. .Young, alone, and far from her family in Britain, Hope Clearwater contemplates the extraordinary events that left her washed up like driftwood on Brazzaville Beach. It is here, on the distant, lonely outskirts of Africa, where she must come to terms with the perplexing and troubling circumstances of her recent past. For Hope is a survivor of the devastating cruelities of apes and humans alike. And to move forward, she must first grasp some hard and elusive truths: about marriage and madness, about the greed and savagery of charlatan science . . . and about what compels seemingly benign creatures to kill for pleasure alone.

    Brilliantly crafted, moving, and wise, Juneteenth is the work of an American master.Tell me what happened while there's still time, demands the dying Senator Adam Sunraider to the itinerate preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. Bliss's history encompasses the joys of young southern boyhood; bucolic days as a filmmaker, lovemaking in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?Here is the master of American vernacular at the height of his powers, evoking the rhythms of jazz and gospel and ordinary speech.An extraordinary book, a work of staggering virtuosity. With its publication, a giant world of literature has just grown twice as tall. --Newsday

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    Army Special Forces medic, nor Lisette, a foreign correspondent, has emerged from America's long post-9/11 wars in Iraq and Afghanistan unscathed. Yet war also exerts a terrible draw that neither can shake--the noble calling, the camaraderie, the life-and-death stakes. Where else in the world can such a person go? All roads lead to Colombia, where the US, with its patented fusion of intelligence dominance and quick-striking special operators, has partnered with local government to stamp out a vicious civil war and keep the predatory narco gangs at bay. Mason, now a liaison to the Colombian military, is ready for the good war, and Lisette is more than ready to cover it.For Juan Pablo, Mason's counterpart in the Colombian officer corps, translating reality into a language the Americans can understand requires a cartoonist's gift for caricature, but it's child's play next to the challenge of navigating the viper's nest of factions bidding for power, in the capital and far out in the field. And if Juan Pablo's view is dark, the outlook of Abel, a lieutenant in the militia Los Mil Jesuses, which controls territory in rural Norte de Santander, a region on the Venezuelan border where the writ of law scarcely runs, is positively Stygian. Abel has lost everything he loves in the carnage that for his entire life has flowed unceasingly in this region, where the lines between drug cartels, militias, and the state are semi-permeable. It is Abel's cruel fate to find safety only by serving a man he has come to fear and loathe.Missionaries is an astonishment, a novel of extraordinary suspense whose central, unsparing drama is infused by a geopolitical sophistication and a wisdom about the human heart that would be rare even in isolation. As Los Mil Jesuses make their move to fill a power vacuum in Norte de Santander, aided and abetted by the Colombian military for its own reasons, the Americans are made pawns of a game they don't even begin to understand. The result is an unfolding calamity that will leave no character unscathed, and will echo across the planet. A work whose accomplishment calls forth comparisons to Joseph Conrad, Graham Greene, and Robert Stone, Missionaries ultimately stands apart as its own electrifying new form of artistic reckoning with the forces we have unleashed in our world.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    Adopted when just a few months old, she's always felt she was someone with no history. All she has is the address of where she was born - 32B Gambier Terrace, Liverpool. When Holly discovers that the flat is available to rent, she travels north and moves in. And in the very same flat, under the floorboards, she finds a biscuit tin full of yellowing papers. Could these papers be the key to her past?Liverpool - 1981Fifteen-year-old Darren is negotiating life with his errant mother and the younger brother he is raising. When the Toxteth Riots explode around him, Darren finds himself with a moral dilemma that will have consequences for the rest of his life.Moving between the past and the present, Darren and Holly's lives become intertwined. Will finding Darren give Holly the answers she craves? Or will she always feel like the girl who just appeared?

    Set in a small, dusty Texas town, it introduces Jacy, Duane and Sonny, teenagers stumbling towards adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.

    Leo’s bad behaviour, culminating in a car crash while under the influence—a nineteen-year-old waitress beside him—has endangered the Plumbs’ joint trust fund, or “the Nest,” as they’ve taken to calling it. The four siblings are at very different places in their lives, but all believe that this money will solve a host of self-inflicted problems and their consequences. And until Leo’s accident, they’d been mere months away from receiving it.Can Leo get the Plumbs out of this mess, as he’s always been able to do for himself before? Or will the Plumb siblings have to do without the money and the future lives they’ve envisioned? As the siblings grapple with family tensions, old histories and the significant emotional and financial cost of the accident, Sweeney introduces an unforgettable cast of supporting characters: Leo’s stalwart ex-girlfriend who now thinks that maybe, just maybe, he is capable of change; the waitress whose life was shattered in the accident and the Iraqi war veteran who falls in love with her; and a retired, grieving firefighter with a very big secret.Tender, funny and deftly written, The Nest explores what money does to relationships, what happens to our ambitions over the course of our lives, and the fraught but unbreakable ties we have with our families.

    In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater. A writer whose work Jonathan Franzen has called "hilarious . . . cracklingly intelligent . . . and original in every sentence," Lerner captures what it's like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Young Henry Fleming dreams of finding glory and honor as a Union soldier in the American Civil War. Yet he also harbors a hidden fear about how he may react when the horror and bloodshed of battle begin. Fighting the enemy without and the terror within, Fleming must prove himself and find his own meaning of valor. Unbelievable as it may seem, Stephen Crane had never been a member of any army nor had taken part in any battle when he wrote The Red Badge of Courage. But upon its publication in 1895, when Crane was only twenty-four, Red Badge was heralded as a new kind of war novel, marked by astonishing insight into the true psychology of men under fire. Along with the seminal short stories included in this volume—“The Open Boat,” “The Veteran,” and “The Men in the Storm”—The Red Badge of Courage unleashed Crane’s deeply influential impressionistic style.Richard Fusco has been an Assistant Professor of English at Saint Joseph’s University in Philadelphia since 1997. A specialist in nineteenth-century American literature and in short-story narrative theory, he has published on a variety of American, British, and Continental literary figures.

    Inside, assailed by mysterious forces, doctors and patients are left to remember the world they've lost and to imagine one to come. At the center, Jemma Claflin, a medical student, finds herself gifted with strange powers and a frightening destiny. Simultaneously epic and intimate, wildly imaginative and unexpectedly relevant, The Children's Hospital is a work of stunning scope, mesmerizing detail, and wrenching emotion.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Written during the Great Depression when America was largely oblivious to Hitler's aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a President who becomes a dictator to "save the nation." Now finally back in print, It Can't Happen Here remains uniquely important, a shockingly prescient novel that's as fresh and contemporary as today's news.

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.