The story of a lifetime.If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done?This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs.Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

    . . . Her poems offer a curative gift of merciful vision to a country blinded by its own blood and pain, as her narrators wait more or less patiently in their 'difficult knowledge' for the healing of their country's wounds" (San Francisco Examiner and Chronicle).

    I close my eyes and wonder how many girls will come to my funeral.’Vincent Patrick Duffy has already checked out. Trapped between Skintown’s narrow horizons, he chops ribs and chickens in a takeaway, dreaming of escape, joint after freshly rolled joint. A mindless act of kindness leads to the unlikeliest of business opportunities. Where the government has failed, might the second summer of love and a little pill with a dove on it be the broom to sweep away the hatred and replace it with love, so much love? Skintown is Vinny’s drink- and drug-fuelled odyssey through fighting, fishing, rioting, romance, reconciliation and acid house. Bristling with a restless energy and drunk on black humour, this superb debut is a wild ride.

    Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of Irish society; unforgettable characters whose psychological complexities and unspoken yearnings are rendered through silence, humor, and violence.With power and originality akin to Wells Tower’s Everything Ravaged, Everything Burned and Claire Vaye Watkins’ Battleborn these six short stories and one explosive novella occupy the ghostly, melancholic spaces between boyhood and old age. Told in Barrett’s vibrant, distinctive prose, Young Skins is an accomplished and irreverent debut from a brilliant new writer.

    The fire brigade have been doing their best, as have the other emergency services, but whoever is behind the fires has been systematically running them ragged. Whitehall is worried. Something doesn’t add up, so they’ve dispatched a warlock – a former illegal mage, pressed into service of the government to deal with matters of the arcane – to look things over. Jameson Parker is that warlock, and he’s pretty okay with that. His freedoms might be heavily restricted, and any unauthorised use of magic means he’ll be struck down dead instantly, but it could be worse. He gets more or less free rein to swan around Humberside like the big I am, and it gives him a way to atone for his less than stellar past. He’s better off without magic, and he knows it. But is magic better off without him? The warlocks of Humberside don’t seem to think so, and there are rumblings that, as well as the fires, something big is about to go down. Jameson is not best pleased.

    Every cliff, inlet and headland reveals layers of myth and historical memory, and Robinson makes beautifully crafted observations about the habits of birds, plants and the humans who lived there and endured, leaving records in stone - on the walls, cairns and ancient forts - in story and in oral tradition.

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Now that her youngest has flown the nest, Ann finds herself at a loose end. Until, that is, she is put forward for the Kilsudgeon Tidy Towns Committee. Yet all is not neat and tidy in Kilsudgeon. There are strange sightings of people who aren't local driving 4x4s with a yellow reg, a man bun requesting kefir in the restaurant and a quad bike at a funeral.What does this have to do with rumours of a brand new television series to rival Game of Thrones? And what will it all mean for Kilsudgeon's newly proposed town park? A lot, as it happens.As the town begins to fill up with the film crew, extras and a Hollywood star who is fond of the drink, everyone welcomes the chance to make a few bob and to finally get enough broadband to send an attachment.Or nearly everyone. Harmony is threatened when the newcomers seem to be doing more damage than good and the last straw is when Ann’s pride and joy - a floral arrangement in a boat - is trashed. She’s about to discover what it means to go viral…'Warm-spirited, funny, dark when it needs to be, and – most importantly – underwritten by a scalpel-sharp ear for how Irish people really speak…O’Regan never gets it wrong' Sunday Business Post'Ann Devine brings a smile to the face of rural Ireland…O’Regan satirises small-town Ireland with both affection and deadpan wit' Sunday Times'This book captures something warm and wholesome … it feels indulgent and reminds the reader of home. Prepare to laugh and grimace at the antics of the Irish Mammy' Irish Times'Everybody knows an Ann Devine ... It's hard to write a book that's funny the whole way through, consistently funny with belly laughs ... but Colm has done that' Áine Toner, Ireland AM'Laugh-out-loud' Irish Daily Mail'O’Regan taps into the wild, weird and woolly' RTÉ Guide

    Illustrator and writer's Carolyn Marie Castagna's first shared short story.A small icicle hanging from a roof peers inside a window at a small reading room, and learns about magical human qualities, and the importance of the one most special human feeling.

    She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt.But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.Gorgeous and beautifully wrought, Snowflake is an affecting coming-of-age story about a young woman learning to navigate a world that constantly challenges her sense of self.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    Each of the 15 stories offers glimpses into the lives of ordinary Dubliners, and collectively they paint a portrait of a nation.

    It’s the only place left to goWhen Marianne’s carefully constructed life and marriage fall apart, she is forced to return to Ancaire, the ramshackle seaside house perched high on a cliff by the Irish Sea. There she must rebuild her relationship with her mother, Rita, a flamboyant artist and recovering alcoholic who lives by her own rules.Marianne left home when she was fifteen following a traumatic and tragic incident. She never planned to return, and now she has to face the fact that some plans don’t work out the way you wanted them to. But she might just discover that, sometimes, you have to come to terms with the story of your past before you can work out the shape of the future…Set on the wild Irish coast, with an unforgettable cast of characters, this deeply emotional novel is full of Ciara Geraghty’s trademark heart and poignancy.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.