sharar.

    People put their lives in doctors' hands every day--but in no other situation is this so literally true as the moment the anesthesiologist looks casually down at you and says, "You'll be going off to sleep now..."What if the eyes that gaze down at you in that moment of trust and surrender belong to a madman? What if, as you feel yourself slipping away, you see something in those eyes so rank, so terrifying you want to leap off the table and scream?But by then, of course, it's too late.A novel of terror and medical suspense from the author of THE CARTOONIST and HERE AFTERPray you never meet the Sandman...

    The story was collected in his anthology Welcome To The Monkey House. The story centers on a character named Harry Nash, who is an extremely shy & characterless small-town man. However, whenever he takes a part in the local, amateur theater production he becomes the character to an overwhelming extent. Soon Helene Shaw, a recent addition to the town, falls in love with Nash--or with his character in the play.

    

    This work also covers various political and social subtexts of the movies.

    Hollywood has so many stories to tell and, unfortunately, so many of them do not have happy endings. From Marilyn Monroe to posthumous Oscar winner Heath Ledger, this book lays bare some of the myths and gets to the heart of some of Hollywood's Unhappiest Endings.

    An excellent corrective to the Hollywood version of cops and crime.’ Miles Corwin ‘These are stories told by one cop to another - raw, unfiltered and funny. This book is both laugh-out-loud hilarious and moving.’ Jane Bussman WE ARE THE COPS is an adrenalin-fuelled ride through the lives of America’s police, told in the authentic voices of the cops themselves. The journey begins with the rookie’s first day on the job, and moves through the heartbreak of officers dying in the line of duty, the bloody reality of policing savage gang wars, the devastating consequences of drug crime, a gut-wrenching cop’s eye view of 9/11, and even an encounter with a runaway gorilla called Little Joe. These real-life stories from crime fighting’s front line come from cops of every rank, from chiefs to street cops, working in big cities and small towns all over the US. The result is a stunning montage of brutal, funny and sometimes tragic true events which paints a vivid and unforgettable portrait of life as an American cop.

    Gilbert's "The Armageddon Strain" to expose the plot -- and discovers that he's not contending with flesh and blood.

    Love never dies. Here is the sequel to the The Crow written by Jay O'Barr. The motion picture starred the late Brandon Lee, who died during the filming of the movie. This electrifying new motion picture from Miramax/Dimensions Films premieres this summer.

    With plenty of bedrooms for everyone, a big yard, and the best climbing tree they’d ever seen, she and her sisters couldn’t wait to get moved in. It didn’t take long for the house to reveal its secrets. In this spooky tale of a real life haunting, an entire family was targeted as something evil lurked between the walls and threatened to tear them apart. In the two weeks the family lived in the haunted house they battled physical attacks from unseen assailants, spiritual attacks on their articles of devotion throughout the house, and even demonic possession. And then, of course, there was the thing in the basement-the thing that nobody wanted to talk about. Was the house reliving its torrid past or are some houses just born evil? Laura's family was about to find out in the worst way! In this incredible true ghost story of a family living a horrible nightmare in central Kentucky, if you weren’t a believer in the paranormal before, you might just change your mind. (TWO WEEKS is, indeed, a true account of a haunting that took place in the late 1980s.)

    A coin toss determined ownership of the yet unborn foal that was to become the first Triple Crown winner in twenty-five years, breaking and still holding all three track records. The author, who was on personal terms with Secretariat's owner, trainers, grooms, and jockey and who photographed "Big Red" throughout his career, gives us this enthralling intimate portrait - the triumphs and disasters - of Secretariat's gallop to immortality. Secretariat was the best-known and most beloved race horse of the twentieth century. In 1973 his legacy as the greatest horse of all time was permanently etched into the consciousness of the world when he won the Triple Crown. Raymond G. Woolfe Jr. tells the story of Secretariat from the coin toss that sent him to Helen Chenery to his burial at Claiborne Farm. Complete with a glossary of horse-racing terms, a breakdown of Secretariat's bloodline, and a foreword by Ronald Turcotte, Secretariat's jockey during his amazing 1973 campaign, this is the definitive volume for fans of the horse and the sport of horseracing.

    Its fans tend to be fanatical, congregating at 'Lebowski Conventions' in bowling alleys across American and Britain, and even dressing up as characters from the film. Among the funniest films of the last twenty-five years, and one of the high-water marks of 1990s genre recycling and pastiche, The Big Lebowski is also littered with playful and subversive references to film history, especially to Raymond Chandler's world of hardboiled detective classics and the world of film noir. The Big Lebowski is the rarest kind of film, a comedy whose jokes become funnier with repetition. The same goes for its multitudinous jukebox-like references to other films, many of which open up vistas for intertextual interpretation. Underneath the film's breakneck pacing and foul-mouthed characters, a farcical collection of flakes, losers, and phonies, is a surprisingly humane account of what fools we mortals be. It is one of the oddest buddy films ever made, with extraordinary performances by Jeff Bridges and John Goodman. In this study, The Big Lebowski is set into the context of 1990s Hollywood cinema, anatomised for its witty relationship with the classics which it satirises, and discussed in terms of its key theme: the hopeless flailing of ridiculously unmanly men in the world of discombobulated, mixed-up, or put-on identities that is Los Angeles.

    As Lisa and Kosta Fotopoulos lay sleeping in their home, a burglar broke in and shot Lisa at point-blank range in the head. Miraculously, she survived to learn the sobering truth about her would-be assassin—and about her sociopathic husband's deadly agenda.

     Someone with the same habits, the same hobbies, the same interests. She wants The One. And she will do anything to find her. If you like a quick, little read with a touch of romance, a touch of spooky, then you will love KC Luck’s page-turning short story. Note: This is a short story and includes strong female characters in a lesbian relationship.

    A backstage glimpse of the realities of the new Hollywood focuses on the film releases and strategies of the summer of 1998, showing why Godzilla was fated to fail and how Spielberg triumphed.