It's a world in which she can escape some of her more painful childhood realities, like those games her father likes to make her play, where he's the boss and she the naughty secretary. And her mother so fiercely favors her younger brother, the cherubic Willy, that Thelma finds herself perpetually in emotional exile. No wonder Thelma asks practically every adult she meets to adopt her. Along Thelma's bumpy way from a rural English village to Canada to a law degree at Oxford, she meets many potential parents and even makes some friends, but it is with the companions of her fertile imagination—with the scaredy-baby Janawee, moody and timid Ginniger, and big, strong, stoic Heroin—that Thelma finds comfort. With them, too, she loses an already tenuous connection to reality, though ultimately Thelma's spirit and humor prove to be as indomitable as her wit. "Moving and comic at once.... Hallucinatory, hilarious, and haunting."—Boston Globe "Prickly, unsentimental...a portrait of terrible comic humanity."—New York Times Book Review "Mesmerizing.... Lush, visceral prose ... rings with an authority rarely found in first novels."—Washington Post Book World "A novel of astonishing power .... An instantaneous classic."—Baltimore Sun "Elegant ... sings with an almost Victorian delicacy and sophistication."—San Francisco Chronicle

    Meet Lou—a lapsed novelist, struggling Buddhist, and UFO fan—who drives for a ramshackle taxi company that operates on the outskirts of a north Mississippi college town. With Uber moving into town and his way of life vanishing, his girlfriend moving out, and his archenemy dispatcher suddenly returning to town on the lam, Lou must finish his bedlam shift by aiding and abetting the host of criminal misfits haunting the back seat of his disintegrating Town Car. Lou is forced to decide how much he can take as a driver, and whether keeping his job is worth madness and heartbreak.Shedding nuts and bolts, The Last Taxi Driver careens through highways and back roads, from Mississippi to Memphis, as Lou becomes increasingly somnambulant and his fares increasingly eccentric. Equal parts Bukowski and Portis, Durkee’s darkly comic novel is a feverish, hilarious, and gritty look at a forgotten America and a man at life’s crossroads.

    He comforts himself with the certainty that his stellar academic record and brains will bring him the adulation that has evaded him in high school. But when an unthinkable catastrophe tears away the one girl he ever had a chance with, his life takes a bizarre turn as he discovers an inexplicable power: He can regenerate his organs and limbs.When a chance encounter brings him face to face with a girl from his past, he decides that he must use his gift to save her from a violent husband and dismal future. His quest takes him to the glitz and greed of Hollywood, and into the crosshairs of shadowy forces bent on using and abusing his gift. Can Dale use his power to redeem himself and those he loves, or will the one thing that finally makes him special be his demise? The Heart Does Not Grow Back is a darkly comic, starkly original take on the superhero tale, introducing an exceptional new literary voice in Fred Venturini.

    Fifteen years ago Vida Avery arrived alone and pregnant at elite Fayer Academy. She has since become a fixture and one of the best teachers Fayer has ever had. By living on campus, on an island off the New England coast, Vida has cocooned herself and her son, Peter, from the outside world and from an inside secret. For years she has lived largely through the books she teaches, but when she accepts the impulsive marriage proposal of ardent widower Tom Belou, the prescribed life Vida has constructed is swiftly dismantled.This is a passionate tale of a mother and son's vital bond and a provocative look at our notions of intimacy, honesty, loyalty, and the real meaning of home. A triumphant and masterful follow-up to her multi-award-winning debut, The English Teacher confirms Lily King as one of the most accomplished and vibrant young voices of today.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    But things soon begin to unravel as Trevor is drawn into a secret world of sex and scandal, only to have his lust for success drag him down again through a phantasmagoria of hedonistic hell."Shocking and unapologetic", South of Bixby Bridge barrels along with the "frenetic pace of a Hollywood blockbuster," delivering "poetic prose loaded with images". With gripping drama, witty dialogue, and sexy, jaw-dropping glimpses into the nouveau-riche underworld of California's wealthy elite, you won't be able to put this riveting new novel down. Buckle up and enjoy the read!

    Whenever she’s not working, she’s pounding London’s streets, putting the past behind her. Then she meets a fellow Australian named India, and Hannah’s entranced. For India is confident, exotic, and charming—qualities that Hannah feels she’s desperately lacking.Pass it on…India has a secret, too – one beyond any remedy. For it’s a secret that is currently sealed in a love letter and is making its journey across Europe in the most unconventional way—through the hands of strangers as they pass on the street.And who knows where it will lead…Before the letter with India’s deepest, darkest secret reaches its destination, can the women find the connection that will take each of them exactly where they need to go….

