From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

    She landed in the New World and lived there for three years, giving birth to a baby before sailing home. Or so the Icelandic sagas say. Even after archaeologists found a Viking longhouse in Newfoundland, no one believed that the details of Gudrid’s story were true. Then, in 2001, a team of scientists discovered what may have been this pioneering woman’s last house, buried under a hay field in Iceland, just where the sagas suggested it could be. Joining scientists experimenting with cutting-edge technology and the latest archaeological techniques, and tracing Gudrid’s steps on land and in the sagas, Nancy Marie Brown reconstructs a life that spanned—and expanded—the bounds of the then-known world. She also sheds new light on the society that gave rise to a woman even more extraordinary than legend has painted her and illuminates the reasons for its collapse.

    She was a dedicated patron of the arts, a lively and talented intellectual, a victim of violence and adultery, and a passionate advocate for the rights of women. Above all she is portrayed as a woman of reason in the Age of Reason.

    But Elaine Sciolino, the longtime Paris bureau chief of The New York Times, has discovered that seduction is much more than a game to the French: it is the key to understanding France.Seduction plays a crucial role in how the French relate to one another—not just in romantic relationships but also in how they conduct business, enjoy food and drink, define style, engage in intellectual debate, elect politicians, and project power around the world. While sexual repartee and conquest remain at the heart of seduction, for the French seduction has become a philosophy of life, even an ideology, that can confuse outsiders.In La Seduction, Sciolino gives us an inside view of how seduction works in all areas, analyzing its limits as well as its power. She demystifies the French way of life in an entertaining and personal narrative that carries us from the neighborhood shops of Paris to the halls of government, from the gardens of Versailles to the agricultural heartland.La Seduction will charm you and encourage you to lower your defenses about the French. Pull up a chair and let Elaine Sciolino seduce you.

    The Chronicle of Western Fashion records the astonishing variety of ways in which the human form can be adorned - from the relative simplicity of the classical world, to the elaborate social distinctions implicit in the clothing of the Middle Ages, through the exotic richness of the Renaissance, on to the changing conventions of the eighteenth and nineteenth centuries and the vibrant diversity of twentieth-century fashion. John Peacock's meticulous color drawings are based on a lifetime of extensive research. Organized chronologically, the drawings are accompanied by detailed descriptions of each figure, including the individual items of dress shown and the fabric, cut, pattern, and color that have been used in each instance. The vast range of clothing reveals not only national characteristics but also social divisions: young and old, rich and poor, countryfolk and town dwellers, clergy and tradesmen, royalty and commoners. A fully illustrated glossary explains technical terms and features a wide range of hats, hair decorations, gloves, and other accessories.The Chronicle of Western Fashion is the indispensable reference work on its subject. No student, amateur, or professional designer, costume or fashion enthusiast, collector or social historian will want to be without it.

    Brilliantly funny and insightful, it puts individual people back at the center of the story of the French Revolution, telling this remarkable story as it has never been told before.For the Haymarket edition, Steel has added a new preface for North American readers and revised the book to address parallel themes in US history.

    Kings do battle with knights and knaves for possession of the finest pieces and the secrets of their manufacture.For Genevieve Planché, an English-born descendant of Huguenot refugees, porcelain holds far less allure; she wants to be an artist, a painter of international repute, but nobody takes the idea of a female artist seriously in London. If only she could reach Venice. When Genevieve meets the charming Sir Gabriel Courtenay, he offers her an opportunity she can’t refuse; if she learns the secrets of porcelain, he will send her to Venice. But in particular, she must learn the secrets of the colour blue… The ensuing events take Genevieve deep into England’s emerging industrial heartlands, where not only does she learn about porcelain, but also about the art of industrial espionage. With the heart and spirit of her Huguenot ancestors, Genevieve faces her challenges head on, but how much is she willing to suffer in pursuit and protection of the colour blue?

    She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

    Jackson Bate delves deep into the character that formed Johnson's awesome intellect and fueled his prodigious output. The first great modern biography of Johnson, it confirms that his statements and judgments on literature, politics, religion, behavior - on all human experience - are as relevant in our age as when they were first uttered. This new edition brings a modern classic back into print and includes a new preface from the author.

    Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.Never before has the account of Hollywood’s most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

    But how did this period of nearly continuous warfare affect the world beyond Europe? The immensity of the fighting waged by France against England, Prussia, Austria, and Russia, and the immediate consequences of the tremors that spread from France as a result, overshadow the profound repercussions that the Napoleonic Wars had throughout the world. In this far-ranging work, Alexander Mikaberidze argues that the Napoleonic Wars can only be fully understood with an international context in mind. France struggled for dominance not only on the plains of Europe but also in the Americas, West and South Africa, Ottoman Empire, Iran, India, Indonesia, the Philippines, Mediterranean Sea, and the Atlantic and Indian Oceans. Taking specific regions in turn, Mikaberidze discusses major political-military events around the world and situates geopolitical decision-making within its long- and short-term contexts. From the British expeditions to Argentina and South Africa to the Franco-Russian maneuvering in the Ottoman Empire, the effects of the French Revolution and Napoleonic Wars would shape international affairs well into the next century. In Egypt, the Wars led to the rise of Mehmed Ali and the emergence of a powerful Egyptian state; in North America, the period transformed and enlarged the newly established United States; and in South America, the Spanish colonial empire witnessed the start of national-liberation movements that ultimately ended imperial control. Skillfully narrated and deeply researched, here at last is the complete global story of the period, one that expands our contemporary view of the Napoleonic Wars and their role in laying the foundations of the modern world.

    Marie Antoinette was a mirror of her time. Never has a queen been so passionately admired and adulated, then hunted, vilified, and defamed. Spanning her tragically brief yet passionate life—from the young queen playing a shepherdess on stage, unaware of the turmoil in the capital, to France’s guillotined “martyr queen"—the author demystifies the legend, unveiling the woman behind the queen, and the wife and mother behind the sovereign.  Readers will experience the palatial luxury of the queen’s Versailles by tracing Marie Antoinette’s footsteps through the royal residence, as well as discovering her voice through rare letters and encountering little-known works in her private art collection.

    McQueen found inspiration for his avant-garde collections everywhere: his Scottish ancestry, Alfred Hitchcock movies, Yoruba mythology, the destruction of the environment—even the fashion industry itself. Whatever his inspiration, however, McQueen’s concept for his runway show came first and was crucial to the development of the collection. Every show had a narrative and was staged with his characteristic dramatic flair. Highland Rape featured disheveled models smeared with “blood” staggering down the runway in town clothes. In Scanners, two robots sprayed paint on a model trapped on a spinning platform. In Widows of Culloden, a hologram of supermodel Kate Moss held center stage. Other McQueen shows staged models walking through water, drifting snowflakes, rain, and wind tunnels; pole-dancing in garish makeup at a carnival, playing living pieces in a bizarre chess game, and performing with trained dancers in a Depression-era-style marathon. Illustrated throughout with stunning photography and liberally sprinkled with quotations from McQueen and those who knew him best, Alexander McQueen: Evolution is the story of the designer’s thirty-five runway shows and the genius behind them.

      During World War II, SS Hauptsturmführer Nikolaus “Klaus” Barbie earned a reputation for sadistic cruelty unmatched by all but a handful of his contemporaries in Adolf Hitler’s Gestapo. In 1942, he was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with unparalleled enthusiasm.   Thousands of people died on Barbie’s orders during his time in France—often by his own hand—including forty-four orphaned Jewish children and captured resistance leader Jean Moulin, who was tortured and beaten to death. When the Allies were approaching Lyons in the months following the D-Day invasion, Barbie and his subordinates fled, but not before brutally slaughtering all the prisoners still being held captive.   But the war’s conclusion was not the end of the Klaus Barbie nightmare. With the dawning of the Cold War, the “Butcher of Lyons” went on to find a new purpose in South America, just as tensions between the United States and the Soviet Union were escalating. Soon, Barbie had a different employer who valued his wartime experience and expertise as an anti-communist man hunter and murderer: the US intelligence services.   In Klaus Barbie, investigative journalist and documentary filmmaker Tom Bower tells the fascinating, startling, and truly disturbing story of a real-life human monster, and draws back the curtain on one of America’s most shocking secrets of the Cold War.

    Focusing on the village of Elton, in the English East Midlands, the Gieses detail the agricultural advances that made communal living possible, explain what domestic life was like for serf and lord alike, and describe the central role of the church in maintaining social harmony. Though the main focus is on Elton, c. 1300, the Gieses supply enlightening historical context on the origin, development, and decline of the European village, itself an invention of the Middle Ages.Meticulously researched, Life in a Medieval Village is a remarkable account that illustrates the captivating world of the Middle Ages and demonstrates what it was like to live during a fascinating—and often misunderstood—era.