    Then his life falls apart. Along the way, he wonders: where does he, a brown man, belong in America? Raj Bhatt is often unsure of where he belongs. Having moved to America from Bombay as a child, he knew few Indian kids. Now middle-aged, he lives mostly happily in California, with a job at a university.  Still, his white wife seems to fit in better than he does at times, especially at their tennis club, a place he’s cautiously come to love.    But it’s there that, in one week, his life unravels. It begins at a meeting for potential new members: Raj thrills to find an African American couple on the list; he dreams of a more diverse club. But in an effort to connect, he makes a racist joke. The committee turns on him, no matter the years of prejudice he’s put up with.  And worse still, he soon finds his job is in jeopardy after a group of students report him as a reverse racist, thanks to his alleged “anti-Western bias.”   Heartfelt, humorous, and hard-hitting, Members Only explores what membership and belonging mean, as Raj navigates the complicated space between black and white America.

    Hoping for a new start, she moves to San Francisco to bunk with six other new flight attendants. Among them is KC Valentine, a free spirit who encourages Emily to shed her mousy ways and start collecting experiences as exciting as her passport stamps. Emily soon follows KC's advice a little too well, falling in love with an older, married co-worker named Tien, a father to two young girls. But as Emily and Tien become more deeply entangled, KC grows distraught. Neither her friends nor co-workers know the real reason she became a flight attendant: to find her father who abandoned her as a child. As Emily and KC fly from Vegas to Boston, San Francisco to London, Chicago to Delhi, each searching for love and acceptance, they're torn between passion and moral conviction, freedom and belonging.An assured debut from a former flight attendant, Love Me Anyway deftly captures the complexities of love, friendship, and family, the excitement and loneliness that come from living everywhere and nowhere, and the surprising detours life can take when you set out to discover the world.

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

    She was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. Here in the shadow of the drug war, bodies turn up on the outskirts of the village to be taken back to the earth by scorpions and snakes. School is held sporadically, when a volunteer can be coerced away from the big city for a semester. In Guerrero the drug lords are kings, and mothers disguise their daughters as sons, or when that fails they “make them ugly” – cropping their hair, blackening their teeth- anything to protect them from the rapacious grasp of the cartels. And when the black SUVs roll through town, Ladydi and her friends burrow into holes in their backyards like animals, tucked safely out of sight. While her mother waits in vain for her husband’s return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance, and finds her first taste of love with a young caretaker there. But when a local murder tied to the cartel implicates a friend, Ladydi’s future takes a dark turn. Despite the odds against her, this spirited heroine’s resilience and resolve bring hope to otherwise heartbreaking conditions. An illuminating and affecting portrait of women in rural Mexico, and a stunning exploration of the hidden consequences of an unjust war, PRAYERS FOR THE STOLEN is an unforgettable story of friendship, family, and determination.

    When she’s not working, she’s swimming—lap after lap at the local indoor pool, in a desperate attempt to wash away the sting of professional failure and heartbreak that she can’t seem to shake. It takes an unexpected client to show her that appearances can be deceiving, and that sometimes the bravest thing you can do is simply dive back in.

    A new college student, she is caught between the broken home she leaves behind and the wilderness of campus life. What she needs most is her mother, who has seemingly disappeared, and her brother, who left the family tragically a few years prior.As Agnes falls into new romance, mines female friendships for intimacy, and struggles to find her footing, she writes letters to her mother, both to conjure a closeness they never had and to try to translate her experiences to herself. When she finds out she is pregnant, Agnes begins to contend with what it means to be a mother and, in some ways, what it means to be your own mother.

    As an estate lawyer, an unfortunate part of her day-to-day is phone calls from the next of kin informing her that one of her clients has died. But nothing could have prepared Ana for the call from Rebecca Taylor, explaining in a strangely calm tone that her husband Connor was killed in an accident. Ana had been having an affair with Connor for three years, keeping their love secret in hotel rooms, weekends away, and swiftly deleted text messages. Though consuming, they hide their love well, and nobody knows of their relationship except Mark, Connor's best friend. Alone and undone, Ana seeks friendship with the person who she once thought of as her adversary and opposite, but who is now the only one who shares her pain -- Rebecca. As Ana becomes closer to her lover's widow, she is forced to reconcile painful truths about the affair, and the fickleness of love and desire. Funny, frank, and strange, Sarah Crossan's moving novel is wholly original and deeply resonant.

    All she has left is a yard brimming with plants that are wilting in the scorching Iowa summer—and a bone-deep feeling that she’s through with living. Meg has something else too: a bottle of mysterious pills, given to her years ago by an empathetic doctor. He promised that they would offer her dying mother a quick, painless end in exactly twenty days. Though her mother never needed them, Meg does. But a strange thing happens after Meg swallows the little green pearls . . . Now that she’s decided to leave this world, Meg is rediscovering the joy in it. She sheds everything she no longer needs—possessions, regrets, guilt—and reconnects with those she cares for. Finally confronting the depth of her grief, she’s learning that love runs deeper still. But is it too late to choose to stay?